Showing posts with label Radiohead. Show all posts
Showing posts with label Radiohead. Show all posts

Tuesday, 31 May 2016

Q#107 April – May 2016



Please note that the zip file has a password: Q107
Download mix from: http://www.mediafire.com/download/k3d0o3abkx30tx7/Q107.zip

Q’s Compilations
Volume #107 April - May 2016

It seemed like summer was never going to arrive, but as I sit here suffering the worst sunburn I’ve ever had trying to get this out before the end of the month, I’m thinking it could have stayed away! Other things got the better of me for a while but I’m starting and finishing this off in about a week, so forgive me if it seems a little rushed, there are some great things on here though!

01) Ought - Men for Miles: If I could revise the “best of 2015” mix I made, Ought would be on it. I’d go so far as to say that Sun Coming Down may now be my single favourite album of 2015. I saw the band last year and thought they were great, but for some reason never listened to the album as much as I should have, but with some time and catching another show, I was just blown away. The band don’t do a whole lot on stage and most of the songs are mid-paced but it’s somehow incredibly intense and engaging. If you have a chance to see them, don’t pass it up, and in the meantime be sure to get Sun Coming Down.

02) Pants Exploder – Nerve: Sometimes you just want no-frills riffs and sludgy, down-tuned guitars. In a particularly susceptible mood, I saw Pants Exploder at The Acheron and they ticked every box and the band’s self-titled debut is a true delight for fans of the genre.

03) Music Band - Green Lights: I saw Music Band supporting Diarrhea Planet last year and they threatened to steal the show, which is no mean feat given that Diarrhea Planet are one of the best live bands on earth right now. I’m not sure the band’s record collection contains anything after 1976, and that’s no bad thing when you’re in the mood for some classic rock. Their debut album, Wake Up Laughing, will appeal to anyone looking for more of the same here.

04) Arrogance - Peace of Mind: Part of the Numero 12 series, Arrogance’s Knights of Dreams is a lost classic rock gem if ever there was one. Formed in North Carolina, the band cut this record before turning in a more acoustic direction. “Life’s a joke I’ve come to find”

05) Ryley Walker - Primrose Green: I saw Ryley Walker at Austin Psych Fest last year and was impressed without being wowed (my overriding feeling was that if I wanted to listen to Tim Buckley I would listen to Tim Buckley), but after multiple recommendations from a work colleague and other friends I decided to buy Primrose Green and it really is a lovely folk record. While his influences are worn firmly on his sleeve, there is more than enough spirit pushing through and the playing is exemplary.

06) Radiohead - Decks Dark: Usually when a hugely important band in your life releases a new record there is an uncontrollable excitement when you can’t wait to listen to it, but after 2011’s rather limp King of Limbs, I was fairly nervous about what they would come up with. I was prepared for a 6/10 album and probably would have been happy with that, but A Moon Shaped Pool gets an 8/10 in my book and while perhaps a bit one-paced, is a fine addition to the discography of Oxford’s greatest export.

07) Gaz Coombes – Detroit: Speaking of Oxford, Supergrass frontman Gaz Coombes released his second solo album, Matador, in January 2015, and it’s an understated delight. I caught one of his shows at Rockwood Music Hall recently and maintain that Supergrass were always loved yet always underappreciated.

08) Holy Fuck - Xed Eyes: Toronto’s Holy Fuck just released Congrats, their first album in 5 years (Q#75 was their last inclusion!), and their fourth in total. The album is a fine addition to their real-drums-and-bass blend of dance-elecronica, and I’m hoping to catch one of their shows in July.

09) Wimps – Dump: This Seattle trio make incredibly catchy, endearing tunes, and their album, Suitcase, is a no-brainer if you want some lo-fo-ish indie. I write this as my apartment is looking particularly like a dump right now…

10) Field Music – Disappointed: There probably hasn’t been a whole lot of good music (or anything) from Sunderland, but Field Music are an exception. While the XTC and Talking Heads influences seem pretty obvious, if anything it just makes you miss those bands and thankful that a band this can pull it off so well. I saw the band at Rough Trade recently and it was one of the more enjoyable shows of the year, with brothers David and Peter Brewis swapping between guitars/vocals and drums. “This has been going on, So long I can't believe it, I made mistakes at the start, And it seems you can't forgive them”

11) Wall - Cuban Cigars: This Brooklyn quartet veer more to the wire-y guitar sound that seems to have been underused in the last few years, I was impressed with their set opening for Fear of Men recently and the band’s debut EP is well worth a listen for anyone else that misses this kind of guitar tone.

