Showing posts with label Deeper. Show all posts
Showing posts with label Deeper. Show all posts

Tuesday, 24 March 2020

Q#130 - February to March 2020


Please note that the zip file has a password: QCOMPS.BLOGSPOT  


Now with added Spotify playlist at end of notes.


Q's Compilations
Vol #130 – February to March 2020

Blimey. It has been quite the eventful start to the year, and almost entirely bad! I don’t have any particular words of wisdom during the corona pandemic other than listen to the science, stay inside and be rational. I finished this mix up before things started going particularly crazy!

01) Rush - The Spirit of Radio: Just one of the other terrible events that started the year off, Rush drummer/lyricist Neil Peart died in January after suffering from brain cancer for three years. A deeply private person, the news came as a shock and remains hard to process. This live version of Spirit of Radio was released on the 40th anniversary of Permanent Waves.

02) Eyelids - The Accidental Falls: Members of Eyelids have worked with Decemberists, Elliott Smith, Stephen Malkmus and were also Robert Pollard‘s backing band as Boston Spaceships. This is the title-track to their most recent album, and like their previous EP, was produced by Peter Buck of REM-fame, the record itself is excellent and I made sure to buy it during Bandcamp’s recent waving of their fee so that musicians got more money.

03) Nada Surf - So Much Love: I recently saw Nada Surf for the 21st time, promoting their new album Never Not Together. There is a dedication to Ric Ocasek of The Cars, who produced their debut album (1996’s Let Go) and died in 2019, and as well as the written dedication there’s certainly a big influence in many tracks on the album itself (they also covered Just What I Needed at recent shows).

04) Seratones – Power: I had the pleasure of catching Seratones play a show at Rough Trade in January, the groups second album, Power is more of a classic soul record with, as the title suggests, plenty of punch to it. In classic soul style, a tight and highly skilled band drives the songs but are ultimately a platform for front-woman AJ Haynes to steal the show, she should be a star.

05) Caroline Rose - Feel the Way I Want: Superstar is Caroline Rose’s fourth album, and her slickest to date. This tune is the lead single from the record and has the kind of effortless swagger and pop-sensibility that everyone could use right now.

06) The Wants – Container: Guitarist/producer Madison Velding-VanDam has been busy the last few years, playing guitar in Bodega and now fronting The Wants. This is the title track from their debut album and the post-punk-white-boy rhythm on this tune stood out for me. The record is pretty strong in general and jumps through a few styles, recommended if you like any of those classic post-punk sounds of the early 80s.

07) Fat Tony - Get Out of My Way: Two years after the excellent 10,000 Hours, Houston rapper Fat Tony has just released Wake Up. The record is full of collaboration but it’s the tracks he takes the lead on that stand out the most for me.

08) Destroyer - It Just Doesn't Happen: We’re probably at the point where we shouldn’t call Destroyer “Dan Bejar of The New Pornographers’ band”, the discography at this point. Dan’s been on a bit of a roll for a while now and Have We Met is the twelfth Destroyer album and has an overt 80s influence that works wonderfully. 

09) Gladie - A Place for Different: Philly punks Cayetana called it a day last year and Gladie is the latest band from frontwoman Augusta Koch. Following up an EP from 2018, the band just released debut full-length Safe Sins. There’s a greater emphasis on melody and a little electronic percussion but Koch’s lyrics are as personable as ever.

10) Deeper - Lake Song: Chicago quartet Deeper first featured on Q#121 back in 2018, and the band are set to release their second album Auto-Pain on the 27th of March (I’ve pre-ordered it). Based on the strength of the songs they’ve released so far, and that I heard them play live, it could end up being one of my favourite releases of the year.

11) Drab Majesty – Elipsis: I was looking through some old bookmarks trying to find some final inspiration to round off this mix and stumbled upon Drab Majesty (I have no idea when I bookmarked the bandcamp page) and the 80s pop sound seemed to fit well. This track is taken from Modern Mirror which was released last July.

12) Video Nasties - Drone Eagle: My good friend Andrew Field has been putting out records with foundation-shaking riffs for a couple of years now (https://apfrecords.bandcamp.com/) and the latest release on APF Records is Video Nasties’ new record Dominion. It’s a cracker, with the odd horror-synth influence to go with the in-your-face guitars and drums.

