Showing posts with label Pinkwash. Show all posts
Showing posts with label Pinkwash. Show all posts

Thursday, 30 November 2017

Q#116 - October to November 2017



Please note that the zip file has a password: QCOMPS.BLOGSPOT
Download mix from: https://www.mediafire.com/file/rqz2rf2iuwrp585/Q116.zip


Q's Compilations
Vol #116 – October to November 2017

Greetings to the final mix of the year… seems weird to type but here we are. It has been a topsy turvy year but I would not change the highs for anything.

01) Pinkwash - No Real Witness: I went to Princeton recently for hopefully the final time (work-related) and finally managed to time it for a visit to Princeton Record Exchange. Managed a reasonably-restrained $100 supermarket-sweep style run which included Pinkwash’s Collective Sigh album for a bargain $10 on vinyl. This tune opens the record and the pace doesn’t really let up from there.

02) Against Me! - Dead Rats: Took a friend to see Against Me! for their birthday recently at Brooklyn Steel. The only other time I had seen the band was at a surprise show at Saint Vitus and it was a bit of a hardcore-fans-only shitshow (from my perspective of never having heard a note of the band by that point). Anyway, fast forward a few years and I enjoyed this show a lot. This is from the Shape Shift With Me record from September 2016.

03) Bleached – Flipside: One of the opening bands for the Against Me! show was Bleached, who I hadn’t seen since my birthday in 2013, the band have gone a little more in a pop-rock, cleaner direction since then and, if anything, all the better for it. “I’m a basket case with a warm embrace”

04) Worriers - Future Me: Worriers just released their third record, Survival Pop, and it’s another dose of melodic pop-punk to follow-up the Laura Jane Grace-produced second album Imaginary Life (hey, that’s three Against Me things in a row). “When I leave you’ll never notice it. But I relive those years like phantom limbs”

05) Hazel English - Never Going Home: A bit of a change of pace here, Hazel English is an Oakland-based Aussie who makes the kind of treble-heavy, gorgeous synth and guitar music that was all the rage a few years ago but you don’t hear so much anymore. That might not be quite true, it’s just that Glasslands hasn’t existed for four years and that’s where I’d hear this kind of music the most. “Falling in, Inch by inch, I'm not resisting, And I'm addicted tonight”

06) Tim Darcy - Still Waking Up: Tim Darcy is the frontman of the magnificent Montreal band, Ought (who just signed to Merge Records), his debut album, Saturday Night, was released in February via Jagjaguwar. This is one of the more immediate tracks and has somewhat of a lullaby quality to it, I picked it up at Princeton Record Exchange and it’s different enough from Ought to justify the solo release. “Waking up alone, Was always a hard day's night, Oh-Ohh, Cause my head is full of popular songs, Old ones I never sang along to, Along to, Isn't it funny how that happens?”

07) Lee Ranaldo – Circular: Lee Ranaldo is my favourite member of Sonic Youth, and he continues to release interesting and challenging music that simply isn’t harking back to former glories (having said that, I do like Thurston Moore’s solo stuff too!). Electric Trim is Lee’s latest solo record and was released via Mute in September.

08) Josh Ritter - Thunderbolt's Goodnight: I bought a Josh Ritter album (Historical Conquests) when it came out probably ten years ago and liked it but never kept it in rotation and probably didn’t give him another thought until this year. I saw him live last month and he put on a good show, his lyrics really came to the fore. This tune in particular resonated pretty strongly and comes from his latest record, Gathering, which was released in September this year. “I see your face, In the window, I see your face in the reflections of the moon, I feel my own, Ancients shadows disappear when I am near to you, So take this heart, Take this feeling, take my dark and reeling mind, From these poor words, Find a meaning far deeper than these clumsy lines, And all my life, Before I met you, when I was trying hard in love, I thought the sun, Was going down, but the sun was comin' up”

09) Bill MacKay & Ryley Walker - Stretching My Dollar In Piano: I decided to get out of town for a few days so headed to Asheville. As always when I decide to go somewhere I scour for shows to attend and noticed that Bill MacKay and Ryley Walker were doing a show, I’d never heard of the former but admire Ryley’s work. Turns out the two of them have released two records together of instrumental acoustic music and thankfully it was exactly what I was in the mood for (earnest singer-songwriter lyrics would not have been welcome on yet another solo holiday).