12) Summer Twins – Demons: There is no shortage of sunny sounding garage rock bands from the west coast and sisters Chelsea and Justine Brown aren’t rocking the boat in that sense, and it won’t be surprising to hear that they’re signed to Burger Records either. With that information alone you can probably tell if you’ll like it or not before listening. Obviously I’m all in favour.

13) Dick Diver - Hammock Days: Australia’s Dick Diver just had their first two albums re-issued in the US, and this is taken from their debut, 2011’s New Start Again. Australia has a good reputation for producing jangly indie-pop bands and Dick Diver may just be the best.

14) The Posies - We R Power!: The Posies are one of my favourite bands of all time, and it seemed surprising to realise that it had been six years since Blood/Candy was released. Unfortunately the band have suffered some hardships recently, including the sudden death of drummer Darius Minwalla (who once called me out at a Posies show for wearing a Rush shirt, his favourite band) and former bassist Joe Skyward. Ken Stringfellow and Jon Auer ventured forth, however, and have just released Solid States, and if you know the Posies at all then you know they are one of the best songwriting duos of all time. I managed to catch the band play a show in someone’s apartment recently, which was a surreal, yet great experience.

15) Bambara - An Ill Son: Brooklyn based trio Bambara have been together since 2009 and bludgeoned their way through almost impenetrable Birthday Party-esque tunes all the while. However, the band’s latest album, Swarm, managed to rein things in just enough to let the songs and vocals shine through.

16) Texas is the Reason - A Jack with One Eye: Having never previously heard of the band, I felt a little guilty to end up at one of their shows recently (which is a rarity, the show sold out in no time). They only had one album, Do You Know Who You Are? from 1996, and while it seemed like I was gate-crashing a private fan club, I came out with a new-found appreciation.  

17) The Montgomery Express – Who: This Florida-based funk band only cut one record in 1974 called The Montgomery Movement. The effortlessly cool shuffle of this tune can make you get lost and suddenly 3 minutes have sailed by. Singers Paul Montgomery and Charles Atkins were both blind and self-taught musicians.

18) Britta Phillips - Luck or Magic: Perhaps best known as the bassist in Luna, Britta has just released her debut album of which this is the title track. It’s a lovely album with 5 originals and 5 covers (of which, The Cars’ Drive is the best-known tune), with analog synths ruling the day for the most part, but everything serves as a platform for Britta’s vocals, which just have enough (unjustified) lack of confidence to really draw you in. “There is no other feeling like the one in the beginning

19) Jimmy Carter and Dallas County Green - A Night of Love: A lost 70s country rock classic, Summer Brings the Sunshine is a true delight. We’ve all lost count the number of times one thinks “this should have been huge” and you could probably slot this record alongside a bunch of Neil Young’s efforts.

20) Robbie Fulks - Try Leaving: You can know nothing about Robbie Fulks, or even country and folk music, and have a great time at one of his concerts. He played this tune the last time I saw him which actually comes from a collection of throwaway recordings, but the song hits home a bit too hard not to include it. I picked up a couple of his albums so expect further inclusion at some point. “There’s only one thing that you haven’t done. Try leaving, try not to come back this evening, try to stay gone”.

21) David Kauffman - Kiss Another Day Goodbye: I’m closing out this mix, as I often do, on a bit of a downer. I maintain that the saddest songs are often the most beautiful, and this is definitely one of the saddest songs I have ever heard! Details on Kauffman are a little scarce, but his struggles of life and creativity are pretty vivid in this offering, and thankfully though his collaborative album with Eric Caboor is titled Songs from Suicide Bridge, neither succumbed to taking their own lives. “I went out to grab a cup of coffee and left my dreams behind. The California sun was all I had for breakfast, and it burns.”
Well there you go!

Until next time

Peace and love - Q 


Please note that the zip file has a password: Q107
Download mix from: http://www.mediafire.com/download/k3d0o3abkx30tx7/Q107.zip

Monday, 23 March 2015

Q#100 - February - March 2015



Please note that the zip file has a password: Q100
Download mix from: https://www.mediafire.com/?csk4s0ue4luemxt

Q’s Compilations
Volume #100 February – March 2015

Well this is number 100… the first in this series was September 2002, and the first 50-or-so mixes were monthly rather than once every two months! Not quite sure how I managed to keep that up so long, but here we are. I guess I wanted to do something commemorative for it, and this is basically a collection of my very favourite songs, things that make me tick and get to the very essence of my passion for music. Of course, no amount of tinkering could actually make me happy with the end result because you worry about things left off, but as a snapshot, this is probably as good as I could have done.