13) Soul Asylum - Spinnin': I probably hadn’t listened to Soul Asylum in over a decade but saw they were playing a show at Bowery Ballroom in February and thought… why not, I’d never seen them before. I always had a soft-spot for them growing up and while it was a bit of a nostalgia check-box, I’m glad I went and reconnected with a band that I hadn’t given much thought of for a while. This song opens the band’s fifth album, 1990’s And the Horse They Rode In On.

14) Virginia Trace - Hello Lou Reed: This tune is the lead single from Vincent's Playlist, which isn’t due out until May and the obvious influence for the lyrics and the music is in the title. Anyone or anything related to Chile’s Blow Your Mind Records will always prick my ears.

15) Aaron Lee Tasjan - Heart Slows Down: I hadn’t heard of Aaron Lee Tasjan until I saw him opening solo for Nada Surf at the start of the year, his demeanour and songs were an instant hit and diving into his back catalogue was a treat.

16) Anna Calvi (ft Courtney Barnett) - Don't Beat the Girl Out of My Boy: Anyone that lets me talk long enough at any point since July 2009 will have heard me rave about Anna Calvi. She’s not the most prolific artist but everything she releases is solid gold. Following 2018’s Hunter, Calvi went back and revisited some rough versions of those songs and opened them up for some collaboration with the likes of Courtney Barnett on this song.

17) Fog Lake - New York: Aaron Powell just has a knack of concocting lo-fi melancholia that always leaves you wanting more. You may remember I’ll Be Around from Q#126 and this is just as gorgeous. Sadly the corona virus has led to the cancelation of his show at Rough Trade in April (and I’m shocked that’s the first time I’ve written that sentence in these notes as it also applies to at least four other acts on this mix I had plans to see).

18) A Winged Victory for the Sullen – The Slow Descent Has Begun: The Undivided Five is A Winged Victory for the Sullen’s third full studio album and was released last November. It’s hard to say anything new about the ambient/neo-classical duo, they simply excel in the genre.

19) Shell of a Shell - Don't Expect: Nashville act Shell of a Shell just put out their debut album Away Team on Exploding in Sound Records (which happens to the be label’s 100th release) and it is a complete triumph. Led by Chappy Hull, who has been playing guitar in the band Pile since 2018, it’s certainly in the same ballpark as Pile and highly recommended for fans of the band. This track has a little bit of everything that you get on the album rolled into one epic song.

As always, Peace and Love - Q

Saturday, 13 October 2018

Q#121 - August to September 2018




Please note that the zip file has a password: QCOMPS.BLOGSPOT  
Download mix frohttp://www.mediafire.com/file/y5sgaugadtjjdyu/Q121.zip/file


Q's Compilations
Vol #121 – August to September 2018

Greetings. Apologies for the latest I have ever been in releasing a mix (and I think, late for only the second time in 15 years)… Summer is over but it has been a pretty good one! There’s no theme or a whole lot of thought put into this, just mostly brand new tracks that I’ve stitched together. Hope you enjoy.

01) Ron Gallo – It’s All Gonna Be Ok: Ron Gallo’s third album, Stardust Birthday Party, is going to be released on the 5th of October and this is the lead single. If it’s half as good as Heavy Meta then we’re in for a treat.

02) The Beths – Great No One: New Zealand quartet The Beths may have released the catchiest record this year (Future Me Hates Me), which also blends two of my favourite opposites, sad lyrics but bright, upbeat music!

03) Bad Moves – Spirit FM: Washington DC’s Bad Moves just released their debut album, Tell No One, via Don Giovanni Records (which you may have been able to guess by listening to this track). If you want no-frills power-pop (as I often do!) then look no further.

04) Billy & Dolly – Everything is Off: I’m such a sucker for jangle guitars and arpeggios like this; I’m sure there are hundreds of songs that are note for note the same, but there’s something to be said for winning formulas. I don’t know a whole lot about this San Francisco duo other than they used to be in another band together called The Monolith.

05) Rolling Blackouts Coastal Fever – Talking Straight: It’s hard for Australian jangle-pop bands to steer clear of comparisons to the Go-Betweens but let’s not act like it isn’t a good thing anyway (and this song is about as Go-Betweens as it gets). The band released their debut album, Hope Downs, on Sub Pop in June and is filled with catchy tunes like this one.

06) Deeper – Trust is Yours: My buddy Felix sent me a song by this Chicago four-piece, which in turn led me to Rolling Blackouts Coastal Fever (previous track) as they were playing together at the Bowery (I decided not to go, however).

