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Q's Compilations
Vol #160 – February
to March 2025
01) Annie DiRusso - Back in Town: Annie DiRusso’s debut album, Super Pedestrian was just released via Summer Soup Songs on the 7th of March. I heard about her because Squirrel Flower announced that she was opening a show of hers at Webster Hall in May so decided to check her out, I’m liking the record the more I listen to it and this song is probably my earworm of the month.
02) Ethan Beck and the Charlie Browns - Fear and Loathing in Gramercy: This record (Duck Hollow) was released back in May though I only heard about it in the last month or so. The whole thing has a lot of classic power-pop influences and is an unabashedly fun record.
03) Night Shop - Let Me Be the Lamb: It’s been three years since the last Night Shop record (Forever Night) and this is the lead single from new album The Beloved Returns which will drop on the 4th of April and promises to be “louder and faster than any Night Shop record before”.
04) Momma - I Want You Fever: Momma’s new album, Welcome to My Blue Sky is due for release on the 4th of April on Polyvinyl Records, I first featured them on Q#137 (April 2021) and it has been rewarding seeing the band’s growing popularity since then. To tie the Q-comps together a little bit, drummer Preston Fulks is the son of country great Robbie Fulks.
05) L.A. Witch – 777: An even longer-term Q-comp band, I’ve been a fan of L.A. Witch for over a decade at this point (I first used them on Q#98 from October 2014), this song is from their upcoming record Doggod, another album coming out on the 4th of April (I did not intend to have three songs with the same release date in a row…).
06) J. Robbins - Exquisite Corpse: One of the most surprisingly brilliant records from 2024 was Basilisk, the second solo record of Jawbox frontman J. Robbins, which to be fair shouldn’t be that surprising because his 2019 solo record Un-Becoming was also fantastic.
07) Attract Mode – Sure: Washington D.C.’s Attract Mode is essentially a solo project from artist Chris McCrea and has a classic post-punk sound to it, I think I heard about this from https://rosyoverdrive.com/. This record, The Art of Psychic Self-Defense was released in December 2024.
08) Karate – Defendants: After a successful re-issue campaign from Numero and a comeback tour, Boston greats Karate released their first record in 20 years with Make It Fit, there’s a surprising amount of energy given their slowcore and jazz past, although there are still plenty of those elements on the record. This song opens the record and comes in pretty hot, but it’s a better record than they have any right to put out.
09) Nervous Verbs - Vicious Riffs: A new release via Don Giovanni Records, Pony Coughing is the debut record from Nervous Verbs, a solo project from Mike Montgomery whose projects include Ampline and R. Ring (who you’ll no doubt remember from Q#148). The album has a nice loose quality to it with mostly delicate folk-tinged melodies and hushed vocals.
10) LAKE - Wonderful Sunlight: Another Don Giovanni release, Lake’s latest (their 10th) record, Bucolic Gone, came out on the 7th of March has a breezy quality to it that lands somewhere in the realms of Yo La Tengo in places.
11) Beth Gibbons - Floating on a Moment: Portishead singer Beth Gibbons released what I guess is technically her debut solo album last year with Lives Outgrown (2002’s Out of Season with Rustin Man counts if you ask me). It’s a beautiful record, which is hardly surprising, and this song was the lead single from it. I’m excited to be seeing her show at the Beacon Theatre in April.
12) Faetooth – Echolalia: LA trio Faetooth’s debut album Remnants of the Vessel came out in 2022 but I only heard it recently (they’re playing a show here in April I’d like to go to). The record is large a doom/stoner metal with some exceptional sludgy riffs, with this song probably being the most straightforward track.
13) Elder – Compendium: Elder are celebrating the 10th anniversary of their stone-cold classic album, Lore, by playing it in full on tour that thankfully visits Brooklyn next month (this song opens the album). I’ve not managed to see the band live before so I’m incredibly jazzed about seeing this show in particular. Their last album was 2022’s Innate Passage and the band will be focusing on new material after finishing up this tour.
14) Tsunami - In a Name: Not to be confused with Chilean greats Tsunamis (who I had the pleasure of getting to see their first ever NYC show in March), but cult-favourites in their own right, this band just got a large re-issue courtesy of (you guessed it) Numero Group. Loud Is As contains the band’s four albums and presumably everything else they recorded over the course of 62 tracks.
15) Rodeo Boys - All American Made: Another Don Giovanni record… Junior is Rodeo Boys’ second record and will come out on the 25th of April, you might recall Feel the Same from Q#152 that appeared on the band’s 2023 debut Home Movies. I don’t know if the band would love or hate this comparison but the song gives me If It Makes You Happy by Sheryl Crow kinda vibes.
16) Buffalo Tom – Helmet: Boston greats Buffalo Tom released their 10th album last year with Jump Rope that came out in June, and their first since 2018’s Quiet and Peace. It’s a relatively low key affair, possibly too low key for a band that are relatively masters of the midtempo alt-rock tune. Buffalo Tom are one of those bands who should be celebrated way more.
17) Blondshell - What's Fair: If You Asked for a Picture is coming out on the 2nd of May and will be Blondshell’s second album following up the self-titled debut from 2023. I’m all for the return of radio-friendly alt rock.
18) Samia - Bovine Excision: Samia’s new record, Bloodless, is due on the 25th of April via Grand Jury Music. I loved her debut, The Baby, and enjoyed 2023’s follow-up Honey but after listening to it repeatedly on release, it hasn’t seemed to stick. I like this lead single a lot though and am hoping for a bit of a comeback.
19) Squid - Blood on the Boulders: Squid’s latest record (their third), Cowards, just came out on the 7th of February via Warp Records (I used lead single Crispy Skin on Q#158), this tune encapsulates everything the Squid are about I think.
20) Flooding - Transept Exit: I don’t recall how I heard about this Kansas City slowcore trio, maybe I was just trawling bandcamp for slowcore acts as I often do… this is taken from the band’s second album, 2023’s Silhouette Machine which is a real triumph and isn’t afraid to turn the amps up to 11 frequently to the point where it’s more than just a slowcore album but is filled with post-hardcore bludgeoning moments too, it just made sense to close the mix out with this one.
Anyway, a little rushed as usual but thanks for listening (or reading, or both?)!
As
always, Peace and Love - Q