Showing posts with label Julian Velard. Show all posts
Showing posts with label Julian Velard. Show all posts

Monday, 31 July 2017

Q#114 - June to July 2017


Please note that the zip file has a password: QCOMPS.BLOGSPOT
Download mix from: http://www.mediafire.com/file/6y261vrdaspmqpx/Q114.zip

Q's Compilations
Vol #114 – June to July 2017

Greetings! I completed another orbit around the sun on the 13th of June and so far 35 is treating me pretty well, let’s hope that continues. This time around you’re getting mostly new releases with a few leftovers from a different mix I made recently.

01) Feral Ohms - Love Damage: Oakland power trio Feral Ohms recently played a couple of shows in New York and it was one of the best no-frills sets I have seen in a long time. I should have just bought the vinyl there and then but ended up buying the bandcamp download. “There’s a love damage in my skull”

02) The Creation - How Does It Feel to Feel: The Numero group did their usual excellent work by putting together a comprehensive 2LP set called Action Painting. If you know any other song by them aside from Making Time then it’s probably this but I just wanted to put it on.

03) Robert Pollard - My Daughter Yes She Knows: The ever prolific Robert Pollard released the 100th album of his career earlier in the year with Guided By Voices’ August By Cake, this track, however, comes from his last “solo” album, Of Course You Are, from 2016.

04) Ride – Cali: Oxford legends Ride got back for some shows a couple of years ago, but just released their first album in 21 years with Weather Diaries, and while most bands fail to recapture the magic after that long apart, the record is much better than their final couple from their original run.

05) The Pains of Being Pure at Heart – Anymore: Brooklyn’s Paints of Being Pure at Heart released their first album in three years in July with The Echo of Pleasure. I saw them for the first time in five years recently and forgot how much I enjoyed them. “I couldn’t take anymore, anymore, anymore.”

06) Waxahatchee - Sparks Fly: Katie Crutchfield just released Out in the Storm, via Merge Records, Waxahatchee’s fourth record. It’s probably the most guitar-driven to date and I caught a full-band show at Warsaw recently, which I was a bit sceptical if it would work given that her best material is stripped down with just an acoustic guitar (like this track, for the most part!), but it was perfect. “Death grip on some feigned humility, Effort executed beautifully, My pride clenched tight in my shaky hand, Til I let go and buried my head in the sand”

07) Big Thief - Mythological Beauty: The band’s second album, Capacity, via Saddle Creek, and it’s one of the most beautifully delicate records I’ve heard in some time. Given Mark Kozelek’s reluctance to actually write songs at the moment, it’s definitely filling some of my Red House Painters desires. I saw them recently at Prospect Park and while it’s quite hard to play this kind of music in a large outdoor setting, it was still a wonderful set. “You’re all caught up inside, but you know the way”

08) Jeffrey Lewis - Roll Bus Roll: I used a different Jeffrey Lewis track on a mix for a friend recently but this was very close to making the cut instead, and so I felt like I had to throw it on. This is from perhaps his best album, Em Are I, and I just love the vivid imagery. “Old bodegas and old streetlights, Harlem looks so warm tonight”

09) The Mountain Goats - This Year: Being let loose on a friend’s vinyl collection, I made the mistake of playing this great album (The Sunset Tree), forgetting this track was on it. Perhaps not the best vibe for a dinner party. Anyway, The Mountain Goats just released their sixteenth record, Goths, which is their first record without any guitars. It’s pretty good. I’ll be seeing them in November. “I am gonna make it through this year if it kills me”

10) John Andrews & the Yawns – Drivers: Going through my press releases recently I was curious to hear this release from Quilt drummer John Andrews, Bad Posture is quite a delightful record, and certainly fitting with the Woodsist label from where it comes. “I don’t know you no more, don’t owe you no more”

11) Jesu & Sun Kil Moon – Bombs: I’ve already made reference to Mark Kozelek’s somewhat failure to write a conventional song these days and this is a good example. From the second collaborative record with Jesu, 30 Seconds to the Decline of Planet Earth, clocking in at 13 minutes, the spoken-word day-in-the-life-of-Mark-Kozelek is getting kinda tiresome but I still can’t help but like it somewhat. One does hope that he is reaching saturation point with this kind of thing, however.

12) Justin Currie - Failing to See: It’s possible you may not remember that Del Amitri are the greatest band of all time, and that’s ok, no-one is perfect. Frontman Justin Currie released his fourth solo record, This is My Kingdom Now, and it’s another obviously great collection of songs. “Do you hurt me just cos you know that I'll live?”

13) Big Star – Thirteen: I was out with a friend trying to keep a few thoughts to myself and this song played in the bar, and not that I needed reminding, but it really is just a fabulous song. I did not deliberately put this as track thirteen. This particular version is a live version from Big Star Story, which was my introduction to the band. “Won't you tell me what you're thinking of? Would you be an outlaw for my love?”