10) A. Savage - Indian Style: Parquet Courts’ Andrew Savage just released his debut solo record, Thawing Dawn, and it’s a more melodic, often sombre offering than anything they’ve released. In one of those lost-in-translation moments between US and UK vernacular, I didn’t know that “indian style” meant sitting cross-legged until I heard this song.

11) The Beatles - Here, There and Everywhere: I saw Paul McCartney recently at Barclays Centre and he put on another excellent show, I was a little hesitant to see him again after the spectacular show I saw in 2010, but it was more than worthwhile. It got me thinking about underrated Beatles tunes and this might even be my second favourite song by them (after Here Comes the Sun). “Here, making each day of the year, Changing my life with the wave of her hand, Nobody can deny that there's something there, There, running my hands through her hair, Both of us thinking how good it can be”

12) Yeah Yeah Yeahs - Cheated Hearts: I’ve almost certainly used this song at some point, probably a decade ago so I’m not going to be feel too precious about repeats… anyway, the band played at Kings Theatre a few weeks ago and being the only venue I’ve ever been able to walk to, it was rude not to go. They played a blinder (graciously ignoring their only dud of a record, 2013’s Mosquito, almost entirely) and this has possibly my favourite YYYs song.

13) The Rubinoos - I Want to Be Your Boyfriend: One of the great powerpop songs, I’ve had this in my head a lot for the last couple of months so figured the best way to deal with it was to throw it on the mix. The Berkeley, California quartet played a couple of shows in New York in the summer and I’m pretty bummed I had to miss them. “Late at night when I, when I can't sleep, Picture in my mind, I see you and me, I, I'm telling you what I wanna be, You, you're saying you're in love with me, And oh, it feels so good in a dream, That I know in life it's just got to be, I wanna tell you...”

14) The Final Solution – Brotherman: Brotherman was to be a blaxploitation pic in the mid 70s and Final Solution were all set to do the soundtrack, but unfortunately the film was cancelled even before a single roll of film was shot. Thirty years later, the Numero Group did their thing and pulled the record together and it stands up wonderfully on its own.

15) Jackie Shane - Any Other Way: Another obscure treasure unearthed by Numero, Jackie Shane briefly made some waves in Toronto in the 60s. Born in Nashville in 1940 when being black and transgender alone would have been difficult, Shane identified as a woman in a man’s body by the time she was 13 and emigrated to Canada in 1959. This cover of the William Bell classic was her biggest success, reaching number 2 on the charts in Toronto, but since the early 70s she has been very much a mysterious recluse.

16) Betty Harris - Hook, Line & Sinker: Another Princeton purchase was Soul Jazz records 2-LP set The Lost Queen of New Orleans Soul, I already had one greatest hits package of hers on CD but couldn’t help myself. Both Mean Man and There’s a Break in the Road are two of my favourite songs of all time and this song just jumped out at me when it hadn’t distinguished itself before.

17) The Mountain Goats – Shelved: Despite not being hugely into the band’s latest effort, Goths, in comparison to other records, The Mountain Goats might be my second-most listened to act of the year and I caught them for the first time in a couple of years recently at Brooklyn Steel. This track is probably my favourite from the new record. The Peter Hook-esque bassline in the second half of the song is a pure delight.

18) The Afghan Whigs - Arabian Nights: Afghan Whigs are one of my favourite bands but their latest release, In Spades, was released in May and mostly passed me by. The record is pretty good but sometimes missing a band on tour when they’re supporting their latest efforts means I barely get round to listening to the album itself.

19) Super Static Fever - Areness For Fun: Here’s yet another Numero re-issue of a band that could scarcely have been more obscure. Existing for a couple of years and only playing a handful of shows, unfinished tapes from two recording sessions were mixed by Steve Albini.

