Showing posts with label Eyelids. Show all posts
Showing posts with label Eyelids. Show all posts

Tuesday, 24 March 2020

Q#130 - February to March 2020


Please note that the zip file has a password: QCOMPS.BLOGSPOT  


Now with added Spotify playlist at end of notes.


Q's Compilations
Vol #130 – February to March 2020

Blimey. It has been quite the eventful start to the year, and almost entirely bad! I don’t have any particular words of wisdom during the corona pandemic other than listen to the science, stay inside and be rational. I finished this mix up before things started going particularly crazy!

01) Rush - The Spirit of Radio: Just one of the other terrible events that started the year off, Rush drummer/lyricist Neil Peart died in January after suffering from brain cancer for three years. A deeply private person, the news came as a shock and remains hard to process. This live version of Spirit of Radio was released on the 40th anniversary of Permanent Waves.

02) Eyelids - The Accidental Falls: Members of Eyelids have worked with Decemberists, Elliott Smith, Stephen Malkmus and were also Robert Pollard‘s backing band as Boston Spaceships. This is the title-track to their most recent album, and like their previous EP, was produced by Peter Buck of REM-fame, the record itself is excellent and I made sure to buy it during Bandcamp’s recent waving of their fee so that musicians got more money.

03) Nada Surf - So Much Love: I recently saw Nada Surf for the 21st time, promoting their new album Never Not Together. There is a dedication to Ric Ocasek of The Cars, who produced their debut album (1996’s Let Go) and died in 2019, and as well as the written dedication there’s certainly a big influence in many tracks on the album itself (they also covered Just What I Needed at recent shows).

04) Seratones – Power: I had the pleasure of catching Seratones play a show at Rough Trade in January, the groups second album, Power is more of a classic soul record with, as the title suggests, plenty of punch to it. In classic soul style, a tight and highly skilled band drives the songs but are ultimately a platform for front-woman AJ Haynes to steal the show, she should be a star.

05) Caroline Rose - Feel the Way I Want: Superstar is Caroline Rose’s fourth album, and her slickest to date. This tune is the lead single from the record and has the kind of effortless swagger and pop-sensibility that everyone could use right now.

06) The Wants – Container: Guitarist/producer Madison Velding-VanDam has been busy the last few years, playing guitar in Bodega and now fronting The Wants. This is the title track from their debut album and the post-punk-white-boy rhythm on this tune stood out for me. The record is pretty strong in general and jumps through a few styles, recommended if you like any of those classic post-punk sounds of the early 80s.

07) Fat Tony - Get Out of My Way: Two years after the excellent 10,000 Hours, Houston rapper Fat Tony has just released Wake Up. The record is full of collaboration but it’s the tracks he takes the lead on that stand out the most for me.

08) Destroyer - It Just Doesn't Happen: We’re probably at the point where we shouldn’t call Destroyer “Dan Bejar of The New Pornographers’ band”, the discography at this point. Dan’s been on a bit of a roll for a while now and Have We Met is the twelfth Destroyer album and has an overt 80s influence that works wonderfully. 

09) Gladie - A Place for Different: Philly punks Cayetana called it a day last year and Gladie is the latest band from frontwoman Augusta Koch. Following up an EP from 2018, the band just released debut full-length Safe Sins. There’s a greater emphasis on melody and a little electronic percussion but Koch’s lyrics are as personable as ever.

10) Deeper - Lake Song: Chicago quartet Deeper first featured on Q#121 back in 2018, and the band are set to release their second album Auto-Pain on the 27th of March (I’ve pre-ordered it). Based on the strength of the songs they’ve released so far, and that I heard them play live, it could end up being one of my favourite releases of the year.

11) Drab Majesty – Elipsis: I was looking through some old bookmarks trying to find some final inspiration to round off this mix and stumbled upon Drab Majesty (I have no idea when I bookmarked the bandcamp page) and the 80s pop sound seemed to fit well. This track is taken from Modern Mirror which was released last July.

12) Video Nasties - Drone Eagle: My good friend Andrew Field has been putting out records with foundation-shaking riffs for a couple of years now (https://apfrecords.bandcamp.com/) and the latest release on APF Records is Video Nasties’ new record Dominion. It’s a cracker, with the odd horror-synth influence to go with the in-your-face guitars and drums.

13) Soul Asylum - Spinnin': I probably hadn’t listened to Soul Asylum in over a decade but saw they were playing a show at Bowery Ballroom in February and thought… why not, I’d never seen them before. I always had a soft-spot for them growing up and while it was a bit of a nostalgia check-box, I’m glad I went and reconnected with a band that I hadn’t given much thought of for a while. This song opens the band’s fifth album, 1990’s And the Horse They Rode In On.

