Showing posts with label Tenement. Show all posts
Showing posts with label Tenement. Show all posts

Wednesday, 28 September 2016

Q#109 August to September 2016


Download from http://www.mediafire.com/file/re6h5s1rk0fduh4/Q109.zip

Q’s Compilations
Volume #109 August – September 2016

Greetings! Autumn is finally here and since the last mix I had a nice few days in San Francisco, I hadn’t been out to the West Coast before and can see why people like it, the weather is certainly more agreeable there. However, there are fewer feelings better than coming back to New York after being away.

01) Drive Like Jehu - Here Come the Rome Plows: Felt quite lucky to be able to see Drive Like Jehu on this brief run of shows they put together, almost 20 years after their initial break up. Of course they played this song, and pretty much everything else you would want to hear! One could make a good case for them being the best post-hardcore band (I’d probably have to hand it to Fugazi, as would most).

02) Tyvek – Wayne County Roads: As everyone who reads these notes should know, Death By Audio was my favourite music venue and closed almost 2 years ago. Famous Class recently put out a 3LP set of songs from the last month the venue was open called Open Your Own Fucking Showspace. I saw Tyvek at the venue a couple of times (including this recording) and they always put on a good show.

03) Ted Leo & the Pharmacists – Bottled in Cork: Here’s another track from Open Your Own Fucking Showspace, I think it had been some time since Ted Leo & the Pharmacists had played (he often plays solo), and they were one of the surprise guests when Screaming Females played.

04) Hurry – Nothing to Say: I recently saw this trio from Philadelphia trio open for Nada Surf and was pretty quickly won over with their jangle-tinged tunes and the sarcastic between-song banter never hurts. Their album, Guided Meditation, was released in April and is on bandcamp for a mere $5.

05) Katy Goodman & Greta Morgan – Where Eagles Dare: Two of my favourite artists in recent years, Katy Goodman (La Sera) and Greta Morgan (Springtime Carnivore) teamed up and released a covers album called Take It, It’s Yours. Turning 10 punk/new wave songs into slow, sombre but beautiful compositions with gorgeous harmonies. The approach reminds me a little of what Mark Kozelek did with his AC/DC covers record (in spirit moreso than execution). “we walk the streets at night, we go where eagles dare, they pick up every movement, they pick up every loser, with jaded eyes and features, you think they really care?”

06) Amber Arcades – Right Now: Another band I recently saw open for Nada Surf, and after doing some more research, it’s not surprising me to find out that this song was recorded in New York, with a backing band that consists of members from Real Estate, Quilt and Kevin Morby (with Ben Greenberg producing). Amber Arcades is the moniker of Annelotte de Graaf, and her soft but sweet vocal marries perfectly with the production here. “I made my mind up long ago, The road is long and slow, So many things to leave behind, But everyone can live their lie, I’m not even sure that I don’t like mine”

07) The Jigsaw Seen – Your Mind is Like Mine: I have to admit to being slightly embarrassed that I didn’t know Jigsaw Seen have still been a pretty active band in recent years. Considering they have written one of my favourite songs of all time, My Name is Tom, from 1991, you’d think I’d keep on top of things. Regardless, I was thankful to get the chance to see them recently (and of course, they played that song), promoting their most recent album, Old Man Reverb, which has all their signature sounds and I gleefully picked it up after the show, now I just need to fill the gaping holes in my record collection.

08) Robert Forster – Pandanus: This month’s freebie-from-my-friend-Herb entry comes via Go Betweens’ Robert Forster, the album The Evangelist got a lot of plaudits upon its release in 2008, but was one of those albums that passed me by at the time. Most of the album has more of a singer-songwriter vibe, but this certainly evokes his older band. “The candle of the day, Has burnt down to wick, The candle of the night, Has not yet been lit”

09) Dusk – My Own Design: Whilst having somewhat of a meltdown being at yet another show on my own (which is probably a good 60% of the time), I was reminded why I do go to so many shows solo, because every band were fantastic. Headlined by Tenement (more from them soon), Amos Pitsch’s other band, Dusk, also played. They play a soulful take on country and have multiple harmonies while sharing lead vocals on different songs. They don’t have an album yet, but hopefully that won’t be the case for too long. This song was released on bandcamp in March. “I used to love you and I used to know why”

10) Okkervil River – Okkervil River RIP: 3 years ago Okkervil River released The Silver Gymnasium and I met Will Sheff at a record store, trying to give a compliment I said “one day you’ll release a bad album but it hasn’t happened yet!”, to which he laughed and said that sounded ominous. Having just released new album Away, his winning streak is still intact.

