Q#148 - February to March 2023

 

                                     Please note that the zip file has a password: QCOMPS.BLOGSPOT.COM 

 Download mix from https://www.mediafire.com/file/z3nw8l1cwj62l2f/Q#148.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #148 – February to March 2023

 

Happy Spring! The year has started quite nicely, with a trip to Puerto Rico and some great concerts in the book already (Unwound (three shows!), Codeine, The Beths and White Reaper). The first “normal” mix of the year usually has quite a few stragglers from the previous year that didn’t quite make the “best of” cut, but this mix is almost entirely songs released this year. I hope there’s plenty to enjoy!

 

01) White Reaper - Fog Machine: Asking For a Ride was released on the 27^th of January, although as is fairly typical these days, the vinyl release is lagging behind (my pre-order should come in April). The band’s first album since 2019’s You Deserve Love, the riffs come thick and fast with guitar solos aplenty as you’d expect. I caught their recent show at Irving Plaza which was pure entertainment. “When my phone rings, Can't wait to hear what you say”

 

02) Screaming Females – Ornament: New Brunswick’s finest just released their eighth studio album, Desire Pathway, once again on Don Giovanni Records. The trio have also just completed a short tour of Alaska which means they’ve played in every state in the US, quite the achievement! The new record is filled with all the signature Screaming Females power trio elements and I can’t wait to see them at Elsewhere in April, which will be my 13^th time seeing them, but it feels like an age since I last saw them in 2019.

 

03) Purling Hiss - Yer All In My Dreams: Another great power trio, Philly’s Purling Hiss put out their new record, Drag on Girard on the 24^th of March (just in time to make it on the mix). This track opens the record and really sets the tone for singer/guitarist Mike Polizze to do what he does best, shred.

 

04) Hannah Jadagu - What You Did: First featured two years ago on Q#137 with bedroom pop anthem “Think Too Much” when she was unsigned at the time, now she’s about to release debut album Aperture via Sub Pop Records in May. There’s definitely some higher production values as you’d expect, but the three songs released so far still have all the charm of the early songs.

 

05) Gum – Stallion: I can’t quite remember how I heard of this Brooklyn quartet but they just put out their debut album, You’ll Never Know Yourself, in January, and you’d be forgiven for thinking it was a long lost 90s gem. The record mostly splits between Pavement-ish slacker rock and punchy numbers like this one.

 

06) Blondshell – Joiner: Half of Blondshell’s  (aka Sabrina Teitelbaum) self-titled debut album has been spoonfed as singles since June last year, so there won’t be too many new songs to digest by the time the record is released on the 7^th of April, but it might end up low-key being one of the albums of the year.

 

07) Samia – Honey: This is probably the song I most struggle to get out of my head lately. Samia’s second record, Honey, was released at the end of January and is definitely more on the pop side than the indie charm of The Baby, but it seems like a natural progression.

 

08) Parannoul - We Shine at Night: There’s a pretty cool bedroom/DIY shoegaze scene from South Korea at the moment which I’ve barely touched, but I’m a big fan of everything Parannoul has put out since his 2020 debut Let's Walk on the Path of a Blue Cat. New album After the Magic just came out at the end of January, his first available on vinyl I believe (though I’m not expecting that until July…).

 

09) bdrmmm - It's Just a Bit of Blood: You don’t hear about many bands from Hull! I was a big fan of debut album Bedroom from 2020 so I’ve high hopes for I Don’t Know which comes out on the 3^rd of May.

 

10) The Reds, Pinks & Purples - Life in the Void: I feel like The Reds, Pinks & Purples have been on more mixes than not in the last couple of years, which speaks to both the quality of the music and how prolific Glenn Donaldson has been. New album The Town That Cursed Your Name, which features a few songs with a fuzzier sound than their signature tone. I feel like The Reds, Pinks & Purples are one of those bands that you run out of things to say about but that doesn’t mean I don’t love the music dearly.

 

11) Doe St. - Chasing the Scream: A few seconds into this tune and you could probably guess they’re an Australian band (from Melbourne, to be precise), this is from their self-titled debut and was released in February 2022.

 

12) Connections - In Space: Columbus Ohio indie vets Connections released new album Cool Change on the 24^th of March on Trouble In Mind Records and you shouldn’t really look too much further if you want some pure Guided By Voices / REM college radio rock.

 

13) R. Ring – Hug: A tale of two Dayton’s, R. Ring sees Kelley Deal (of The Breeders) from Dayton Ohio, and Mike Montgomery (of Ampline), who lives in Dayton KY. Their new album War Poems, We Rested was released on Don Giovanni Records at the end of January and you could probably fool someone that this was a Breeders song (that is to say, it’s fantastic).

 

14) Noble Rot - Casting No Light: Two of the best Canadians bands of this millennium are Holy Fuck and METZ, so I was pretty excited to hear about Noble Rot, which puts Alex Edkins (METZ) and Graham Walsh (Holy Fuck) together. It’s definitely more on the Holy Fuck side of the two, which is fine by me.

 

15) FACS - When You Say: Chicago trio FACS’ latest album Still Life in Decay comes out on the 7^th of April, and if this lead single is anything to go by then it’ll be another triumph. FACS are at their best when drummer Noah Leger and bassist Alianna Kalaba are creating a racket (since playing on the record, Alianna has since amicably left the band to be replaced by founding member Jonathan Van Herik), while Brian Chase adds textures as much as melody.

 

16) Kraus – Want: I think this was a bandcamp led “if you like this band, you might like this band” discography, this album, Eye Escapes is a pay-what-you-want download and turns out to be a collection of songs that didn’t make it on a couple of their records. The record is a little disjointed which is what you’d expect, but there are some highlights like this heavy shoegaze tune.

 

17) Codeine – D: The only tune that isn’t recent, but I was overjoyed to be able to see slowcore legends Codeine recently at Union Pool before they took part of Numero’s 20^th anniversary show in LA. They’ve since announced shows across the rest of the US, UK and Europe. The show I went to was their first gig in ten years and they’re truly a band I didn’t think I’d get to see. This might be the obvious Codeine song to put on a mix, but it also essentially defines an entire genre, and not many bands can say that.

 

18) Hydrodate - Early Reflections: This song ended up in my bandcamp collection because I subscribe to Fire Talk Records and while I still don’t really know much about the band other than they’re from Chicago and aside from this tune have an EP under their belt from 2022.

 

19) Deary – Fairground: For having only released this one song to date, there’s a little hyperbole around this London duo. This is almost too perfectly put together for Cocteau Twins fans, but it’s hard not to fall for how beautiful these almost four minutes are.

 

20) Cindy - A Trumpet on the Hillside: San Francisco quarter Cindy’s new album Why Not Now? Is out on the 14^th of April via Mount Saint Mountain. I used them on Q#140 with a song called My Friend from previous record 1:2 and while it’s hard to describe their music as enthralling, there is some kind of comforting warmth that pulls you in for a hug, even if everything sounds so down.