20) L.A. Witch - Baby in Blue Jeans: Five years after the band released their demos and after a handful of single releases, the Los Angeles trio finally released a debut full length (self-titled) via Suicide Squeeze. If you like your rock from the reverb-drenched desert, then this should tickle your fancy.

21) Grizzly Bear - Sky Took Hold: Yet another band I like who released a record I’ve been a little underwhelmed by, Grizzly Bear released Painted Ruins, their first effort in five years. This tune is an absolute delight, however, and I probably owe the record a few more passes.

And there you go. I have to admit, this was somewhat hastily put together and I’ve written these notes on a pretty reclusive thanksgiving weekend


As always, Peace and Love. Hope everyone had a good 2017 and here’s to a better 2018 for all - Q


Please note that the zip file has a password: QCOMPS.BLOGSPOT

Download mix from: https://www.mediafire.com/file/rqz2rf2iuwrp585/Q116.zip

Monday, 28 March 2016

Q#106 February – March 2016


Please note that the zip file has a password: Q106
Download mix from: http://www.mediafire.com/download/7cpli6i4oys8lfz/Q106.zip

Q’s Compilations
Volume #106 February – March 2016

A slow start to the year is starting to pick up a little bit now, spring is here officially! This mix is a combination of songs I couldn’t fit onto the “best of 2015” mix, new songs and older material that I wanted to use for some reason or another. A bit of a mish mash as usual, hopefully there is something for you to enjoy.

01) Dimnas III - I Won't Love You Again: Kicking things off with a soul number, courtesy of Numero’s Royal Jesters release. I love the grit in the vocals but have to confess to knowing nothing about the group. Just enjoy it!

02) Boogarins - 6000 Dias: Brazilian band Boogarins followed up 2013’s As Plantas Que Curam last year with the rather excellent Manual on Other Music. They seem more focused and confident with their songwriting and is one of my favourite albums of the year so far. Having not seen them since 2014 I’m hoping to catch their show at Baby’s All Right on the 14th of April.

03) Pete Astor - Really Something: Pete Astor formed The Loft in 1983 and was one of the earliest signings on Creation Records, fast forward many years and Astor’s sporadic discography is a treasure. This particular album, Spilt Milk, was record by James Hoare of Veronica Falls, The Proper Ornaments and Ultimate Painting (all 3 of which have featured on these compilations).

04) Nada Surf - Believe You're Mine: I really can’t say anything new about Nada Surf, they might just be the most important band to me. 4 years after the release of The Stars are Indifferent to Astronomy, the band have just released their 8th album, You Know Who You Are. Lyrically it certainly seems like Matthew has gone through a bit of a hard time in the last few years, with many lyrics in particular hitting close to home, I think he’s one of the best songwriters of all time and should get more credit. The album is filled with all their signature power pop, they just do what they do better than anyone else.

05) Crow Bait – 83: Long Island Trio Crow Bait produce the kind of unadulterated songwriters indie-rock the likes of Buffalo Tom were knocking out in the 90s. Signed to Don Giovanni records, they have one album to date, 2014’s Sliding Through The Halls Of Fate.

06) Robyn Hitchcock - I'm Only You: Deserving of “National Treasure” status, I hadn’t seen Robyn Hitchcock since 2010 in Oxford, and due to the genrousity of a friend, managed to put that right last November when he played at City Winery. He played this song (from 1985’s Fegmania! Album) and while I could have chosen from a few dozen tracks, I was reminded just how much I liked it. “Said I'm a pattern on a china bowl, I'm a memory engraved upon your soul, I'm a prison cell without a door, I'm a finger drawing, On a frosty window pane”

07) Advaeta - Church Cult: I saw Brooklyn-trio Advaeta just over a year ago supporting Moon Duo and while I was deeply impressed with their set, I just didn’t get round to seeing them again and they flew off my radar for a little bit. Thankfully that changed when I saw their record for sale at Other Music, and it’s as varied and intricate as I remember.

08) Big Ups - National Parks: Second albums are notoriously difficult, but Big Ups have gone up at least a couple of levels with the release of Before a Million Universes, which sees them slow things down a little from their hardcore origins and adopt a more Slint-like approach.