01) Rush - Bastille Day (live): In an ideal world I’d just throw on 2112, but real estate is limited to 80-minutes on these mixes and time constraints do play a major part. This version is taken from the third disc of Different Stages: Live, recorded at the Hammersmith Odeon in 1978 (my Dad was actually at this show). While it’s not Geddy’s strongest vocal, there’s something about the performance and the amps seem turned up a notch from previous years. Is there a better way to open a gig than with this riff?

02) The Posies - Definite Door: Frosting on the Beater is quite possibly the best power-pop album ever made, and that’s a bold statement, but almost every song is hit after hit (not commercially speaking!). I first heard this song on a mix a friend made for me, which really just goes to show the worth of doing these things. I can only hope I’ve introduced one band to someone who went on the love them as much as I love The Posies. Thanks Andy. “Better cross your heart, make it people proof”

03) TV On the Radio - The Wrong Way: I remember reading about Desperate Youth, Bloodthirsty Babes from a magazine called Plan B (I bought it because Stephin Merrit was on the front cover), and the description was such that I just had to hear it. TV On the Radio were probably the first band of the new millennium that I got incredibly excited about… and they opened the door to a passion for new music in general. I became a fan just before the record came out but somehow missed them in Oxford by about a week. I actually spoke to Kyp Malone in New York shortly after I moved here and he thanked me for not being at that show as they almost broke up as a result of it, he said it was that bad! I doubt that, I’d have still wanted to be there!

04) The Flirtations - Nothing But a Heartache: The question of “what is my favourite song of all time?” has had an easy answer for the last few years, it’s this one. It’s just absolutely perfect, from the lead and vocal harmonies, the horns and don’t forget the incredible bass! They never bettered this song, or even really came close, but that’s ok when you give something this fantastic to the world.

05) Otis Redding - Security: Thinking of an Otis song to use was one of the hardest tasks for this mix. In the end I went with the classic Security, it swings and Otis’ vocals have that clear emotion that few could rival. Overall, I prefer the intensity of the live material, with In Person at the Whisky a must for any home in my opinion, but one of my most treasured possessions is my Definitive Otis Redding 4-CD box set.

06) Big Star - September Gurls: I’d probably put this forward as the most beautiful sounding song of all time, those guitars alone make my bleary-eyed every time I hear them, I’m struggling to even write about this because I just want to put this on repeat. In fact, stop doing what you’re doing and buy Radio City, assuming you’ve been leading an empty existence to this point and down have it already. That wooo-ooohhh at 2:20 kills me every time. “I loved you, well, never mind, I've been crying all the time”

07) Nada Surf - Always Love: I tend to think or Del Amitri and Rush as my default favourite/most important band but that order should probably go to Nada Surf. They were the first band I felt like I had discovered on my own, hearing Popular in the UK when it came out, where it wasn’t the hit it was in the US, going out and buying the record with what little money I had as a teenager and just pouring all over it. They’ve always felt like my band more than any other. I also think Matthew Caws is a criminally underrated lyricist. “To make a mountain of your life, Is just a choice, But I never learned enough, To listen to the voice that told me, Always love, Hate will get you every time, Always love. Don't wait til the finish line”

08) XTC - The Mayor of Simpleton: As an Oxford boy it’s hard to admit that anything from Swindon is of worth to humanity. However, XTC have contributed some of the finest pop-rock songs, this song appeals to my pathetic, hopelessly romantic side. “Well I don't know how to tell the weight of the sun, And of mathematics well I want none, And I may be the Mayor of Simpleton, But I know one thing, And that's I love you.”

09) REM - Fall On Me: The first song I ever liked was Man on the Moon, you could say I was a bit of a latecomer to music, I’d have been 10 I think when that song came out, but I put that down to pop-music in the 80s being a bit naff. REM are probably the only band I find it hard to be objective about, I just love everything (apart from Around the Sun, which is really a damp squib). If I had to pick a favourite album it may well be Life’s Rich Pageant, and this song just has all the ingredients that made them a fantastic band.  