11) Teenage Fanclub – Hold On: I haven’t managed to see Teenage Fanclub since they played Oxford Brookes in 2002… so I was overjoyed when they announced a couple of shows here in October in support of new album Here, their first album since 2010’s Shadows. You know what you’re getting with a Fannies album, gorgeous tunes and fragile vocals, which of course they deliver in spades yet again.

12) Tenement – The Strangest Couple in Love: Tenement’s headlining set at Saint Vitus was what I imagine getting a dose of oxytocin is like. This track is from the self-titled album (which is actually more of an EP) from last year, and few bands can deliver so many great hooks in such a short space of time. “And it’s no mystery how it goes, and how it ends everyone knows”

13) American Football – You Know I Should Be Leaving Soon: Illionois trio American Football released a critically loved self-titled album in 1999, and that was that, until 17 years later when the band they will be releasing another self-titled album (due in October). I have a ticket to see them in January.

14) Preoccupations – Degraded: Preoccupations used to be called Vietcong, and despite a name change I suspect they will always be known as “Preoccupations fka Vietcong”, so changing names seems a little silly anyway. I can understand why they did it, because people look for any conceivable moment to be offended these days, but how many bands would have to change their names? Anyway, they have a new album out and it’s rather good, as you would imagine because Vietcong’s albums were good and this is the same band. “Some good ideas split in two, So solemn and melancholy, Another thing that you can do, Unwillingly for some money”

15) Explosions in the Sky – Tangle Formations: I probably hadn’t listened to Explosions in the Sky in over a decade (like most, I adored The Earth is Not a Cold Dead Place), but when they announced a show at the beautiful Kings Theatre, I picked up tickets without even thinking about it. Thankfully, new album The Wilderness (their first in five years), while not exactly breaking their formula, is a breath of fresh air mostly given my distance from the band’s output. Anyway, the show was spectacular.

16) Russian Circles – Vorel: I saw Russian Circles at the Great American Music Hall in San Francisco while on holiday, mostly because I wanted to go to the venue as I didn’t exactly know their music intimately. The venue is deserving of its lofty reputation, and thankfully the band were great too!

17) Cloakroom – Deep Sea Station: Opening the previously mentioned Russian Circles show were Northwest Indiana trio Cloakroom, who couldn’t help make me think we’ve finally ran out of band names. However, with elements of slowcore and heavy-shoegaze, I was a happy listener

18) Fur Helmet – Ether: Another mood saving band I’ve seen live solo was Fur Helmet, who have that reverb drenched desert psych sound down to a tee. You can get their EP for just $2 on bandcamp.

19) The Men – Lion’s Den: The Men’s latest album will be self-released (as opposed to on Sacred Bones like most of their records). The band have been playing new material for the last 18 months which has had a distinct classic rock vibe, but this track is a cross between Iggy and the Stooges and Mudhoney, which is certainly a pretty great combo. It’ll be interesting to see what direction the final product hones in on.

See you when winter hits most likely! Until next time

Peace and love - Q 

Download from http://www.mediafire.com/file/re6h5s1rk0fduh4/Q109.zip

Monday, 18 January 2016

Q#105 - December 2015 to January 2016


Please note that the zip file has a password: Q105
Download mix from: http://www.mediafire.com/download/2c86yq12xhqx7oq/Q105.zip

Q’s Compilations
Volume #105 December 2015 – January 2016

Newsflash – survived 2015. I hope everyone had a nice time over the “holidays”, speaking of which I actually managed to have one and went back to the UK for three weeks (with a short jaunt to Amsterdam for a change of scenery). 2015 might have been fairly barren of joy but it was relatively fertile when it came to music I enjoyed, so I’ll get right to it and give you some of my favourites.

01) Young Guv - Crawling Back to You: Keen listeners may remember Kelly, I’m Not a Creep from Q#103, one of the most infectious songs of 2015. I almost used the Ripe 4 Luv, the title track of the record, but plumped for this anthemic power-pop gem. The record was released on Slumberland Records back in March and is the project of Fucked Up guitarist Ben Cook.