 

21) Waveform – Lonely: If you thought things were going to pick up as the mix came to a close, you’d be wrong. Connecticut’s Waveform will release new album Antarctica on the 12^th of May, with this song opening the record.

 

Despite being a little late, I’m really pleased with this mix and hope you found something to like too!

 

As always, Peace and Love - Q

Q#147 - December 2022 to January 2023

                                     Please note that the zip file has a password: QCOMPS.BLOGSPOT 

 Download mix from https://www.mediafire.com/file/22mapsai3drcmvo/Q%2523147.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #147 – December 2022 to January 2023

 

Happy new year! I hope everyone had a nice time over the holiday season. I feel a little guilty saying this but 2022 was an excellent and milestone year for me – I got married, turned 40, got a promotion and travelled well. Music-wise it was pretty good too, I even got to see Del Amitri three times on their first US tour in over 20 years. It felt like a bit of a legacy/nostalgic year for live shows, seeing the likes of Supergrass, Rage Against the Machine, Porcupine Tree, Jimmy Eat World, Pavement, Sigur Ros and Manic Street Preachers all for the first time in years, decades for some, as well as seeing the likes of Elton John, Tori Amos and the Lemonheads for the first time. I promise I also saw a bunch of new acts!

 

01) Thus Love – Repetitioner: I used Inamoto on the previous mix so if you have been paying attention this Vermont trio should sound familiar! This track opens their debut album Memorial that came out in October via Captured Tracks and really nails that 80s goth/post-punk mix. 

02) Gladie - Born Yesterday: Another band that featured on the previous mix, the band’s latest record, Don't Know What You're In Until You're Out, was released on the 18^th of November and features some of Augusta Koch’s best songwriting. “Now the floodgates are open. The way I feel I could fill the ocean. The way I feel I could fill the ocean, on my own”

03) Weird Nightmare – Lusitania: METZ frontman Alex Edkins released his debut solo record under the moniker Weird Nightmare in May via Sub Pop. I used Searching For You back on Q#142 (Feb/March), it merits being a solo album by sounding different enough from METZ, but that’s probably more from a production point of view, the bones of METZ songs still seem like they’re there – but I love METZ so there’s nothing to complain about!

04) Beach Bunny – Oxygen: Beach Bunny can do no wrong, releasing second full-length album Emotional Creature in July on Mom+Pop Records (Gone featured on Q#144) and I was fortunate enough to see them at Brooklyn Steel in the summer. Oxygen was the lead single from the album but I could have picked any track. “Suddenly, everything is easy. I've never felt something so deeply. 'Cause with you, with you, I breathe again. Baby, you're my oxygen” 

05) Horsegirl - Anti-Glory: Maybe the indie-success story of 2022 was Horsegirl’s album Versions of Modern Performance that came out in June, this track opens the record. I’ll take a smug hipster tap of my hat by featuring them in 2021 when they only had three tracks on their bandcamp page.

06) Kids on a Crime Spree - Karl Kardel Building: Nine years after releasing a handful of singles, Kids on a Crime Spree released their debut record Fall In Love Not In Line, 10 tracks zip by in under half an hour and it’s filled with all that lovely Slumberland Records jangle and fuzz.

07) Black Country, New Road - Chaos Space Marine: Black Country, New Road released my favourite album of 2021 (For the First Time) and followed it up with Ants From Up There in February 2022. Unfortunately, vocalist/guitarist Isaac Wood quit the band days before the album was released and while the band are continuing, it’s proven a little difficult to have much emotional connection with this release. It’s an excellent album, so that’s a shame, and I’m excited about what they’ll do in the future - they’ve so far said they won’t play any songs live from this or the previous album, however, so this just feels like a weird time capsule in some ways.

08) Matt Kivel – Blush: bend reality ~ like a wave was released in October (I used Find Love on the previous mix) and I’d describe it as a Sunday afternoon record, incredibly soothing.

09) The Mountain Goats - Make You Suffer: The 21^st Mountain Goats Record! Bleed Out was released in August via Merge Records and was produced by Bully’s Alicia Bognanno. I think it’s their best album since 2015’s Beat the Champ (I also used Wage Wars Get Rich Die Handsome in Q#144). “Let your yes be yes, and your no come from deep in your belly. I'm going to make you suffer”

10) The Beths - Head in the Clouds: New Zealand’s current finest, The Beths released their third album, Expert in a Dying Field in September (Silence is Golden featured on Q#144). They also played a great show in February and I have tickets to see them at Brooklyn Steel in March. The show in February completed an excellent trio of shows that is always amazing to experience in New York, seeing them growing venue sizes from Mercury Lounge, to Music Hall of Williamsburg, to Webster Hall. It was hard to pick a track for this mix but it was probably the ripping guitar solo that sealed the deal.

11) Oso Oso - Computer Exploder: Sore Thumb took me a number of plays for it to really start clicking as well as 2019’s Basking in the Glow, but it was a record I just started coming back to over and over again. I also used Describe You on Q#143.

12) Young Guv - It's Only Dancing: Released three months apart, Guv III and Guv IV are a little hard to tell apart as records and I had to check which track this was on (for the record, it’s III). Ben Cook writes powerpop hooks as good as anyone. “Baby I just gotta move, but I’m forbidden to go outside, I got a brand-new pair of boots and a shirt so loud I wanna show the world how I can slide. It’s only dancing.”

13) DEHD - Empty In My Mind: This is the Chicago trio’s fifth Q-comp appearance since first appearing on Q#127. Latest record Blue Skies was released on Fat Possum Records (previous albums had all been on Fire Talk) and continues their upward trajectory.

14) The Reds, Pinks & Purples - Pour the Light In: Glenn Donaldson had a prolific year that was a little hard to keep up with, though strictly speaking I think this record, Summer at Land’s End was the only full-length album (I also bought the version that came with a bonus instrumental album), but there have also been a string of Eps and expanded reissues. “all this time spent, learning how to swim, through open clouds, pour the light in” 

15) Pet Fox - It Won't Last: Boston trio Pet Fox and feature members of Ovlov and Palehound/Grass is Green, but I think they might be better than all those bands. After a few Eps, they released debut record A Face in Your Life on Exploding In Sound records in June.

16) The Smile - We Don't Know What Tomorrow Brings: I felt very fortunate to get to see The Smile at King’s Theatre towards the end of the year, which was one of the best shows I saw. Radiohead’s existence is murky at the moment, but if Thom and Johnny continue to release records as good as A Light for Attracting Attention then, I won’t saw I wouldn’t miss them, but I could get used to it, it’s better than a few Radiohead albums, I think!

17) Plates of Cake – Nickel: And the award for best song that sounds exactly like Television goes to Plates of Cake! That isn’t mean as a slight, I love this song and finding eight and a half minutes for it on the mix should say it all. The band released Got a Feeling that I Live Here in September and this feels like the centre-piece.