14) Virginia Trace - Hello Lou Reed: This tune is the lead single from Vincent's Playlist, which isn’t due out until May and the obvious influence for the lyrics and the music is in the title. Anyone or anything related to Chile’s Blow Your Mind Records will always prick my ears.

15) Aaron Lee Tasjan - Heart Slows Down: I hadn’t heard of Aaron Lee Tasjan until I saw him opening solo for Nada Surf at the start of the year, his demeanour and songs were an instant hit and diving into his back catalogue was a treat.

16) Anna Calvi (ft Courtney Barnett) - Don't Beat the Girl Out of My Boy: Anyone that lets me talk long enough at any point since July 2009 will have heard me rave about Anna Calvi. She’s not the most prolific artist but everything she releases is solid gold. Following 2018’s Hunter, Calvi went back and revisited some rough versions of those songs and opened them up for some collaboration with the likes of Courtney Barnett on this song.

17) Fog Lake - New York: Aaron Powell just has a knack of concocting lo-fi melancholia that always leaves you wanting more. You may remember I’ll Be Around from Q#126 and this is just as gorgeous. Sadly the corona virus has led to the cancelation of his show at Rough Trade in April (and I’m shocked that’s the first time I’ve written that sentence in these notes as it also applies to at least four other acts on this mix I had plans to see).

18) A Winged Victory for the Sullen – The Slow Descent Has Begun: The Undivided Five is A Winged Victory for the Sullen’s third full studio album and was released last November. It’s hard to say anything new about the ambient/neo-classical duo, they simply excel in the genre.

19) Shell of a Shell - Don't Expect: Nashville act Shell of a Shell just put out their debut album Away Team on Exploding in Sound Records (which happens to the be label’s 100th release) and it is a complete triumph. Led by Chappy Hull, who has been playing guitar in the band Pile since 2018, it’s certainly in the same ballpark as Pile and highly recommended for fans of the band. This track has a little bit of everything that you get on the album rolled into one epic song.

As always, Peace and Love - Q

Friday, 29 March 2019

Q#124 - February to March 2019



Please note that the zip file has a password: QCOMPS.BLOGSPOT  
Download mix from  https://www.mediafire.com/file/ytrttq5rjrq97oa/Q124.zip/file

Now with added Spotify playlist at end of notes.

Q's Compilations
Vol #124 – February to March 2019

Happy Spring, everyone! This mix is mostly a mish-mash of things I’ve liked in passing in recent weeks/months but haven’t spent enough time listening to, so it’s a way to keep them in my mind as much as anything else. I’d like to say it was a well-thought out ode to the change of season but it was thrown together pretty quickly and often times those are the mixes that are more immediately satisfying to me.

01) Petal – Better Than You: Kiley Lotz’s second full-length album as Petal, Magic Gone, was released in June last year and is equally at home rocking out or with solo guitar/vocal tunes. I’m going with the former to open this mix, and with two full length albums and a debut EP, I’ve enjoyed everything in the discography to date.

02) Soccer Cousins – Holy Smokes: Quite often when writing my “Top 5 Shows of the Weekend” column I end up listening to a dozen or so acts I’ve never hear of before, one of those occasions led me to Soccer Cousins, who have a couple of jangle-infused Eps to date.

03) Eyelids – It’s About to Go Down: This Portland band have some excellent indie credentials, and their last EP, Maybe More, was produced by REM’s Peter Buck. Members of Eyelids have worked with Decemberists, Elliott Smith, Stephen Malkmus and were also Robert Pollard‘s backing band as Boston Spaceships.

04) King Tuff – Thru the Cracks: 2018 saw the release of The Other, King Tuff‘s fourth record, featuring some excellent guest performances from the likes of Ty Segall, Jenny Lewis, Greta Morgan, Mikal Cronin and more. Gone are the 70s classic rock influences and guitar hooks of the last couple of releases, they’ve been replaced with a kaleidoscope of psychedelic pop. Certainly one of those underappreciated records that got forgotten on end-of-year lists (ours included).

05) Flasher – Pressure: Washington D.C.’s Flasher released Constant Image via Domino Records, in June and it does an incredible job of taking a host of influences but packaging up into something distinct. There’s some Magazine, a little Pixies, some Flying Nun sounds, all nicely packaged up in a coherent record. The band features former Priests bassist Taylor Mulitz on guitar.

06) Better Oblivion Community Center – Dylan Thomas: Put two folk-indie-darlings in Conor Oberst and Phoebe Bridgers together and you have Better Oblivion Community Center, their self-titled album was released in January and it’s a very nice record. One critique might be that the album sounds exactly like you’d think it would sound without hearing it based on the collaborators alone.