09) PINKWASH - Longer Now: Philadelphia duo PINKWASH released the incredible Your Cure Your Soul EP in 2014 and are set to unleash their debut full length in May called Collective Sigh. This is the first song to be released from it and doesn’t stray from the sound of their debut EP, all the better for it.

10) Jesu & Sun Kil Moon - Good Morning My Love: Just when you think Kozelek simply can’t possibly write any more lyrics, he takes his stream-of-consciousness style to yet another level on a collaborative album with Jesu. Musically the record is pretty diverse, with crunching slowcore electric guitars on some songs and electronic drums and keyboards on others.

11) Vaadat Charigim - Imperia Achrona: Israeli band Vaadat Charigim, whose name roughly translates as committee of the abnormal, released their second album, Sinking As A Stone, on Burger Records last year. They sing in Hebrew but to see these it gives the songs an otherworldly quality that befits the genre. I caught the band on their first tour of the US in 2014 but missed their last New York show (though I did see them in Austin last year), I’ll be putting that right when they play at Palisades on the 30th of March.

12) Hilly Eye - Jersey City: Brooklyn two-piece Hilly Eye consist of guitarist/vocalist Amy Klein and drummer/vocalist Catherine Tung, they formed in 2009 and have one album to date, 2013’s Reasons to Live. I hadn’t heard of the band before but received it in a random assortment of vinyl I purchased from Don Giovanni’s moving sale and was won over instantly with their slowcore quiet/loud anthems.

13) Jenny Lewis with the Watson Twins - Melt Your Heart: Rabbit Fur Coat is 10 years old this year and Jenny Lewis played a few special shows in celebration of the landmark. I caught one of the shows at the Beacon Theatre and despite being almost the farthest from the stage that you can get there, she made the setting still seem intimate. “Are we killing time? Are we killing each other?”

14) La Sera - Take My Heart: Katy Goodman’s once side-project La Sera is now very much a full time gig, and a duo at that, with now husband Todd Wisenbaker an official member. Music for Listening to Music to just came out via Polyvinyl Records and was produced by Ryan Adams. The album is a perfect continuation of the discography, with some country influences coming to the fore, but it’s the confidence in Goodman’s voice that is the star of the show. “Pick up the pieces, they've flown away, Lift them up gently in your arms and say, Do you believe in me? Do you believe in me?“

15) Sheer Agony – Debonaires: I featured I Have a Dream on the last mix but mostly due to time constraints as it is a short but sweet song. If I had more time I’d have used this track, which is probably my favourite on Masterpiece, there is a real Television-esque guitar wigout that more people deserve to hear!

16) Dead Tenants - Dead Tenants: The rare trinity of band/album/song name come to the fore with this offering as Queens-based trio. There’s more than a little hint of Fugazi on this track, and I caught the end of the band’s set a couple of months ago after going bowling, and those are two things I’d like to repeat!

17) Protomartyr - Why Does It Shake?: Protomartyr might just be everyone’s favourite post-punk band these days, and The Agent Intellect deservedly made many end-of-year-lists and having seen them a few times live now, they might just be hitting the top of their game in all aspects. Some aren’t taken with Joe Casey’s sometimes mumbling delivery but it works for me.

18) Slint - Good Morning, Captain: After using a Big Ups song earlier, I couldn’t help but put something from Slint’s influential 1991 release, Spiderland. That might not have been a great idea though because it just made me sad that I didn’t get to see their last set of reunion shows in 2014.

I’m feeling a little burned out already but have a few days holiday in DC to look forward to, no particular reason, I just wanted to see somewhere new. Hopefully you’ve all heard something new on this mix.

Until next time

Peace and love - Q 

Please note that the zip file has a password: Q106
Download mix from: http://www.mediafire.com/download/7cpli6i4oys8lfz/Q106.zip

Sunday, 30 November 2014

Q#98 - October - November 2014



Please note that the zip file has a password: Q98
Download mix from: http://www.mediafire.com/download/y41mha16l969nd6/Q98.zip


Q’s Compilations
Volume #98 October – November 2014

My favourite concert space and DIY venue, Death By Audio, closed on the 22nd of November. My words on that can be found here (http://freewilliamsburg.com/death-by-audio-is-closed-a-tribute-plus-video-footage-of-its-final-shows/). This mix consists of bands I saw at the venue and may go some way of showing why it was the best damn music venue, that booked the best bands, had the best sound, the best staff, and will be missed greatly.