18) The Ganjas - Space Trees: Chilean psych greats The Ganjas returned with their first studio album in eight years with Generation, released of course on the finest label, BYM Records. The album sounds like they’ve never been away.

19) Fliege - Sight for the Snowblind: It can be a little hard to sound objective when two of your best friends release records, but Fliege’s new album One Day They'll Wonder What Happened Here, retelling of John Carpenter’s The Thing (which celebrated a 40^th anniversary last year) demanded to be on this mix. This song perhaps encapsulates everything about the duo, with more guitar licks than most bands fit onto a single album, the whole record is an ambitious triumph.

20) Erasers - Constant Connection: I used You See on Q#143 and this is the title track from the Aussie duo’s third album. They often sound like they could do a great soundtrack to an Italian horror movie.

21) Julia Jacklin - Be Careful With Yourself: A record that really grew on me towards the end of the year was Julia Jacklin’s Pre Pleasure. The album is very laid back and low key but slowly pulls you in. “I've seen enough now to know that this is special. So I'm just asking politely if you'd just try and be careful with yourself”

And there you go, some of my favourites from 2022, I hope 2023 treats you as well as last year treated me. If you ever discover anything from these mixes, I do love to hear from you, let me know!

As always, Peace and Love - Q

Q#146 - October to November 2022

 

   Please note that the zip file has a password: QCOMPS.BLOGSPOT  

 Download mix from https://www.mediafire.com/file/zjgovp7e0ap69bw/Q#146.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #146 – October to November 2022

 

Hurtling towards the end of the year, I’m writing these notes the week of Thanksgiving (now finishing them the week after…) and there’s a world cup playing which is weird on multiple levels…. November has been a fruitful month for shows and there have been some excellent new releases, so let’s just dive in. 

01) The Men - Hard Livin': I’ve felt a bit of a kinship with The Men since I moved to New York in January 2012; Open Your Heart came out that year and they’ve been releasing consistently good records since (and for a few years before that, even). Aptly titled new record New York City (their ninth) will come out in February and this song opens the album. This tune has a Stooges vibe to it and I’ve no doubt the album will be another success.

02) Current – Representation: Reissue kings Numero struck again by releasing Yesterday’s Tomorrow Is Not Today, compiling their entire discography. The band burnt brightly over the course of a couple of years, issuing an album and a couple of Eps, I’m very grateful for their work to find a new audience as it’s as good as any of the early 90s Dischord act that they were so clearly influenced by.

03) Thus Love – Inamorato: It shouldn’t shock anyone hearing this song for the first time to hear that this Brattleboro, Vermont trio just released their debut album on Captured Tracks, who have long been a perfect label for this brand of 80s goth. The record, Memorial, just came out at the start of October and this is one of those tracks I almost held back for the “best of 2022” mix that will come next but I couldn’t help myself.

04) Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Mr Medicine: Another record coming out in February, Newcastle sludge greats will unlease Land of Sleeper on the 17^th. Unfortunately their NYC show at Saint Vitus in March clashes with one of the Unwound shows I have tickets for so hopefully they’ll be back later in the year. This lead single isn’t necessarily breaking new ground for the band but in their case that’s not a bad thing at all.

05) Milly – Illuminate: Bandcamp struck gold again with one of their “if you like X, you might like Y” suggestions with this heavy shoegaze act from LA. This song opens Eternal Ring, that came out at the end of September and gives off those Ride/Swervedriver vibes that are irresistible.

06) Gladie – Nothing: Augusta Koch’s post-Cayetana band Gladie was the last band I saw before (at the beginning of?) the pandemic in March 2020 and their new album, Don't Know What You're In Until You're Out, just came out a few days ago (the 18^th of November to be exact) and I had the pleasure of seeing them in Garwood, NJ opening for Laura Jane Grace of Against Me!. The record is excellent and has a nice mix of bangers like this and a few slower numbers. “Fruit gets ripe before it gets rotten, and I keep seeking advice that I’ve already gotten”

07) Hurray for the Riff Raff - Pierced Arrows: I’ve been fortunate to see a number of shows at the beautiful King’s Theatre in Brooklyn a few minutes walk from my apartment recently, one of which was Bright Eyes where Hurray for the Riff Raff opened. Alynda Segarr’s latest record, Life on Earth, came out in February and I think this is the stand-out tune.

08) Vanishing Twin - The Lift: London quintet Vanishing Twin are led by Cathy Lucas, who I didn’t realise until just checking their wiki page to write these notes, is in Fanfarlo, who admittedly I haven’t really thought much about since their debut 2009 record, but I’m digressing here… Vanishing Twin’s Ookii Gekkou album came out in October 2021 but I only recently heard about them after they played a show here recently. The album is an excellent psych/kraut record that hits perfectly if you’re in the right mood for it, there’s something about the rhythm section that is magnetic.

09) Breanna Barbara - Diamond Light: This is the first single from (and also opens) Breanna’s second album, Nothin’ But Time, which came out on the 28^th of October. It’s definitely a throwback to 60s psych-pop and the whole record is awash with that 60s west coast vibe.

10) Matt Kivel - Find Love: Singer/songwriter Matt Kivel’s latest record, bend reality ~ like a wave, came out in October and features Bonnie “Prince” Billy on three tracks, one of which is obviously this song. I tend to write these notes as I listen along and have had to play the track three times in a row having not typed anything, maybe some things can be too pleasant?

11) Broken Bells – Saturdays: I must admit I’ve never really listened to Broken Bells until their new album, Into the Blue was released on the 22^nd of October. I had 3 minutes available after I’d mixed everything and then realised this song fit here perfectly.

12) White Reaper – Pages: It has been three years since White Reaper’s last record, You Deserve Love, which was one of my favourite 2019 records, but the band just announced new album Asking for a Ride that will come out at the end of January. This lead single is a pretty simple banger and gets better the more you listen.

13) M.A.G.S – Smile: I saw M.A.G.S (Marijuana and Good Sex) open for Oso Oso at Warsaw recently and they were the best kind of opening band – knowing nothing about them before they started playing to being an instant convert, the band confidently ripped through their set of early-00s influenced indie-pop, with some songs leaning into pure pop.

14) Joyer – Blistered: I’m not sure how I missed this 2020 slowcore record at the time, but I was enjoying Knifeplay’s new record (more on that later) and noticed this band were opening a show with them so found their bandcamp page and liked what I heard – this is actually how I end up hearing a lot of bands! Anyway, I ordered this album, Sun Into Flies on a bandcamp Friday. To give a slowcore caveat, this is the up-tempo song on the album.

15) Ken Mode - A Love Letter: Hankering for a metal show, I noticed Ken Mode were playing a show at Saint Vitus with Frail Body (who featured on Q#144), I hadn’t seen Ken Mode since 2013 so it seemed like a good idea to bridge that gap. The band’s new album, Null is a bit of a tour de force of sludge with this tune kicking off the record.