07) Weeping Icon – Jail Billz: Rough Trade had a 75% off end of summer sale on some records, one of which was Weeping Icon, who I had seen last year opening for Yvette. I’m trying to cut down on impulse purchases these days but my recollection of their unrelenting psych-noise from that show made me feel confident.

08) Nothing – Blue Line Baby: Dance on the Blacktop is Nothing’s third album, it sounds like a continuation of their previous album, 2016’s Tired of Tomorrow, with it’s heavy-shoegaze sound and loud-quiet-loud pattern. As I said earlier, there’s something to be said for winning formulas.

09) The Spirit of the Beehive – Hypnic Jerks: I can’t quite remember how I came about this Philly band originally, but I’d seen the name a bunch of times without actually listening to them. Thankfully I rectified that recently by giving their latest record a try (this is the title track), which is their third album and a wonderful mix of influences.

10) Big Bliss – Constants: I was impressed with Big Bliss when I first saw them years ago at Cake Shop (RIP) and after a few singles and an EP, they’re about to release their debut full-length, At Middle Distance.

11) Anna Calvi – Don’t Beat the Girl Out of My Boy: The years between Anna Calvi albums can be hard at times, but Hunter was released at the end of August (five years after the release of One Breath), and it really is a triumph. Managing to become more pop-oriented and arty at the same time (perhaps at the expense of some jaw-dropping guitar playing), I suspect it will be my favourite record of the year.

12) Mint Field – Ciudad Satellite: Keen listeners may remember this Mexican psych-pop band from Q#112 (“of course!” I hear you cry), and they have since released their excellent debut album, Pasar de las Luces. Having missed their live shows last year I was determined not to make the same mistake again and saw them at Baby’s All Right, which I’m sure will end up being one of my favourites of the year. I promptly ordered the record from Innovative Leisure and if you can find a more gorgeous sounding album this year then please let me know.

13) TV On the Radio – Family Tree: Dear Science turned ten years old this year, and the band just played it in full at Knockdown Centre to celebrate. It was a good show, but it does seem like they can only get their live sound right about 50% of the times I’ve seen them. Anyway, it’s clearly a phenomenal record (and not even their best!), and you can’t fall in love with a record again if you never stopped in the first place, but it has seemed like a treat revisiting it.

14) Shannon Shaw – Broke My Own: Releasing a solo album (Shannon in Nashville) outside of your main band (when you are the front person) often screams “these songs weren’t good enough for the band but I wanted to put them out anyway”, but Shannon Shaw has managed to sound distinct enough from her day job to fully warrant the decision, in fact, I probably enjoy it far more than anything Shannon and the Clams have released to date. I caught her debut solo show at Coney Island on a scorching day last month, which for the most part was under-rehearsed and lost some of the magic in this production, but it was still very good.

15) Molly Burch – Wild: Molly Burch’s second record, First Flower, will be released by Captured Tracks on the 5th of October and is a little brighter than her so-relaxed-it-was-horizontal debut Please Be Mine.

16)The Mountain Goats – Song for Ted Sallis: John Darnielle doesn’t release as many Eps these days as he used to but having confessed that in the press-release for Hex of Infinite Binding, it seems like we might be able to enjoy a resurgence of the format in the Mountain Goats discography.

17) Adrianne Lenker – Symbol: Big Thief’s Adrianne Lenker is doing her best to fill the Mark Kozelek void in my life since he hasn’t been able to write a coherent song in years. This beautiful finger-picked song doesn’t really stray from what Big Thief do but Capacity was one of my favourite albums of last year.

18) Ricky Lewis – See You in the Morning: This is the title-track to Ricky Lewis’ debut album that just came out. I loved this song to begin with, then something bothered me about it, which was that I couldn’t place who I was getting it mixed up with, then I realised that it sounds exactly like Withered Hand, then I liked it again having gotten over that mental hurdle.

19) The Babe Rainbow – Supermoon: Another Aussie band graces this mix with this effortlessly groovy psych-pop from their record Double Rainbow (there’s a lot of rainbows going on here).

20) Thou – In the Kingdom of Meaning: Baton Rouge sludge/doom-greats Thou have had a very productive year, putting out three excellent Eps and a full-length record, Magus. This song showcases everything great about the record in just under ten minutes (but really, check out the album, you can’t have too much of a good thing).
As always, Peace and Love - Q

Please note that the zip file has a password: QCOMPS.BLOGSPOT  
Download mix frohttp://www.mediafire.com/file/y5sgaugadtjjdyu/Q121.zip/file