01) Pop Zeus - Dead in the Water: Mikey Hodges produces perfect power-pop and this song is probably his best. New York’s music scene is certainly weaker since he moved to the West Coast. Pick up debut album and the Tell Me So EP on his bandcamp page: http://popzeus.bandcamp.com/  

02) Hector's Pets - New Job: I’m not sure if there’s a band I saw more times at DBA than Hector’s Pets (two of the band were also in Pop Zeus’ band), so it wouldn’t be appropriate at all to leave them out. The band’s debut, Pet-O-Feelia is a garage-rock triumph.

03) Bennio Qwerty - Pipe Dreams: One of the joys of going to DBA was not needing to do your homework and trust that Edan had put together a good bill, the openers were just as likely to be as good as the headliners. The band are one of my favourites in Brooklyn and I have DBA to thank for that.

04) Brick Mower - Never Said Easy: I’ve used Brick Mower a bunch of times and they were another band I’d never heard of until they rocked up to the stage at DBA (opening for California X and Nuclear Santa Claust). This track is from their latest release, 2014’s Teenage Graceland.

05) Meatbodies – Tremmors: It should be no surprise that Meatbodies’ Chad Ubovich has spent time in both Ty Segall and Mikal Cronin’s bands. That should really be all I need to say! They delivered possibly the set of this year’s CMJ (save possibly Slowdive’s unlikely reunion).

06) Pinkwash - So Long: Philadelphia’s Pinkwash consist of Ashley Arnwine (current drummer in Bleeding Rainbow) and Joey Doubek formerly of Hume, together they make an almighty racket and while two-piece bands seem to be in right now, I can’t think of anyone who does it better.

07) Metz – Rats: Canada’s Metz played their first ever New York Show at DBA (as did so many others) and also appear on the 2012 Live at DBA Flexi Book, so it was fitting that they would play one of the last ever shows at the venue, which also ended up being one of the best I ever saw. The band’s debut album was one of the best records of 2012 (Headache appears on Q#87).

08) Roomrunner - Super Vague: Possibly the hottest, stickiest show I have ever been to was Roomrunner and Speedy Ortiz at DBA, it was another one of those nights the power went out, but technical difficulties aside, Roomrunner are one of the best live bands around and they powered through their set.

09) Thee Oh Sees - Carrion Crawler (live at DBA): This was recorded by NYC Taper in June (http://www.nyctaper.com/2014/06/thee-oh-sees-june-15-2014-death-by-audio-flacmp3streaming/), a show that I attended featuring their new-look three piece setup. I could have used a studio track but I think this live recording captures their live sound pretty well, warts and all.

10) Ty Segall – Manipulator: I think if you asked most people to name one act synonymous with DBA then Ty Segall would be the one most would say (who didn’t live or work there, at least). This is the title-track from his latest studio album (at the time of writing, he’ll probably release another 3 albums in the next hour). I took the picture on the cover for this mix at his last appearance at the venue.

11) JEFF the Brotherhood - U Got the Look: JEFF are another band that instantly rolls off the tongue when thinking about DBA along with Ty Segall and Thee Oh Sees, and they played the final night (as well as the previous month). I want to say they played this song but their set was such a blur I can’t remember! This track appears on Heavy Days.

12) Screaming Females - A New Kid: I saw Screaming Females 5 times in 2014 and was glad to finally see them at DBA before it closed, Marissa also did my favourite DBA mural (the one with the freaky sausage dogs). This track appears on Castle Talk and is always a live favourite, but then again, Screamales are probably the best live band around right now so they’re all favourites!

13) Tweens – Forever: I was surprised to see I had only used Be Mean from the band’s demos CD, I guess I had been saving tracks up for the best-of-the-year mix because their debut is one of my absolute favourites.