16) Fleshwater - The Razors Apple: This band have been described as grunge-gaze and that’s a pretty apt description for their debut album We’re Not Here to be Loved, this song is probably the most “grunge-gaze” with the record probably leaving a bit more on the grunge side overall. 

17) Stuck - Do Not Reply: It has been a couple of years since Chicago act Stuck released their last album, Change Is Bad, though they did release EP in 2021. This tune came out on the 18^th of October on Born Yesterday records and is hopefully a preview for an upcoming record?

18) Yeah Yeah Yeahs - Different Today: Those first three YYYs albums are still pretty dear to my heart, but I can’t remember the last time I listened to 2013’s Mosquito, so eight years later I’m still not entirely sure how excited I am by a new album, and while Cool It Down doesn’t seem likely to make a “best of” 2022 list for me, I am glad their back and I’ve enjoyed the album.

19) Elder - Endless Return: I love stoner rock and progressive rock, so Elder’s slow and masterful transformation from the former to the latter is all good with me. Their most recent album, Innate Passage, just came out on the 25^th of November.

20) Knifeplay – Hearts: I mentioned Knifeplay earlier and they recently released Animal Drowning on the 19^th of October. I ordered the vinyl which isn’t due to ship until August 2023… vinyl supply side issues are crazy! Anyway, it’s a nice slowcore/shoegaze, sometimes a little goth, record that I’m still digesting, but this song gave me the kind of early Red House Painters vibes that I miss.

Anyway, I’m thankful for anyone who takes the time to listen to these mixes or reads the notes. See you in 2023 for the best of the year round-up!

 

As always, Peace and Love - Q

Q#145 - August to September 2022

      Please note that the zip file has a password: QCOMPS.BLOGSPOT  

 Download mix from https://www.mediafire.com/file/6t9xonw8bm9o823/Q#145.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #145 – August to September 2022

 

We’re officially into Autumn / fall! August and early September brought more travelling (Oregon and Pittsburgh) which was lovely but I have very much enjoyed being back in New York for a few weeks, with little intention of leaving the five boroughs any time soon. Doing my best to catch up on gigs and new records. Oh yeah, the queen died… I despise the idea of a monarchy but I found myself utterly unmoved by her death because ultimately nothing has changed, the institution is still in place. I’ll celebrate if my country of birth ever becomes a republic (and more importantly, gives up the state religion). I got the latest covid booster and flu shot, go get yours! Almost everything on the mix is entirely new bar a few songs.

01) Fritz – Sweetie: I bought Fritz’s debut album, Pastel, on a bit of a whim during the last bandcamp Friday (it was released February 2021 but it just came onto my radar recently). The record’s fuzzy dream pop vibe hit instantaneously and I think I’d purchased the album before I’d finished listening all the way through.

02) Alvvays - Easy On Your Own: It doesn’t feel like Alvvays’ previous record was five years ago, it seems like they never really went away, but maybe that’s because this track from upcoming record, Blue Rev (release date 7^th October), sounds like it could have been on either of their previous records. That’s not a bad thing at all, and I have tickets to see them at Kings Theatre in November.

03) Jobber - Entrance Theme: Brooklyn quartet Jobber are about to release their debut EP, Hell in a Cell, via Exploding in Sound Records. If the rest of the EP is packed with the kind of riffs this lead single has then I will happily gobble up anything they release.

04) The Lounge Society - Bloody Money: Regional accents can sometimes be the make or break of a band, but Yorkshire act The Lounge Society don’t push it too far and seem to straddle the line perfectly on debut album Tired of Liberty. The record is busy and ambitious but all the songs are neatly wrapped up in 2-4 minute songs.

05) Plates of Cake - Everyone Got Over that Summer: Brooklyn trio Plates of Cake are releasing a farewell album on the 30^th of September called Got a Feeling that I Live Here and I will certainly be sad to see them go. As far as underrated bands of the Brooklyn DIY seen over the last decade go, Plates of Cake should have had a much wider audience if you ask me. I always appreciated that they were never afraid to rattle off guitar solos to go with their catchy melodies.

06) Savak – Empathy: Speaking of underrated Brooklyn indie bands… Savak have put out consistently excellent records since 2015, including 2022’s Human Error / Human Delight that was released in April this year. 

07) Cheap Star - Flower Girl: Cheap Star is pure unadulterated power pop, almost to the point of plagiarism, but makes no bones about it, most of the songs on this record, Wish I Could See, which came out this February, features some heavyweights of the genre, including this one that has Matthew Caws of Nada Surf on backing vocals and harmonies, as well as Jon Auer on bass and guitar.

08) Goat - Under No Nation: It has been six years since Sweden’s psych heavyweights released a full blown studio record of new material and they’re coming out swinging with lead single Under No Nation.

09) Thee Sacred Souls - Easier Said than Done: Few genres suffer from the ghosts of the past as soul music, where rock acts can be celebrated for sounding like classic artists, the same is rarely offered for soul and R&B. When I first heard Thee Sacred Souls, I thought it was another archival release from the 60s or 70s, but this San Diego trio just released their self-titled debut album via Daptone in August. Sometimes derivative sounds don’t work out, but the record seems to excel because of it.

10) Drugdealer – Madison: Michael Collins aka Drugdealer’s third record, Hiding in Plain Sight, comes out on the 28^th of October via Mexican Summer and this is the lead single (that also opens the record). The middle of the road is a difficult vibe to really nail but this might be one of the best mid-tempo radio friendly songs I’ve heard in years. Shout out to my buddy Felix for sending me this song, I can picture him driving down route 101 blasting this. Cool.

11) Joseph - Green Eyes: Emily and I just had a trip out to Pittsburgh to see The Shins (we were out of town when they played NYC), and Joseph opened the show. Now, if you just see the name Joseph without knowing anything else, three sisters singing perfect harmonies is probably the last thing you’d imagine, but that’s what we were treated to. This track appears on their second record, Good Luck, Kid that came out in 2019, but their most recent release is Trio Sessions Vol 2, which consists of stripped down versions of their songs, and is how we experienced them live (basically just one guitar and three voices) and seems to be their sweet spot.

12) Paisley Fields - Jesus Loving American Guy: I’ll listen to anything that Don Giovanni records put out, even a country record like this! It would be a bit of a disservice to simply describe Limp Wrist as just a country record, though that’s the central sound, there’s a little lite electro/disco, plenty of piano ballads, and the lyrics paint a picture of growing up as a closeted queer in rural Iowa in a family of devout catholics.

13) Lee Bains III - (In Remembereance of the) 40 Hour Week: Speaking of Don Giovanni Records, they just put out Lee Bains III’s latest album, Old Time Folks (I used God’s a Workin’, Man on Q#142). The Birmingham, Alabama have produced their most “southern rock” record to date, the deep south is jammed into just about every song on the almost hour-long record.