02) Slonk Donkerson - Watching Every Channel at Once: At this stage I’m not sure what else I can say about Slonk Donkerson that I haven’t said already. However, I’ll just copy/paste what I wrote for Free Williamsburg’s Top 25 albums of 2015 post: What’s in a name? Slonk Donkerson go against the grain where most guitar bands around New York in recent years have concentrated on punk/hardcore/garage rock, the now four-piece align to a more classic rock sound, with hints of Moving Pictures-era Rush sprinkled on top of their initial early-REM/Husker Du/Meat Puppets influence. The band’s keen sense of melody and thoughtful compositions really stand out in today’s climate. These songs would sound equally at home played to a crowd of 50 or 50,000 people. We’re clearly fans of the band, having featured them frequently throughout the year.

03) Tenement - I'm Your Super Glue: Another entry from Free Willy’s to 25 albums post: If “punk” means doing whatever you want, then Tenement are the punks of 2015. Releasing an epic 23-song, 74-minute double LP; the band deserves a medal for the sheer number of hooks on this album alone. It’s not all about fist-pumping anthems, however, the Wisconsin trio have crafted a flowing album that also includes piano ballads, a little folk interlude and the downright bizarre 9-minute instrumental “A Frightening Place For Normal People.” Ultimately, Predatory Headlights is an album to just hit play, sit back, and be taken on a ride. If there is a better example of a record showing off pop-songwriting with a fuck-you attitude I have yet to hear it this year. “And the things you never say to me are so sweet”

04) Screaming Females - Criminal Image: And another Free Willy entry! After 2014’s Live at the Hideout, the New Brunswick trio returned with their 6th studio album; their first in three years with Rose Mountain. Upon release, remarks were made about how this was a more “commercial” Screaming Females record, with Wishing Well leading the album’s promotion, and while that one track (and perhaps the second single, “Hopeless”) might possibly have some mainstream appeal, it doesn’t smack of a band trying to sound popular, they are just good songs. Regardless, the album itself is choc-full of the band’s signature riffs and guitar solos. As an aside, they remain the best live band you can see at the moment, in my opinion.

05) Swervedriver - Deep Wound: I Wasn’t Born to Lose You is the band’s first album since 1997, and the Oxford legends have not lost any magic at all. As I wrote for Q#101, not all reunions are just cash cows. Deep Wound was actually released as a single in 2012, but it fits on the album perfectly.

06) Royal Headache - Wouldn't You Know: Another copy/paste from FW - Melbourne’s Royal Headache have not hidden from the fact that following up 2012’s self-titled album was hard. The number of times the band have broken up, or claimed to have broken up, is numerous. Indeed, they have even said this will probably be their last (although they sounded much more positive in a recent interview in The Big Takeover), all that can be done is see every album or show as a gift. What elevates Royal Headache from just being another good garage-punk band is Shogun’s soulful vocal masterclass, which at times croons, and often punches with a hurt that can’t be faked. While the band are known for their high-energy songs and particularly their hurricane-like live shows, it’s the mournful, “Wouldn’t You Know” and downright infectious, anthemic “Carolina,” that captures the heart of the album. “So what would you know, what a little love can do?”

07) Courtney Barnett – Depreston: Sometimes I Sit and Think, Sometimes I Just Sit is the quintessential indie (in the all-encompassing sense of the word) album of the year. The record is a literate success, taking you to places you haven’t been or experiences you haven’t had and yet feeling like you have, made even more personable with a masterful take on various universal themes; a line like “I don’t know quite who I am, oh but man I am trying. I make mistakes until I get it right” could sound all a bit too emo in lesser hands. The music itself is no slouch either, with driving rockers like “Pedestrian at Best” and “Nobody Really Cares If You Don’t Go to the Party” mixed up with the slow folk-jangle of “Depreston” and the epic blues of “Small Poppies.” I was enthralled the power-trio live show at Bowery, and I’d make an argument that you only come away with a deeper appreciation for the record after seeing her perform.

08) Jim O'Rourke - Friends with Benefits: Rather embarrassingly I didn’t even know Jim O’Rourke had a solo career outside of his production/mixing duties, but all it took was hearing this song (which opens Simple Songs) to get hooked on the record. I’ve read that it’s not as strong as some of his other albums, and if that’s the case then bring it on. “It's been quite a long, long time, But not enough to find a line, To get me going once again. Just one word I could respect, But then what do I expect? You missed that boat a long time ago”

09) Sufjan Stevens - All of Me Wants All of You: One of the highlights of the year was the re-opening of Kings Theatre, possibly the most beautiful concert venue I have been to, and it’s a short walk from my apartment. I mention this because Sufjan was the first person I saw play there. Carrie and Lowell is certainly one of the darlings choice this year, but it’s an album that deserves the heady praise.

