Tuesday 9 April 2024

Q#154 - February to March 2024


 

 Download mix from https://www.mediafire.com/file/716x252itfr1acu/Q#154.zip/file 
Please note that the zip file has a password: QCOMPS.BLOGSPOT.COM 

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #154 – February to March 2024

 

 

Ok we’re a little late on this one… but it’s the first regular mix of the year and almost every track is brand new.

 

01) The Follies - I Idled: Fronted by Evan Radigan of Vanity (whose 2016 album Don’t Be Shy is well worth checking out), The Follies have a little more jangle to them and Permanent Present Tense, the band’s debut, came out on the 23rd of February via Feel It Records. I love all the little guitar licks on this tune, which opens the record and felt like the perfect opener here.

 

02) Bollard - Montreal Donuts: I have to thank my buddy Felix for this track that he sent me on a spotify mix. From Melbourne, Australia, this tune from their album Lo that came out in October, really evokes the band Kitchens of Distinction (truly one of the most under appreciated bands in history).

 

03) Snarls - Heavy Drinker: Columbus Ohio band Snarls are gearing up to release their second record, With Love, on the 3rd of May (their 2020 debut Burst was one of my favourite records of that year). This tune features one of their signature big choruses and I’ll hopefully catch them on their first headline tour this summer.

 

04) Glass Beams – Mahal: Another Melbourne act, they have two Eps to date, this is the title track to their March 22 release of this year and it’s a hypnotic, groovy, psychedelic treat.

 

05) Bad Bad Hats – TPA: Minneapolis’ Bad Bad Hats will release their latest album (self-titled) on the 12th of April on Don Giovanni Records. I saw the band open for The Beths in 2019 and enjoyed their deadpan humour in addition to their quirky tunes.

 

06) DEHD - Mood Ring: Chicago trio are releasing their fifth album, Poetry, on Fat Possum Records on the 10th of May (it still feels a bit weird they aren’t on Fire Talk Records, alas) and the two singles from the record suggest they have another great record to add to the discography. There’s some about that guitar tone that’s so beautiful.

 

07) Cloud Nothings - Running Through Campus: Another Ohio band on the mix, Cloud Nothings will release their eighth record, Final Summer, on the 19th of April via Pure Noise Records. I haven’t seen the band in six years so feel like I’m due to fix that! This song has their signature sound down to a tee.

 

08) Porcelain – Disgrace: The surprise discovery of the year so far for me is Porcelain’s self titled debut which came out in February on Portrayal of Guilt. The Unwound influences seem like they are worn fully on their sleeves but obviously for me that is a massive plus point for me and it’s my favourite record of the year to date. I sadly had to miss their NYC show recently so I’m hoping they come back soon!

 

09) Frail Body – Refrain: Screamo trio Frail Body’s second album, Artificial Bouquet just came out at the end of March, which is new enough that I haven’t actually listened to the whole album yet. This was the lead single from the album and if it’s half as good as their 2019 debut A Brief Momentum then it’ll be one of the best of the year.

 

10) METZ - Entwined (Street Light Buzz): Toronto trio METZ have released four incredible albums since their 2012 self-titled debut and are one of the best live bands I’ve ever experienced (seven times to date, soon to be eight). On their fifth album, Up on Gravity Hill, which comes out on the 12th of April via Sub Pop, the singles so far show a degree of subtlety and layers of atmosphere that they’ve only hinted at on occasion.

 

11) The Smile - Read the Room: I have to confess, I haven’t spent as much time with The Smile’s second album, Wall of Eyes, as I dedicated to their debut, I think that’s largely because the album was released in January while our kitchen renovation was in full swing so I couldn’t play records (for better or worse, I feel a bit weird about hearing an album digitally before the physical release if I’ve paid for it).

 

12) The Reds, Pinks & Purples - Your Worst Song is Your Greatest Hit: Glenn Donaldson has been pretty prolific in the last five years, with numerous records and Eps (I wish he’d compile the Eps into a physical release, however!), and his latest record, Unwishing Well, is out on the 12th of April. I’ve ran out of ways to describe The Reds, Pinks & Purples, but I am starting to wonder if between this song, and having a tune called Don’t Come Home Too Soon, that he might be a Del Amitri fan…

 

13) Fruit Bats - On the Avalon Stairs (live): For the last couple of tours, Fruit Bats have been recording shows where possible and they’re about to release a 20 song live collection called Starry-eyed, in Stereo, on the 10th of May. So far this is just a digital release and this is the only tune that is available on it, but I’m sure it’ll be good!

 

14) Joyer - Drive All Night: Brooklyn band Joyer’s third album, Night Songs, comes out on the 26th of April, their previous records were fairly entrenched in slowcore (which is why I came on board!) and the new songs sound a little more expansive, so I’m really intrigued to hear the full album.