14) The Reds, Pinks & Purples - Saw You at the Record Store Today: Glenn Donaldson only really has one vibe - forlorn, and I don’t mean that as an insult, the saddest songs are usually the most beautiful. A 7” EP on an obscure Swedish label was released in 2020 called I Should Have Helped You that is impossible (and/or expensive) to find, but that’s now been reissued and expanded to an album that includes this gem. Saw you at the record shop today. Saw your picks from far away. Love Bites and Candy Apple Grey, a tore up Only Theater of Pain. What have you done to yourself?

15) Del Amitri - Lips of London: Del Amitri are unrivalled when it comes to the art of the b-side, but we don’t really have singles anymore so there aren’t b-sides… regardless, the band just released an “Outtakes and B-Sides” companion to Fatal Mistakes which would have been a strong album in its own right. This is a fun little rocker with some infectious backing harmonies. 

16) Julia Jacklin - I Was Neon: Julia Jacklin just released her third studio album, Pre Pleasure, which I’m still digesting, something I’ve appreciated about all her records to date is that they’re growers and get under your skin the more you listen. The record is mostly filled with ballads so this song is not really representative of the whole thing, but this song slotted most naturally into the mix.

17) The Shins - Caring is Creepy: As mentioned for the Joseph song, we trekked out to Pittsburgh to see The Shins since we missed their NYC show. It was a pretty good show, though it was also a smart move to bring Joseph as openers who could also come out to sing backing harmonies when they needed them to!

18) Blessed – Anything: I was a big fan of Blessed’s 2019 album Salt, that criminally didn’t get mentioned as much as it should have… hopefully they’ll find some more critical love with upcoming album Circuitous. This song features the same signature musical interplay and some Radiohead-y guitar parts, I’m eagerly awaiting the 28^th of October when the record comes out.

19) Preoccupations - Death of Melody: I haven’t listened to the new Preoccupations album (Arrangements) all the way through yet, which was released on the 9^th of September, but this lead single has all their signature intricacies.  

20) The Dream Syndicate – Damian: I just saw The Dream Syndicate live at Bowery Ballroom the other week where they played debut album The Days of Wine and Roses in celebration of its 40^th anniversary. The band had no opener and the first set of newer material was just as thrilling as hearing their classic material. They played this tune from their most recent record, Ultraviolet Battle Hymns and True Confessions, which was released this June.

21) Helena Deland - Someone New: I almost used the standalone track, Swimmer, that Helena put out this February, a beautiful and haunting solo acoustic tune, but something drew me back to her 2020 album, Someone New, and particularly the title track.

22) Blase - Unknown Gateway: Another tune that Felix sent me, thanks again! I think he has been paying attention to all the times I’ve told him Chicago is maybe producing the best bands these days… Vertigo Valley was released in July and I bought the record on bandcamp on the strength of hearing this song. It opens the record but it felt like a great closer for the mix as I tend to like to end up with something chill.

As always, Peace and Love - Q

Q#144 - June to July 2022

                                     Please note that the zip file has a password: QCOMPS.BLOGSPOT  

 Download mix from https://www.mediafire.com/file/t6po2s8v92hjuei/Q#144.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #144 – June to July 2022

 

It has been a busy couple of months… and this mix is obviously late, and could have been even later given that I didn’t even start compiling and mixing this until the 2^nd of August. Why so late? Well, I turned 40 in June, and then just had a lovely jaunt around Europe, going to Amsterdam, Prague, Berlin, and then back to the fine town of Bicester to see friends and family. These notes will naturally be brief as I don’t want this to be depressingly late (even if I'm the only one that reads them!).

 

01) The Beths - Silence is Golden: New Zealand’s finest, The Beths, will release their third album, Expert In a Dying Field, on the 16^th of September via Car Park Records. It was inevitable I’d miss some great shows in New York while traveling, but missing The Beths play a free show in Prospect Park was not part of the deal!

 

02) The Mountain Goats - Wage Wars Get Rich Die Handsome: It has felt like John Darnielle and co were due a more rocking album and new album Bleed Out is going to deliver based on the songs that have been shuffled out so far (released on the 19^th of August via Merge Records). This will be the 20^th Mountain Goats album, I think!

 

03) Cusp - I Know: Fire Talk’s stellar record with Chicago artists continues with Cusp, this is a stand-alone single released in June. Hopefully there’s a full record in the works – the quartet have an EP and a couple of singles in their discography to date.

 

04) Lifeguard - I Know I Know: I know, I know, I know, I didn’t have to follow up a song called I Know with a song called I Know I Know, but here we are. Lifeguard are another band from Chicago, though this time on the equally great Born Yesterday record label. This song is from their EP Crowd Can Talk, released on the 5^th of August. I’m looking forward to seeing them open for Horsegirl soon.

 

05) Soccer Mommy – Shotgun: Sometimes, Forever is Alison Regina Allison’s third record as Soccer Mommy and I was excited to see that Daniel Lopatin produced the record, since I love his work as OPN, without realising he’s a hugely in demand record producer thanks to his work with The Weekend.  The record isn’t as weird as I was imaging as a result, but that’s fine! This is the highlight of the record for me.

 

06) Beach Bunny – Gone: The best band of the last couple of years, Beach Bunny just released their/her second full length record, Emotional Creature, on the 22^nd of July via Mom+Pop records. It’s inevitably a triumph and there isn’t a better indie rock band around right now.

 

07) Momma - Speeding 72: Now signed to Polyvinyl records, Momma just released their third album, Household Name, on the 1^st of July and the record leans into the title, with strong 90s choruses that suggest if this was released 30 years ago they would be household names!

 

08) Dirt Devil - Garbage Night: I wish I could remember how I came across this band. I’m pretty sure one or two of the members are in another act I like that mentioned this single on bandcamp but I cannot remember! The quartet are from Western Mass and released a self-titled debut in 2017, this song was released on my birthday this year.

 

09) Jimmy Eat World - Something Loud: Finding themselves without a record label at the moment, Jimmy Eat World self-released this anthemic single in June. We have tickets to see them in September and I’m really looking forward to it, the only time I’ve seen them live was opening for Green Day in 2005! This song has everything you want from them.

 

10) Unwound - What Was Wound: It’s hard to put into words my surprise an excitement upon hearing that Unwound were reuniting to play some shows for the first time in 20 years. I have tickets to see them three nights in a row in March as I really never thought this would happen (especially so after bassist Vern Rumsey sadly died in 2020). This song is from their second record, New Plastic Ideas from 1994.

 

11) Frail Body - Your Death Makes Me Wish Heaven Was Real: This Screamo trio from Illinois just came onto my radar from looking over some show listings, though this album (A Brief Memoriam) came out in 2019. The whole record is great and jumps around all over the place.