10) Earl Sweatshirt - DNA (feat. Nakel): It’s fair to say that an album called I Don’t Like Shit, I Don’t Go Outside is not going to get your pulses racing, but I often find the saddest, depressing albums have more beauty. Sparse arrangements are the key to this album, which is also lyrically pretty bleak.

11) Follakzoid – Earth: Another FW entry - Chile, and in particular, Santiago’s blossoming psyche scene has spawned numerous bands that are producing some of the best music of the last decade. Along with The Holydrug Couple, the other premier-league band is the krautrock-influenced Föllakzoid, they wowed me at Rough Trade earlier in the year, and the band’s third album (helpfully titled III) is my personal #1 release of 2015. If you just want to get into an involuntary groove, III will do that; most the songs are long and repetitive pieces that have a pulse. While previous material has had more of a straight-up krautrock 4/4 snare-driven rhythm, III concentrates on the bass drum and toms to create a deeper trance, the bass guitar is like a lullaby that plunges you in deeper, while the guitars and keyboards float in and out, delivering the odd jab. You don’t listen to Föllakzoid, you are a slave to them.

12) Viet Cong - Bunker Buster: Too much has been said about the band’s name, which is a pretty boring topic if you ask me (the band are set to change it at some point), as Salman Rushdie said “'Nobody has the right to not be offended”. The unfortunate side issue has taken away discussion about what is one of the strongest albums of the year, which also has one of the best songs I have heard in years, Death, which featured on Q#101. Bunker Buster is one for people to nerd out to a little bit with its 6/4 beat.

13) Deerhunter – Breaker: Fading Frontier seems like a bit more of a low-key album after 2013’s glam-tinged Monomania, but it does get under your skin just like any Deerhunter album can. Breaker is just a downright beautiful song. “I'm alive, I don't credit the source, I just drive, And then the fog rolls in And then they're blind. My enemies, They're just trying, Trying to kill me”

14) Mac McCaughan - Lost Again: Superchunk frontman Mac McCAughan released his first “solo” album (discounting his Portastatic albums…) and Non-Believers veers more towards the melodic side of early 80s post-punk rather than the darker, more angular sounds that the genre seems exclusively wedded to these days. “All these houses are split in two, I'm driving down your street, I'm kind of looking for you, But I'm kind of looking for me”

15) The Holydrug Couple – Concorde: Plagiarising myself again - Chile’s grip as psych-rock leaders strengthened this year with a slew of releases, mostly from Blow Your Mind records and their two flagship bands, The Holydrug Couple and Follakzoid, both put out stellar records. Moonlust is the duo’s third album, and their second via New York label, Sacred Bones. There is more focus on texture and keyboards than Pink-Floyd-esque guitars of earlier material, but it’s a move they take in their stride. If you want to relax and bliss out for 40-minutes I can’t recommend a better option than Moonlust.

16) Sheer Agony - I Have a Dream: These Canadians (they are from Montreal) might win an award for most inappropriate name, because Sheer Agony are anything but to hear. Sticking to a somewhat tongue-in-cheek approach, their record is called Masterpiece. The band identify as Soft Boys Worship, and it’s as good a reference as any. I Have a Dream is one of the singles from the album (whatever that means these days), and while I would have used a different track but for time constraints, it’s a short jab of delightful jangle-pop.

17) Twerps – Stranger: There does seem to be an almost quintessential sound to Aussie (and Kiwi) indie-rock, and Twerps nail it. Range Anxiety seems to have been somewhat unfairly left off many end of year lists, which might be due to it being released so early in the year that people forget, or maybe they just don’t have great taste, who knows.

18) Mikal Cronin - Made My Mind Up: I think Mikal Cronin should be a bit of a superstar, with three fantastic albums in his discography, his live shows are also consistently impressive. Released on Merge, the helpfully titled III, continues to show off his songwriting hooks.

19) John Carpenter – Vortex: Yes, horror director John Carpenter released one of the most compelling records of 2015, via New York’s Sacred Bones label. Very much a cult icon for his soundtrack work as much as his direction, Lost Themes is strictly speaking his debut “album”.