14) Julian Velard - Glad I Wasted All My Time With You: Having successfully completed a kickstarter campaign (of which I contributed), Fancy Words for Failure was just released and it’s a nice mix of ballads and sarcastic pop tunes. This is clearly the former!

15) Molly Burch - Please Be Mine: This is the title track from Molly Burch’s debut album (via Captured Tracks), and it’s an effortlessly smooth record with immaculate vocals (I just remembered I used Please Forgive Me on Q#112 if you’d care to revisit that too).

16) Thundercat - Captain Stupido: I sometimes think that flicking through vinyl and CD racks is the only way I can clear my head, or at least forget what’s bothering me temporarily, and while stress-buying far too many records back in April at Rough Trade, I heard this song playing over the PA. I can’t remember the last time my ears truly pricked up and made me buy something but Drunk feels like the first time that has happened in a while. There are some fairly silly songs on the record, of which this is one, but the bass work in particular over is pretty captivating. “I feel weird, Comb your beard, brush your teeth, Still feel weird, Beat your meat, go to sleep”

17) The Lemonheads - Down About It: This was another leftover from a different mix, The Lemonheads are one of my go-to bands when I’m not sure what I want to listen to, they can always make me feel something. “And out like a light when it's not plugged in, Fading around if it starts again, You just don't get it when, I get so down about it”

18) Superchunk - 100,000 Fireflies: I got the re-issued Distant Plastic Trees by the Magnetic Fields recently from Merge which obviously has this wonderful track on it. Then I remembered that Superchunk covered it and I wanted to use a track by them on a different mix, this didn’t make it, but it’s a great cover. “I went out to the forest and caught, 100,000 fireflies, As they ricochet round the room, They remind me of your starry eyes, Someone else's might not have made me so sad, But this is the worst night I ever had. Cause I'm afraid of the dark without you close to me, I'm afraid of the dark without you close to me, Always was”

19) Slowdive - Sugar for the Pill: Similar to Ride, Slowdive just released their first album in 22 years with a self-titled release, and once again it’s a pretty damn good record. I saw them on my last trip back home in June and it’s probably the best show I’ve seen this year. “Our love has never known the way, Sugar for the pill, You know it's just the way things are, Cannot buy the sun, This jealousy will break the whole”

As always, Peace and Love

Q

Monday, 28 November 2016

Q#110 October – November 2016


Please note that the zip file has a password: QCOMPS.BLOGSPOT
Download mix from: http://www.mediafire.com/file/spbpbe2geh2kcsy/Q%23110.zip 


Q’s Compilations
Volume #110 October – November 2016

What a strange couple of months. I managed to go home for a couple of weeks which was nice, squeezed in a few nights in Rome as I’d never been to Italy before, oh and Donald Trump was elected the 45th president of the USA… I shouldn’t be surprised by people’s collective stupidity after the Brexit vote in the summer, but still, it does make scratch your head (I’m trying to be polite). Anyway, this was rather hurriedly put together so the notes may seem a bit light, but there should be plenty to enjoy musically.

01) La Sera – Queens: Not content with releasing a full length album and a collaborative covers album, Katy Goodman’s La Sera just released a digital-only EP, also called Queens. This track is a shift from the sound on Music for Listening to Music to, although the EP itself reworks a couple of tracks found on that album (as well as a cover of Led Zeppelin’s Whole Lotta Love, which they had covered on tour).

02) Hurry - Casual Feelings: I used Nothing to Say on the last mix and the trio from Philadelphia just put out a 3-track EP (of which this is the title track) which you can get on bandcamp.
“Maybe this is just one big mistake”

03) The Scientists - Frantic Romantic: Re-issue specialists Numero recently released A Place Called Bad, a collection of the Australian band’s whole discography. I used High Noon on the Oct/Nov 2015 mix so the timing seemed fitting to use them again.

04) Ultimate Painting – Bills: Another band that last appeared a year ago, Ultimate Painting have just released new album, Dusk, at the end of September. They’re probably one of those bands who will never change, and that’s not a bad thing in this case. If you want twee, Velvet-Underground-influenced jangle-pop, then they do it as well as anyone.

05) Nada Surf - Beautiful Beat (live): After releasing You Know Who You Are earlier in the year, New York’s finest released their second live album in recent times, though Peaceful Ghosts isn’t a typical live record as they’re accompanied by an orchestra. This song might articulate better than any other the importance of music as a pick-me-up. “Sometimes all I want is another, Drink or another pill, If I could get anything done, Maybe I'd hold still, I'm trying to levitate I'm, Trying to leave the ground, Tryin' to remember when I could, Fix anything with sound”

06) Aldous Harding - Stop Your Tears: I had a digital copy of Aldous Harding’s eponymous record through a press promo a few months ago but didn’t find the time to give it much thought, but while finding songs for this mix, this tune in particular really stood out. Hailing from New Zealand, her album was put out by Flying Nun, which is always a good sign, although the label is not particularly known for goth-folk releases like this one!