 

12) Porcupine Tree - Rates Return: Closure / Continuation, the band’s first record since 2009, just came out and I’m really glad the band is back. The band had gotten into a bit of a rut with their last few albums if you ask me (though they’re still very good) and they sound fresh on this release, it’s definitely a 2022 version of the band. I’m looking forward to seeing what kind of setlist they put together when I see them in September.  I’m still digesting the record, it’s a strange experience when a band you were obsessed with but kinda moved on from come back after so long.

 

13) Yoo Doo Right - Say Less, Do More: Krautrock-y, progg-y, shoegaze-y Montreal trio Yoo Doo Right put out A Murmur, Boundless to the East, in June and it’s a real triumph. Mostly instrumental with a few vocals cropping up here and there, it’s a record you can easily get swept away with the groove before the come crashing with some intense passages.

 

14) Greta Morgan - Bitter Better: You’ll hopefully recognise the name Greta Morgan from past mixes over the years, especially as Springtime Carnivore. Greta has been through the ringer in recent years, being diagnosed with spasmodic dysphonia, she has had to relearn how to use her voice and her first two songs that have just been released are beautiful (the other track on her 2-track release is the title track Vanishing Path).

 

15) Tchotchke - Wish You Were a Girl: NYC trio just released their self-titled debut album, and it’s one of those infectiously sunny sounding records that is hard not to love.

 

16) Young Guv - Too Far Gone: Young Guv is in a particular purple patch right now, releasing his III album in March, new record, remarkably called IV, came out in June. IV is a little more subtle than previous records, although this track would fit on any of the releases.

 

17) Mamalarky - Mythical Bonds: Another Fire Talk act, Mamalarky’s second album, Pocket Fantasy, comes out on the 30^th of September. This lead single locks into a great groove and I love the guitars in particular.

 

18) The Zells – Mankey: Pittsburgh quintet The Zells let their GBV-influences shine brightly on second album, Ant Farm, that came out in June.

 

19) Mike Johnson – Circle: Mark Lanegan’s death in February struck me harder than I though and I’ve since read his brutal memoir, Sing Backwards and Weep, which is an extraordinary read… but it got me digging a little deeper into his career and collaborations which led me to Mike Johnson, who produced and played on some of his early solo records, but has a body of work in his own right that Lanegan crops up on from time to time. This song is from Johnson’s second solo album, Year of Mondays, from 1996 (and features J Macsis on drums).

 

20) Friendship - Ugly Little Victory: Now signed to Merge Records, Friendship just released Love the Stranger on the 29^th of July, and this was the lead single before the record came out. The record hits some lovely country notes with the odd up-tempo folk number like this one for good measure.

 

21) Will Sheff - Estrangement Zone: Okkervil River has always struck me as a Will Sheff and friends endeavour so it was a little surprising to see him announce a solo record called Nothing Special via ATO records under his own name. The album comes out on the 7^th of October and while there’s a slight style shift from Okkervil River, I’ll be interested to hear what the whole record sounds like.

 

Ok that’s really all the notes I have time for if I’m going to get this released in a not-too-late fashion. 

As always, Peace and Love - Q

Q#143 - April to May 2022

 

Please note that the zip file has a password: QCOMPS.BLOGSPOT  

 Download mix from https://www.mediafire.com/file/maofdyhqmkjzxq2/Q%2523143.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #143 – April to May 2022

Happy summer everyone. This mix had to come about fairly quickly since I didn’t even get mixing the tracks together until the last weekend of May, but sometimes these are the most fulfilling ones to compile. As usual, these are mostly new songs with a few 2021 stragglers still coming to my attention, and a couple of older tunes thrown in for specific reasons. It has been a busy couple of months, with a trip to California to see Del Amitri, who I also saw in Philadelphia and a show here in New York, a holiday in New Orleans that we’d talked about taking for years, a couple of weddings in the Boston area, and I even managed to catch covid as well eventually (aside from a fever one day and a residual cough for a while, it was fine, and I’m grateful to have been vaccinated and boosted). I’ll turn 40 in a couple of weeks which for some reason is almost comforting at this point.

01) Pet Fox - Checked Out: The trio of Theo Hartlett (Ovlov), Morgan Luzzi (Ovlov), and Jesse Weiss (ex-Palehound, Grass Is Green) have already released a couple of albums and EPs, and are set to release their first album on Exploding in Sound Records in June called A Face In Your Life.

02) Oso Oso - Describe You: I was a big fan of Oso Oso’s 2019 record, Basking in the Glow, so was delighted when this record, Sore Thumb, seemed to come out of nowhere back in March. It didn’t grab me quite as much on first listen and I didn’t think about it for a month or so, but I’ve kept coming back to it for most of May. Recorded in early 2021, tragedy struck when guitarist Tavish Maloney died a month after the sessions, leaving the album in limbo for some time.

03) The Stroppies - Up to My Elbows: Aussie quartet The Stroppies put out their latest album, Levity, at the start of May. Australia excels at jangle-pop and maybe The Stroppies are the best they have right now. Whilst this is a fairly straightforward indie-rocker, the record jumps around a little bit and rewards multiple listens.

04) Lawn – Down: New Orleans’ Lawn are releasing a new EP in July called Bigger Sprout via Born Yesterday Records. I’m a subscriber to the label’s bandcamp page which is a great way to hear new bands I otherwise probably wouldn’t, now I not only have this EP to look forward to but a couple of albums in the back catalogue to discover.

05) Lou Barlow - Only Fading: The latest release from Lou Barlow sees him fronting a 4-piece band for the first time, with Western Mass trio Eat Fire Spring as the backing band. So far they have just released two songs via bandcamp but hopefully there’s an album to come.

06) Don McGlashan - Go Back In: New Zealand’s finest songwriter, Don McGlashan (The Mutton Birds, Blam Blam Blam), is not the most prolific writer in the world, Bright November Morning is his fourth solo record since 2006 and was released in February. McGlashan’s style is effortless as usual and rarely gets out of second gear, but when the middle lane is this comforting sometimes you never want to leave.

07) Nina Nastasia - Just Stay in Bed: Riderless Horse will be Nina Nastasia’s seventh album but first since 2010’s Outlaster, and she has been dearly missed. The record deals with her disfunctional and abusive relationship with long term partner and manager Kennan Gudjonsson, who committed suicide in 2020, the day after they broke up.

08) Mark Lanegan - The River Rise: Mark Lanegan sadly died in February of this year at the age of 57, perhaps a big surprise that he lived as long as he did. I never really got into Screaming Trees all that much at the time but always liked his solo work, and then Bubblegum came out in 2004 and I was hooked ever since. His death hit me pretty hard and led me read his memoir, Sing Backwards and Weep that came out in 2020. It’s a gripping book, and he does a great job of just hitting home how intense his drug addiction was, like a real-life Naked Lunch at times. This is from his second solo album, Whiskey for the Holy Ghost, which took three years to complete and was released in 1994, but almost never was, as he mentions in the memoir, Lanegan was seconds away from tossing all the master tapes into a nearby river in frustration, only to be stopped by producer Mike Johnson at the last second.