07) Lala Lala – Destroyer: The Lamb, Lala Lala‘s second album, was released in September via Hardly Art and is absolutely bursting with melody. It’s the kind of record you discover something new each and every time you listen to it, even the melancholic moments (which is possibly the default state of the album) somehow possess a beauty that the best pop songs struggle to capture.

08) Anya Marina – Over You: New York singer-songwriter Anya Marina just released a new EP called Over You, and this is obviously the title-track. I recently saw her at Rockwood Music Hall and while I probably preferred the guitar/bass/drums live version we got, this more pop-oriented tune is still excellent.

09) Molly Nilsson – Gun Control: Swedish synth-pop maestro Molly Nilsson released her eighth album, Twenty Twenty last November and she just writes great songs…

10) Current Joys – Fear: Lo-fi tales of heartache, what could be better? Different Age by Current Joys is a delectably downbeat joy. I’d write more, but I think I nailed it just there.

11) Matt Kivel – L.A. Coliseum: One of my favourite songwriters of the last few years is Matt Kivel, so I was delighted to see his announcement of an upcoming album in May called Last Night in America. This is the only song released from it at the time of this mix, but I’m sure it’s going to be another gorgeous album.

12) Garcia Peoples – Wold’s Illusion: Portland (Oregon) act Garcia Peoples are in a creative streak, having released Cosmic Cash last August, the band are releasing another record, Natural Facts this month (which features this track).

13) The Zells – Brunch: Pittsburgh’s The Zells sound like they should have come from Brooklyn’s Shea Stadium scene. Alas, Shea is no longer around but I’ll take any band that reminds me of it. Failure to Slide was released in October on Crafted Sounds. “Go fry some eggs an’ shit.”

14) Weakened Friends – Blue Again: We had a Portland, Oregon band earlier (Garcia Peoples) so here’s a Portland, Maine band for balance. It’s hard for me to dislike any act on Don Giovanni records and Weakened Friends keep that record going. Big 90s vibe on this and that is not a bad thing.

15) Drahla – Twelve Divisions of the Day: Leeds has had good post-punk cred over the years and Drahla keep that tradition going swimmingly. Recently signed to Brooklyn’s Captured Tracks which seems like a great fit.

16) Vundabar – $$$: Boston trio Vundabar released their third album, Smell Smoke, last year, which married melodic hooks and anthemic choruses with without somehow sounding like an indie-pop band (though this track is maybe a bit more like Ty Segall / Thee Oh Sees).

17) Dark Blue – Waterfront Crystals: I saw Dark Blue at Death By Audio in 2014, just as their debut album was coming out (and the venue was sadly about to close), I thoroughly enjoyed their set but then they went off my radar a bit. The Philly rockers have just released their third album, Victory is Rated, and this is the first song from it. They haven’t changed a whole lot, but in this case, it’s not a bad thing.  

18) Have a Nice Life – Defenestration Song: Connecticut duo Have A Nice Life have released two full length records that mash up industrial, shoegaze, goth, post-rock,drone and doom (basically all the upbeat genres). This is taken from 2014’s Unnatural World.

19) Daughters – Ocean Song: I have my friend Pete to thank for turning me on to Daughters’ excellent 2018 album, You Won't Get What You Want, which was a well deserved entry in our top 25 albums of the year post. I saw them live a few weeks ago and whilst the first couple of songs made me wonder why they had such a great reputation as a live band, they went on to play an incredible set.

20) Hilary Woods – Inhaler: Dublin artist Hilary Woods released her debut solo album, Colt, on Sacred Bones, and it’s a beautifully soothing record. Awash with layers of piano and synth, it really is quite lovely. I hadn’t realised that Woods was the bassist in JJ72, an indie-rock trio who had a couple of decent records in 2000 and 2005 (I saw them opening a show in Oxford in the early 00s and it’s bugging me that I can’t quite place it, The Bluetones, perhaps)

And that’s it! Hope there were things to like on here, I’m pretty happy with it. Looking forward to a trip to Greece, summer concerts and more in the coming months.

As always, Peace and Love - Q

Please note that the zip file has a password: QCOMPS.BLOGSPOT  
Download mix from  https://www.mediafire.com/file/ytrttq5rjrq97oa/Q124.zip/file



Now with added Spotify playlist at end of notes.

https://open.spotify.com/user/vmkqube/playlist/6vpog3cB1loorhSbYHOB4n?si=LBzVONbWT4CcmVHA7zeAKg