20) Jessica Pratt - On Your Own Love Again: This is the title-track to Jessica’s second album, released on Drag City. If you want a folky/finger-picked record of 2015, most people will steer you towards Sufjan Stevens, but Jessica’s album is a real hidden gem. “I guess I'll try to keep on believing, You're just someone out there in chains, You're just here on your own love again”

And there you have it. My gig-going was down a little bit, I made it to 125 shows (down from 147 and 155 of the two previous years), but still a pretty respectable score! Anyway, here is hoping 2016 is a good year for everyone, it hasn’t started terribly well with the tragic loss of David Bowie!

Until next time

Peace and love - Q 


Please note that the zip file has a password: Q105

Download mix from: http://www.mediafire.com/download/2c86yq12xhqx7oq/Q105.zip

Wednesday, 30 September 2015

Q#103 - August - September 2015


Please note that the zip file has a password: Q103
Download mix from: http://www.mediafire.com/download/j60gtfuesj51rt3/Q103.zip

Q’s Compilations
Volume #103 August – September 2015

As I write these notes, summer is officially OVER, and yet it’s still over 20 degrees C, but Autumn is possibly the best time to be in New York, and I’m looking forward to another change of season.

01) Alex G - After Ur Gone: I’m not entirely sure why Alex G’s catchy lo-fi indie-pop tunes generally fly under the radar where someone like Mac DeMarco has become a superstar (don’t get me wrong, I like him just fine). This track opens his album, DSU, released last year, but he’s also fairly prolific, with a slew of releases to date. His next album, Beach Music, will be released in October.

02) Young Guv - Kelly, I'm Not a Creep: Young Guv is Ben Cook, guitarist in Fucked Up, but his solo project has a much sunnier disposition, with hints of Big Star and Cheap Trick. Sometimes you can look into deeper meanings or messages in music, but I just love the sound and pop sensibility here. The album, Ripe 4 Luv, is out on Slumberland Records. “wouldn’t it be nice if we could go back”

03) Expert Alterations - A Bell: I recently saw this band supporting Literature at Cake Shop and thought they stole the show. Their live sound was a big fuller than this recording, but I picked up their self-titled EP, and wasn’t too surprised to find out that it too, is also a Slumberland Records release…

04) Royal Headache – Carolina: Australian bands always seem to attract a crowd in New York, it must be the ex-pat thing. On the surface, the band sound like a fairly standard garage rock band but frontman Shogun has a raspy, soulful vocal that sets them apart from a lot of acts at the moment. With uncertainty over whether the band will continue, there may not be much more of where this came from. I saw the band recently at Saint Vitus and they put a lot of energy into their performance. “She’s been waiting for the train down by the bus”

05) Nada Surf - Whose Authority (live): There’s little I can say about Nada Surf that I haven’t said before, they are one of the most important bands in my life, in many ways they feel like my band, like I have a personal investment in them. They are set to release a live album via pledgemusic called Live at the Neptune. This song is originally from 2008’s Lucky. I’m excited to be seeing the band again in November. “How do you stay where You most want to be? Where'd you get the patience, Did it come easily?”

06) Tenement - Feral Cat Tribe: Of all the great bands who played Don Giovanni Records’ annual showcase back in February (Priests, Brick Mower, Screaming Females, etc), I was most impressed with Wisconsin band Tenement. The band recently released a double LP called Predatory Headlights, and it’s certainly one of my favourites of the year. “I don’t care for the way it was before, anymore”

07) Vuelveteloca – Sharks: Regular readers/listeners should know of my love for Chilean bands in the last few years, and I’ve got a bunch for you on this mix, starting with the latest offering from Vuelveteloca. Pantera is the groups fourth album and sees the band going back to a rockier sound, after the more Stone-Roses-ish Dias de Calor.

08) The Ganjas - Twisted River: Possibly the first band of the recent wave of Chilean psych bands of the last decade is The Ganjas. After Dark is the their first album since 2011’s The Resistance, and was released on BYM Records (their first on the label).

09) Wand - Self Hypnosis in 3 Days: Due to association and a similar sound, the mention of Ty Segall is rarely far from Wand’s name. However, their album, Golem, may just be better than anything Ty has released himself! I’m looking forward to seeing the band again in November, having seen them at Death By Audio this time last year (RIP), though I did see singer Cory Hanson play a solo acoustic set in June. 