 

15) Asian Glow - Unwired Detour: The bedroom shoegaze scene from South Korea has given us some great music, but one of the most prominent artists, Asian Glow, has just released his fourth and final album as Asian Glow, Unwired Detour, which came out on the 4th of February. It’s a typically ambitious record which jumps around all over the place. Hopefully he (real name Shin Gyeongwon) continues to make music in another name.

 

16) The Polvos - In to the Space: If there are Chilean psych rock bands out there, I will find them. The band are from ConcepciĆ³n and this is from their second record, Floating, which was released in December. This track opens the album and is a little faster than the rest of the record, which is a little more space-rock/jammy.

 

17) L.O.G. – Om: Another Chilean psych band! L.O.G. stands for Low Oniric Guidance, and this track opens their self-titled (and only, to my knowledge) album which was released in 2016.

 

18) Torrey - No Matter How: With another thanks to Felix here who sent me this track, I’d had this band on my bandcamp wishlist but had not gotten around to listening to them before he sent me this track. This Oakland quintet just released their self-titled album on the always reliable Slumberland Records.

 

19) Jess Cornelius - People Move On: I heard about this artist via Mikal Cronin, who plays on and produces her upcoming album, Care/Taking, which comes out in June. Cronin himself is well overdue a record at this point with his last full album being Seeker in 2019.

 

20) Bnny - Good Stuff: Fire Talk artist Bnny’s second record One Million Love Songs was released by Fire Talk on the 5th of April. I liked debut album Everything (2021) a lot but on the first couple of listens, this album seems to be more confident and I haven’t noticed it get many reviews which is a shame.

 

21) PACKS – Honey: Another Fire Talk artist, Madeline Link’s latest album as PACKS is called Melt the Honey and is a pretty breezey garage rock record, it kinda feels like it should have come out in the spring rather than January, but what do I know?

 

22) Arushi Jane - Imagine an Orchestra: I was utterly besotted by Arushi Jain’s 2021 masterpiece Under the Lilac Sky, so immediately pre-ordered her new album Delight, and I just received the vinyl, which I haven’t had the chance to play yet! Suffice to say, this felt like it had to close the record out. She goes by the name Modular Princess, which really almost tells you all you need to know.

 

Really hope there’s plenty to like on here, please do let me know!

 

As always, Peace and Love - Q



Tuesday 30 January 2024

Q#153 - December 2023 to January 2024


Please note that the zip file has a password: QCOMPS.BLOGSPOT.COM 

Spotify link at end of notes, follow/subscribe to playlists here 


Q's Compilations

Vol #153 – December 2023 to January 2024

 

Happy New Year! 2023 treated me pretty well in general I have to confess, we travelled a good amount and even bought a condo, a big year! I saw 38 shows in total, which was the exact same number that I saw in 2022 and seems a good amount to shoot for these days, at least for me (long gone are the 150+ shows a year times!).

01) White Reaper - Asking for a Ride: It’s easy to forget about January albums when putting together “best of” roundups, but the band’s fourth album is a hard one to forget! This is the title track but I would have been happy using any track from the record. Fog Machine from the same album also appears on Q#148

02) The Dirty Nil - Free Rein to Passions: Back to back album title tracks… and to keep the similarities with White Reaper, this is also the bands fourth album (and I also think they should be much more popular than they are!). I’m not sure there’s a better power trio at the moment. Nicer Guy from the same album also appears on Q#149

03) Cory Hanson – Wings: One album I keep going back to and should have gotten a lot more press is Cory Hanson’s solo record Western Cum, which evokes his band (Wand) much more than his other solo records, which were typically more acoustic/folk-tinged. If I had the real estate on the mix I’d have probably used the 10-minute Driving Through Heaven, but this, and indeed the record as a whole, is fantastic. I also used Housefly from the same record on Q#151

04) Fruit Bats - Rushin' River Valley: Om Q#149 I used It All Comes Back and mentioned that I was still getting used to new album A River Running To Your Heart, and slowly but surely the songs started inserting themselves and while I wouldn’t call it a classic, it’s another incredibly strong and worthy album in the Fruit Bats discography. This is probably the most immediate/best track from the record and I love all the little guitar licks that come in and out of the track.

05) Maura Weaver - Ease on the Eyes: I Was Due for a Heartbreak is one of those kinda low-key records that you don’t realise how much you enjoy until you come back to the record on further occasions and notice that the songs have ingrained themselves into your brain. Released on Don Giovanni Records in September, I also used As If Your Love on Q#151.

06) The Reds, Pinks & Purples - The Town that Cursed Your Name: Another title-track for you here, Glenn Donaldson has had a fairly prolific year, with one record (this one) and 12 other digital releases (Eps / singles) as well as being one half of the band Helpful People who released a full length this year too (Brokenblossom Threats). I also used Life in the Void from the same record on Q#148, if you put a gun to my head it might be my favourite album of the year.