09) Rex - Ride Home: 90s Brooklyn act Rex were not quite your typical slowcore band of the time, though large chunks of C are as classic slowcore as you can get, there are smatterings of folk, chamber music, a little grunge, and on this tune, what could have been a 90s alternative hit 

10) Sidney Gish - Sin Triangle: I had tickets to see Beach Bunny in May but singer Lili Trifilio came down with covid so the show got pushed to August, I mention this because one of the openers (Wednesday, see Q#131 for Handsome Man) got replaced with Sidney Gish, whose 2017 album No Dogs Allowed is a delightful bedroom pop record.

11) Horse Jumper of Love - I Poured Sugar In Your Shoes: Boston trio Horse Jumper of Love are releasing their third record, Natural Part via Run for Cover Records on the 17^th of June. The band have been flying the slowcore flag since their self-titled debut in 2016, and this is probably their most high-tempo song to date and I can’t wait to hear what the rest of the album is like.

12) Spacemoth - Pipe and Pistol: Spacemoth is the moniker for bay area musician/producer Maryam Qudus, who is releasing her debut album, No Past No Future on the 22^nd of July. There have been two singles released so far and if the record is as full of classic synths and pop beats like this track then it should be a triumph.

13) Pop Zeus - If You Were Mine Tonight: Mikey Hodges was the first musician I had the courage to say hi to at a gig to say I was a fan of his music and saw Pop Zeus a number of times between. The self-titled Pop Zeus album from 2012 was tragically his only full length album before getting hit by a car in late 2014. Somehow, I only just found out that twosyllable records compiled his unreleased demos and pressed them to vinyl called This Doesn’t Feel Like Home, so I immediately bought a copy. 100% of the proceeds from this record go to the Michael T Hodges Instrument Endowment Fund which supplies instruments to students in Lebanon, IN, so please do pick up a copy if you like what you hear.

14) The Holydrug Couple - Time Bazaar: Chilean heavyweights The Holydrug Couple have released a couple of soundtracks, singles and demos in the last couple of years but not a full record since 2018’s Hyper Super Mega. This tune just came out as a digital single at the beginning of April and sounds like it could have been on the last record, which continues the bands path from Pink Floyd style psych-rock to almost John Carpenter-esque synth heavy pieces.

15) The Smile - Thin Thing: The Smile consist of Thom Yorke and Jonny Greenwood of Radiohead plus Tom Skinner from Sons of Kermet. Their debut album, A Light for Attracting Attention is very good and while one could criticise that it basically sounds like Radiohead, for me that’s not a bad thing at all, I almost wish this was a Radiohead album.

16) Just Mustard - I Am You: Ireland’s Just Mustard released their second album on the 27^th of May, Heart Under, this track was first released back in November. The record is pretty dark and abrasive for the most part, reminds me a lot of FACS (see Q#141 and Q#139).

17) 50 Foot Wave - Staring Into the Sun: Kristen Hersh’s power-trio side project 50 Foot Wave have released a number of Eps since 2005 debut Golden Ocean, but Black Pearl was released in April and is finally the band’s second full-length. The record is missing a few BPM compared to the debut but it hits just as hard.

18) Cloakroom - Lost Meaning: I saw Cloakroom in San Francisco in 2016 and they’ve released two records since then, with the most recent being Dissolution Wave which came out in January and is a bit of a space-rock concept record which this track opens. The record has a lot more delicate moments than this song would suggest, but I felt like I wanted something heavy at this part of the mix 

19) Somerset Thrower - Harbor (Virteous Humor): I was going through the showlistings in New York and noticed that his band was opening for a powerpop act I really like (Supercrush) and that usually is enough for me to check someone out. This single came out in February and you can see why they are sharing the stage with Supercrush. The band are from New York and have two full length record I still need to listen to, 2020’s Paint My Memory and 2018’s Godspeed.

20) Kiwi Jr - Night Vision: Torontonians Kiwi Jr sound like they got bored of the constant Pavement comparisons with this lead single for their third album, Chopper, which is coming out in August via SubPop. For the record, I enjoyed their first two albums very much!

21) Erasers - You See: This duo from Perth, Australia, just released their third album, Constant Connection, on Fire Talk Records. You almost get surprised when there are vocals given how much the record has a classic, wavey ambient quality to it, like it should be a movie soundtrack, but when the vocals do come in and out they elevate the material.

As always, Peace and Love - Q

Q#142 - February to March 2022

 

Please note that the zip file has a password: QCOMPS.BLOGSPOT  

 Download mix from https://www.mediafire.com/file/c94uh8jxh4uw38y/Q%2523142.zip/file

Spotify link at end of notes, follow/subscribe to playlists here 

Q's Compilations

Vol #142 – February to March 2022

 

Happy Spring! A lot has happened since the last compilation was released, I got married, spent some time in New Orleans, have managed to catch a few shows, and will also have a trip to California to catch Del Amitri (plus also seeing them in Philly and NYC). Full steam ahead. As is typical for the first “normal” mix of the year, it mostly consists of brand new songs plus a bunch of stuff that didn’t make it onto the “best of 2021” mix. I took the cover image walking back to work over the Brooklyn Bridge after a jury summons (which amounted to sitting in a room for most of the day without anything happening), it’s very easy to love this city.

01) Current Joys - American Honey: On Q#124 I used Fear from Current Joys’ 2018 album, Fear, which I really enjoyed, but for one reason or another, he fell off my radar until I saw the current release, Voyager, in a sale. Released May 2021, it’s a double record that would certainly have been on my best-of mix if I’d heard it in time. The production has gone up a few notches between releases but there’s also a new found confidence in the delivery as well as the recording.

02) Anna Fox Rochinski - Party Lines: Another 2021 record that didn’t quite make it onto the last mix, Cherry is the kind of alt-pop album that should have been a hit with the critics. There’s enough of a psych-tinge from her former band (she fronted an act called Quilt who I saw a bunch before their break-up), but has the focus of a solo alt-pop album.

03) Indigo De Souza - Pretty Pictures: I was looking over the concert listings last month and noticed a name I didn’t recognise because the openers were Horse Jumper of Love, who I really like, so gave a few tracks a spin and I think Any Shape You Take is probably the album I’ve listened to the most since. Released last August on Saddle Creek, the album is a low-key masterpiece for those who like pop as much as scuzzy guitars, a great follow-up to debut album I Love My Mom from 2018.

04) HOORSEES - Weekend at Bernie's: This time last year I used Overdry from this Paris quartet’s debut album, and they just put out a couple of songs for their next album, A Superior Athlete, that comes out in April. There’s just something endearing about this somewhat nonsensical indie-pop anthem, I love it.