10) Survival Knife - Tropic of Chaos: I’ve become pretty enchanted with the band Unwound, thanks to Numero’s incredible reissue efforts, and two members of the band, singer/guitarist Justin Trosper and original drummer Brandt Sandeno (who left Unwound in 1992, replaced by Sara Lundt), formed Survival Knife in 2012. This song is taken from the band’s EP, Suvrivalized.

11) Trementina - Fall Into Your Bed: I used Trementina back in July last year, and the Chilean band go from strength to strength, this tune keeps with their My Bloody Valentine influence but just sounds so pretty. I think it might be my favourite song on the mix.

12) Evans the Death – Sledgehammer: Another band that has appeared before on this series, I used Telling Lies in September 2013(Q#91) and the band have since released another album, Expect Delays, which isn’t quite as immediate as the self-titled debut but with a little perseverance the songs are starting to seep in. They’re playing at CMJ this year so I’m looking forward to getting a chance to see them.

13) Adelaida – Holograma: Another Chilean band! This group recently recorded in New York at Rubber Tracks, although I’m not aware of any shows they played. The quartet are from Valparaíso, to the west of Santiago on the coast.

14) Mark Lanegan Band - Harvest Home: I’m a big fan of Mark Lanegan, but despite Phantom Radio being released last year I only just got round to buying it, but it is certainly of his usual high standard. “Happy that I'm made of stone, To grieve that I cause is my cause to a tone”

15) Miss Garrison – Playas: This is a newer tune from the Chilean trio, who album DeAab, was released in 2012. The band did record a couple of tracks at New York’s Rubber Tracks studio in 2013, which is when I managed to catch them live, and have been following keenly since. Hopefully they make a return soon. This song has a bit of a Radiohead vibe to it.

16) Toy - You Won't Be the Same: I managed to see Brighton-band Toy at Glasslands (RIP) last January, their first NYC show, I think I might have reviewed it for My Social List (RIP), but can’t quite remember, maybe I won tickets. I was impressed with the bands driving krautrock rhythms but only just bought the album, Join the Dots, recently in a sale.

17) Surf Rock is Dead – Anymore: This duo, by way of Melbourne and Chicago make very pretty and shiny indie-rock. There is a little C86 in there, of course, and general pop sensibilities, I saw the band play at some kind of free block party where of course, no-one was paying attention, but they played really well.

18) Sharon Van Etten - I Don't Want to Let You Down: Fellow Ditmas Park resident, Sharon Van Etten (I still haven’t bumped into her, though), released I Don’t Want to Let You Down a few months ago, and this is obviously the title track. It doesn’t stray too far from what she’s known for, and I felt the need to play it whilst feeling bad about myself and eating ice cream. It’s that kind of release. “Decompress, Calm your head, Teach you not to rush, Turn them out to see your words”

19) Wilco - Taste the Ceiling: Wilco surprised everyone in August by releasing their ninth album, Star Wars, for free digitally, with a CD release later in the month (vinyl to come in October). It has all the usual Wilco qualities to it, and this song was co-written with Tweedy and Scott McCaughey, who people should recognise from Minus 5, Young Fresh Fellows, and of course, an extended member of REM. “I know why you don't really know me, I don't think you can call it home, All alone I couldn't taste another thing”

20) Alfonso Lovo - La Bomba de Neutron: Nicaraguan guitarist Alfonso Lovo got the Numero treatment in 2012 with his record, La Gigantona, to much success. Surviving a plane hijacking, where he was shot in the hand and torso multiple times, Lovo recovered after several surgeries to continue making music.

21) Robbie Fulks - Rock Bottom, Population 1: My friend Brian is a huge fan of Robbie Fulks so I wanted to see what the fuss was about, I’m not usually much of a country guy but Fulks has the knid of inclusive quality that goes beyond a genre. He can mix up sad and funny songs at the drop of a hat which is a rare quality I admire.

22) What Moon Things - Sun, Where's the Fire: New Paltz, upstate New York, is where this trio are from, and I saw them make the trek into the city to open for Viet Cong in January. The groups quiet-loud-quiet template and sound reminded me a little of Cymbals Eat Guitars, and I happily picked up their record after the set.

I’ve rushed the notes a little but that’s par for the course these days, I’m pretty busy at the moment and everything just seems to be hectic beyond control. It’ll be 2016 soon enough I guess! As ever, please do contact me about the mixes, I love to get feedback.

Until next time

Peace and love - Q 

Please note that the zip file has a password: Q103
Download mix from: http://www.mediafire.com/download/j60gtfuesj51rt3/Q103.zip