07) Springtime Carnivore - Double Infinity: Second album, Midnight Room, is sure to be one of my favourite albums of the year. Greta Morgan’s voice is much more to the fore (which is very much a good thing) and the record has a good mix of upbeat and sombre tunes, she also plays most of the instruments herself and I think has one of the best ears for a melody I’ve heard in a long time. “After the afterglow, your two faces start to show, I’ve been waiting for the one I know”

08) PJ Harvey - The Wheel: I hadn’t seen PJ Harvey play live since 2009 so despite her playing at Terminal 5, I couldn’t bear to miss it. Despite the venue, it was another great show and she still might be the best live singer I’ve seen. Latest album, The Hope Six Demolition Project, is similar to previous album Let England Shake, but her 10-piece band brought everything to life perfectly.

09) Cut Worms - Don't Want to Say Goodbye: There are some obvious Everly Brothers vibes on this track, indeed there are on many of them on Max Clarke’s songs. I saw Cut Worms open for Luna recently (who played their best album, Penthouse, in full) and it didn’t seem to take long for him to win over the crowd, how could you not with songs like this?

10) Volta Jazz - Air Volta: Another Numero-release, Bobo Yeye concentrates on Burkina Faso between 1970-1979, during which the country was known as the Republic of Upper Volta. I’m still waiting for the box-set to come through the post so I can’t say I know a whole lot about them!

11) Coulibaly Tidiane & Dafra Star - Si Tu Maime: This is another track from the Bobo Yeye box set, so again, I don’t really know anything about this other than the track itself being great. Enjoy!

12) Julian Velard - I Don't Know How to Drive: Whilst hankering for a show after a slow couple of weeks, I went to see Julian Velard on the recommendation of a friend. Going in slightly blind, I certainly came out as a fan of his equal-parts self-depreciative/self-loving style and his New York-centric piano tunes. “My feet on the street I’m alive, I’m at looking you, Stuck sitting in traffic for, an hour or two, The back of a cabbie’s head blocking the view, That’s not what New Yorkers do “

13) Elephant Stone - See the Light: Elephant Stone’s recent album Ship of Fools, has gone a little more, I don’t know how to say it, standard-indie, or at least there is a lot less of their sitar signature-sound. The songs are good, but I can’t help but feel there is something less distinct about the experience.

14) Mark Eitzel - The Last 10 Years: Eitzel’s tenth solo album, Hey Mr Ferryman, will be out on Merge Records in January, and was recorded by Bernard Butler (he also played all the electric guitar/bass/keyboard parts of the album). Eitzel’s delivery is as good as ever and the vividness of his lyrics are always remarkable (maybe I just drink too much…). “I spent the last ten years trying to waste half an hour”

15) Wymond Miles - Stand Before Me: Not that there’s anything wrong with the Fresh & Onlys (indeed, they’re rather splendid), but Wymond Miles is one of those rare examples where the solo work is better than the band they’re in. On his latest album, Call By Night, maybe doesn’t have the immediate appeal of his previous work, but once you get used to the songs they’re just as satisfying.

16) The Appleseed Cast - Cathedral Rings: Of all the “emo” bands I’ve seen in the last few years, The Appleseed Cast are probably my favourite. Having seen them last year and just recently opening for Caspian, they’re one of those bands I’ll try to catch each time. I’m still pretty ignorant about their actual discography, however, they did play this song so I knew what to look for! There’s some really great drumming on this track in particular.

17) Kim Gordon - Murdered Out: I was surprised to read that this is the first thing that Kim has released in her own name and features Stella Mozgawa of Warpaint on drums. The repetitive bass line forms the framework of the song and lets the guitars to veer off in any direction they feel like. Hopefully there are more like this!

18) The Body - Shelter is Illusory: The Body’s latest album, No One Deserves Happiness, is a typically intense experience from the duo, who apparently said they wanted to make “the grossest pop album of all time”, which is a tall order! I’m not sure you could ever say anything they do is pop (though this song is probably the closest to that), but they can be delightfully gross on occasion.

19) Swans - Finally, Peace: I saw Swans when I went to San Francisco recently, and seeing them live is akin to being bludgeoned for two hours straight, in a good way, of course! On record, the intensity is dialled down a little bit and they often produce moments of beauty, like this one, which closes out their most recent album, The Glowing Man, which was released this year. The whole record clocks in at an almost typical 2 hours.

And that’s it for me for 2016, the next mix will be in January and feature my favourite releases of the year. Until then, I wish you all a happy rest of the year.

Peace and love - Q