14) Parquet Courts - Stoned and Starving: Before I saw Parquet Courts play at DBA they said “we learned how to be a band here”, and they played a blinding set of favourites, as if it were a show that they wanted to remember for the rest of their lives, let alone the audience. This is of course from their flagship LP, Light Up Gold.

15) Vaadat Charigim – Odisea: Another great thing about DBA was its philosophy of giving touring bands a platform. Israeli band Vaadat Charagim (which a friend tells me means Committee of the Nonbelievers in Hebrew, what a great name) wear their shoegazing influences firmly on their sleeve, but execute it with incredible panache.

16) Dick Diver - Calendar Days: Australian band Dick Diver’s 2013 album Calendar Days is a wonderful jangle-indie-pop record. The band’s name was taken from a character in the F. Scott Fitzgerald novel Tender Is the Night. The group say “On one level it’s pretentious, but it’s also pretty gross,” says Edwards. “So it’s a pretty honest representation of the band.”

17) Woods - Shining (live at DBA): This is another recording courtesy of NYC Taper (http://www.nyctaper.com/2014/11/woods-november-6-2014-death-by-audio-flacmp3streaming/), the track originally appears on the band’s latest record, With Light and With Love.

18) Vivian Girls - I Head You Say: As well as saying goodbye to DBA this year, we also said goodbye to Vivian Girls, who played two farewell shows in Brooklyn this January, with their penultimate show being at DBA, where they had played so many times. This appears on 2011’s Share the Joy, which turned out to be their final record.

19) Priests – Doctor: Washington DC’s Priests signed to Don Giovanni this year and released the fantastic EP Bodies and Control and Money and Power having previously released a couple of tapes on the Sister Polygon label.

20) Numerators - Finally Sees: A staple of the New York DIY scene and somewhat of a DBA houseband, Numerators include drummer Burgers Rana, who worked the door at DBA. The band’s bio states “we believe in pizza, the log lady, & rock n roll.”, and that’s maybe all the description you need! For more, see http://thenumerators.bandcamp.com/

21) Protomartyr - Scum, Rise!: Detroit’s finest get compared to The Fall quite a lot, but I think that is doing them a huge disservice, despite often being just as intoxicated, the band manage to keep their shit together for a start! Protomartyr probably played DBA more than any other out-of-town band and were clearly a favourite. Under Color of Official Right is sure to make many a best-of-2014 list.

22) L.A. Witch - Get Lost: Sludgey guitars? Reverb-soaked vocals? The tried and tested formula rarely fails to excite and L.A. Witch are no exception. They recently played during the CMJ Music Marathon (and while more of an anti-CMJ venue, it’s still going to be hard to swallow to think that the venue won’t be there for next year).

23) A Place to Bury Strangers - I Lost You: No other band is so entrenched into the Death By Audio dynamic than A Place to Bury Strangers, Oliver Ackerman is co-founder of the venue and also builder of the effects pedals of the same name. They played numerous times at the venue, including the final night, which was also Oliver’s birthday. This track appears on Onwards to the Wall.

24) Diarrhea Planet – Separations: While their studio output doesn’t come close to the sheer spectacle of their live show, there was something about this song that just made me want to put it on, sometimes you don’t need a reason. From their second album, I’m Rich Beyond Your Wildest Dreams.

26) Mac DeMarco - Only You: I’m closing this mix with the first headliner I ever saw at DBA, I had wondered just what I had let myself in for as they played to a packed crowd dripping with sweat, the power cut out and everything seemed to go wrong. This masked what was generally a perfectly ran space, and in spite of the mishaps, something made me want to go back, and then I kept going back. While Mac’s star continues to rise, I can’t help but feel his schtick is becoming a little more hit-and-miss with his ubiquitousness. However, every time I hear a song like this I’m reminded of his talents.

Obviously this mix is brilliant, and in many mays it isn’t my mix, if you ever went to DBA in any capacity, it’s yours.

Until next time

Peace and love - Q

Please note that the zip file has a password: Q98
Download mix from: http://www.mediafire.com/download/y41mha16l969nd6/Q98.zip