05) Kids on a Crime Spree - When Can I See You Again: Kids on a Crime Spree certainly take their time, following a few singles since 2013, the band have just released their debut album, which races through ten tracks in about twenty-five minutes (old-school me queries if 25-minutes qualifies as an album). You could probably guess this is released on Slumberland Records within 10 seconds. The band is fronted by Mario Hernandez, who will crop up again a bit later. “When can I see you before our world ends, when can I see you again?”

06) Ex-Void – Churchyard: Ex-Void features a couple of former Joanna Gruesome members (guitarist Owen Williams also released a pretty good EP with his band, The Tubs, last year). It’s more jangle than fuzz, but it feels like the same band in many respects. The album comes out on the 25^th of March (Bigger than Before) via Don Giovanni records.

07) Bliss Fields – Away: Another returning band, I used What Kills You a couple of mixes back from their self-titled EP, and the Toronto shoe-gazers haven’t wasted much time in getting out their debut album, Slowly Forever was released in January. It’s hard to ignore the Ride influence here but since I love Ride and this sound in general, I will happily devour it.

08) Horsegirl – Billy: Chicago trio Horsegirl were also featured fairly recently (Q#139) and have since announced a debut album, Versions of Modern Performance which will come out in June. This track closes the record (but is only one of two songs released so far) and I love the scuzzy but soaring guitars.

09) DEHD - Bad Love: Another Chicago band, DEHD have been one of my favourite acts of the last few years (featuring on Q#127, #132 and #135), they just announced a new album and a change of record label, Blue Skies will be released in May on Fat Possum Records, who are an excellent label, but it feels odd for them not to be on Fire Talk. This is the only song released so far and is obviously excellent, without straying from the vibe of the last couple of records. They’re playing a couple of shows at Bowery Ballroom in May and I’m hoping to go since I’ve yet to see them. “I was a bad love, now I can get some, I got a heart full of, I got a heart full of R-r-r-redemption”

10) Fawning – Wait: 2021 saw my end up buying a lot of Appleseed Cast vinyl, which brought me to Graveface Records and Curiousities in Savannah, Georgia, for a few releases, at which point I randomly browsed most of the other acts and stumbled on a few I really liked, one of which was this record, Illusions of Control, released February 2021.

11) Howless – Levels: I can’t remember how I came about this act from Mexico City but it turned out to be an album I pre-ordered well ahead of its release after hearing this song and was then pleasantly reminded when it popped into my Bandcamp collection when it finally came out.

12) Young Prisms - Self Love: I subscribe to a bunch of labels on bandcamp which means I end up with more releases than I can keep up with, but I like the idea of giving some labels money each month regardless and Fire Talk always put out excellent music even if I can’t stay on track with them. Drifter will be the band’s first album in a decade when it comes out at the end of this month.

13) Weird Nightmare - Searching for You: If you thought there was a bit of a METZ vibe to this song then that’s because it’s the solo project of singer Alex Edkins, it’s a little more sugary than METZ, but the intensity is still there (in this song at least). The self-titled debut is getting released on the 20^th of May via Sub Pop.

14) The Sad Tomorrows - Long Vibration: Jeffrey Schroeck fronts the criminally underrated New Jersey punk band Black Wine, who sadly haven’t released a record since 2014’s Yell Boss, so I was delighted to hear his new band, The Sad Tomorrows, who released a self-titled EP in January. More please!

15) Artsick – Despise: Another Bay-area Slumberland artist, featuring Kids on a Crime Spree’s Mario Hernandez on drums. This is the lead single from the record, Fingers Crossed, which came out in January.

16) Young Guv - Only Wanna See U Tonight: Ben Cook has been on a bit of a roll with his Young Guv project since debut album Ripe 4 Luv came out in 2015. In 2020, as with I suspect a lot of touring musicians, his band became somewhat stranded while on tour (in their case, New Mexico), and ended up creating two albums worth of songs, the first set of which came out on the 11^th of March (Guv III). 

17) Springtime Carnivore - Keep Confessing: I’ve been a big fan of Greta Morgan since first seeing Springtime Carnivore in 2014, and love her two records (self titled in 2014 and Midnight Room from 2016). She was diagnosed with spasmodic dysphonia last Autumn so I don’t know what her future holds as a singer but I hope that she continues to release material. This song is from her debut album and I just wanted to have one of her songs on this mix, I love them all. “I want the dizzy freedom, Float above the ground, All my life. I want to ride the landslide, Don't want to wait around, Or be left behind. I saw paradise in your lonely eyes, And if I only get to see it once, Better be enough, better be fine”

18) Superchunk - On the Floor: Superchunk’s twelfth album, Wild Loneliness, just came out at the end of February (via their own Merge Records, of course). It’s a lower-key record than most of their second wave releases, with acoustic guitars featuring heavily, as well as a slew of high profile (in indie circles at least) guests. This song features the one and only Mike Mills of REM.

19) Lee Bains + The Glory Fires - God's a Workin, Man: Old Time Folks, the new album from Lee Bains, won’t be released until August, but this is a nice leading single. The kind of 7 minute jam that doesn’t feel that long at all. Of course, god’s not a workin’ at all since god doesn’t exist, but it’s hard to resist a southern folk drawl.

20) The Goalie's Anxiety at the Penalty Kick - An Olive Coat: One of those bandcamp “if you bought X you might like Y” recommendations that cropped up was this six-piece from Philly, and it was a hard band name to resist. This song opens Ways of Hearing that was released October 2020 (that seems SO long ago!), and is a lovely slowcore album, a genre that is low-key having an excellent revival. “Found the socks you lost, Wool and flecked with gold, But I traded them, For an olive coat, At least this way one of us is warm”

21) Squirrel Flower - Live Wire: I’ve waxed lyrical about Squirrel Flower on Q#137, 139 and 141 and Ella Williams just released Planet EP, a companion piece to one of 2021’s best albums, Planet i. I had the pleasure of catching a live show at Mercury Lounge in February which was also magical.

22) Karate - There are Ghosts: Numero have been working their reissue magic with the Karate discography lately, just putting out their third album, 1998’s The Bed is in the Ocean. A reissue campaign for a great band is not super surprising, but the band reforming to play some shows this summer certainly was and I can’t wait to see them at Music Hall Williamsburg in July (their first tour in 17 years).

23) Black Country, New Road - The Place Where He Inserted the Blade: I was so happy that Black Country New Road followed up my favourite album of 2021, For the First Time, with a new album so quickly with Ants from Up Here, that just came out in February. Sadly, vocalist/guitarist Isaac Wood announced he was leaving the band just before the album was released – the band will continue, though the show I had tickets for got cancelled, I’m intrigued by where they will go from here. The record is very good and I still feel like I’m digesting it (I also bought the 4LP version that came with a bonus live version, a lot to take in!).

As always, Peace and Love - Q