07) Eyelids - Everything That I See You See Better: A Colossal Waste of Light was released in March and is the band’s fourth album (I Can’t Be Told also appeared on Q#149) and they can do little wrong if you like your guitars to jangle. The band are celebrating 10 years in 2024 and will be releasing a double album of rarities and other non-album tracks; No Jigsaw comes out in March.

08) Connections - It's a Start: I think the record I get the biggest kick out of each time I hear it (in the sense of “wow, this record is fantastic, why don’t I play it all the time”) is Connections’ Cool Change, which came out in March via Trouble in Mind Records. I also used In Space on Q#148 which is probably the stand-out tune but the whole record is killer and this was the hardest album to pick a song from for this mix.

09) Screaming Females – Titan: Possibly the biggest musical shock for me this year was Screaming Females announcing their break-up after 18 years. I’ve consistently described them as the best live band around for over a decade at this point and I’m not sure I’ve fully processed the fact that I won’t add to the 14 times I was fortunate enough to catch them live, including twice this year. Perhaps fittingly I bookended my live experience with them with shows at ABC No Rio (first time) and Kings Theatre, quite the difference in venue. Anyway, the band released Desire Pathway in February, their eighth studio album, I also used Ornament on Q#148. Singer/guitarist Marissa Paternoster has just started a patreon which I’d recommend fans sign up for https://www.patreon.com/MarissaPaternoster

10) Mandy, Indiana - Pinking Shears: One of the more difficult records to explain this year, I’ve Seen a Way was released in May on Fire Talk Records, and it’s got a little bit of industrial but dance-like quality to a lot of the tracks, but that doesn’t really tell the story. Maybe if someone threw an experimental dance party in the middle of a (live) construction site? I don’t know, I just know that I keep coming back to the album if I want something a little weird and out there.

11) Parannoul – Arrival: The third Parannoul album, After the Magic, was released on January 28, 2023 (I used We Shine at Night on Q#148) and was inspired by dreams he had during the making of his previous album (To See the Next Part of the Dream, which was also a fantastic album). We also got a live album this year called After the Night.

12) Squirrel Flower - Alley Light: Ella Williams can’t really seem to do a whole lot wrong and new album Tomorrow’s Fire was released in October via Polyvinyl Records (I used When a Plant is Dying on Q#150 and Full Time Job on Q#152).

13) Indigo De Souza - The Water: Indigo De Souza’s third album, All of This Will End was released in April on Saddle Creek and I was also fortunate enough to see her perform at Prospect Park in the summer. Parking Lot also appeared on Q#149, and while I played previous albums Any Shape You Take and I Love My Mom constantly, the new record hasn’t quite pulled me in to the same degree. It’s still a good record, I should add!

14) Deathcrash - Distance Song: We’ve been blessed with some great slowcore acts in the last few years, and this London act’s second record, Less, is up there with the best of them. I also used Dead, Crashed on Q#149

15) FACS – Slogan: Still Life in Decay is another one of those deceptively brilliant records that I hoped to see on more end of year lists. I’d have probably used New Flag but for time constraints, and I used Slogan on Q#148, the whole records is the sum of its parts with Brian Case’s guitar textures coupling with the monster rhythm section majestically.

16) Public Interest - Why Bother: I used Undone from this same record (Spiritual Pollution) on Q#149, it’s probably my favourite post-punk record of 2023 and fills some of the gigantic chasm I feel that a band liked Girls Names left in my life after they broke up in 2018.

17) Deeper – Glare: It still feels like a bit of a shame that Chicago act Deeper moved from Fire Talk to Sub Pop, but I love the latter label too anyway. The band’s third album, Careful! was released in September and is another fine addition to their discography (I also used Build a Bridge on Q#150).

18) Hurry - Like I Loved You: Matty Scottoline has been rattling off jangle-indie records as Hurry for over a decade at this point and latest album Don’t Look Back keeps up his impeccable track record. I used Begging For You on Q#150.

19) Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Pipe Down!: Land of Sleeper dropped in February and I was fortunate enough to see the band twice this year, the first of those was released as a live album to make things even better! The band can’t really do any wrong in my eyes and are my favourite stoner act at present.

20) Samia – Amelia: Honey was released at the end of January and I listened to it incessantly at the time, but I’m not sure the last time I played it front to back. It’s a good record but I think some of the production loses me the more I listen to it and I long a little bit for some of the earlier material. Regardless, there are some great songs on it and this is a real earworm. I also used the title track on Q#148.

21) Foglake – Motorcade: I really thought I’d used a track from this record (Midnight Society) on a mix this year but alas, I have not! The record was released in May and is another fine collection of lo-fi bedroom indie, you’ll either dig it or not!

22) Ratboys - Bad Reaction: Ratboys’ fifth album, The Window was released in August on Topshelf records (It’s Alive! Was featured on Q#150), this song also closes the record and it seemed like once I’d picked this track it couldn’t go anywhere else.

And there you have it, the definitive, unambiguous best of 2023.

As always, Peace and Love - Q