10) Radiohead - Let Down: Oxford’s greatest export, the one-two punch they delivered with The Bends and OK Computer is surely up there with the best. I remember the weeks leading up to the release of OK Computer there was such incredible excitement, it seemed like an event that certainly no-one has come close to since (at least not locally). Picking Let Down for this mix probably just shows how much of a miserably bugger I am, but I do often find the saddest songs to be the most beautiful.  “Let down and hanging around. Crushed like a bug in the ground”

11) Red House Painters - Summer Dress: My first exposure to Mark Kozelek was hearing Have You Forgotten on the Vanilla Sky soundtrack, and I might have put that version on if I had the time, but I swiftly picked up the 2-cd Retrospective that 4-AD put out, it actually took a few listens for it to get under my skin, but now I’m firmly one of those ugly dude obsessives that Koz writes about so often!

12) Tim Buckley - Song to the Siren (Live - Monkees TV Show): This song, and this version in particular, might be the most significant of my life, it captured a certain time so perfectly and painfully. A love that seemed unobtainable. I haven’t listened to it in a while and now it just makes me feel sad. I really should have also found the time to fit Jeff Buckley on this mix as well… “Did I dream you dreamed about me?Were you hare when I was fox? Now my foolish boat is leaning, Broken lovelorn on your rocks”

13) Del Amitri - Nothing Ever Happens: My love of Del Amitri is completely unapologetic, and they are probably the least cool band to have ever existed. They were my first absolute and complete obsession. I’m still slightly amazed I got to interview Justin Currie last year: http://freewilliamsburg.com/interview-justin-currie/ and I’ll just copy and paste something I wrote from that piece: “There are three certainties in life: death, taxes, and Justin Currie’s ability to write moving lyrics for the lonely, heartbroken, misanthropic and disenfranchised; sprinkled with just enough hope for us all to carry on.” This song also features the greatest lyric ever written “Computer terminals report some gains in the values of copper and tin, While American businessmen snap up Van Goghs for the price of a hospital wing”

14) The Flaming Lips - Do You Realise?: I think this song captures mortality better than any other, with an unbridled realism and beauty. The Oklahomans also put on some of the best shows I have ever seen as well, but their studio output doesn’t really get the credit it deserves IMO.

15) Guided By Voices - Glad Girls: Bob Pollard is one of the most prolific artists around, to the point where he has released a lot of average material, but when Guided By Voices get it right, and they frequently do, the results are spectacular. This song shouldn’t really seem that special, but it never fails to get my pulse racing and want to jump around. While it probably isn’t a shared opinion, if I really had to pick a favourite GBV album it probably is Isolation Drills.  

16) The Church - The Unguarded Moment: In a 35-year career, have these Aussies ever released a bad album? I’m not sure (I can’t claim to have all 17), but they also lay claim to this song, which I first heard on the Children of Nuggets boxset, and I think as a result, I do prefer this single-edit as opposed to the album version.

17) Porcupine Tree – Synesthesia: I very, very rarely listen to PT these days, whose run from Up the Downstair until In Absentia (6 albums between 1993-2002) is amongst my most loved of any band. This version is from the original 1993 release, with electronic drums, which I much prefer. The album got a re-issue a few years ago with real drums but it just doesn’t work for me.

18) Ann Peebles - Trouble, Heartache & Sadness: As I was making this mix I was starting to realise how little soul I had on here, which is definitely a mistake… fortunately after a bit of fine-tuning I managed to squeeze on this lovely Ann Peebles tune. Straight from the Heart is my favourite soul record, despite the annoying trait to fade out every single song before the 3-minute mark. I never understood why Quentin Tarantino never used this in a film. “Heartache, stop knockin' at my window, I don't wanna hear what you have to say, You can go down your list of trouble, And be on your merry way”

19) Max Richter - On the Nature of Daylight: I’ll end this mix with a couple of classical pieces, the first is by Max Richter, which is fairly well known and has been used in at least a couple of movies (Stranger than Fiction and Shutter Island spring to mind), but The Blue Notebooks is a lovely collection as it is.

20) Arvo Pärt - Spiegel Im Spiegel: You might need to turn the volume up a little on this one, but I couldn’t not include my favourite piece of music of all time, and it seemed like the right thing to end with. There are many versions of this piece but by far and away the best are on Alina. I can barely get through this without feeling overwhelmed, it’s just the very best of the best. Spiegel Im Spiegel means Mirror in the Mirror in German, and the music is in the tintinnabular style, that Part basically created.

This mix probably describes me as a person better than I can with words. I love every track dearly, and I hope at least one person discovers a new favourite, or at least makes them think about a song they love to the very core of their being. Sometimes it feels like the only thing we have.

Until next time, probably not another 100, but who knows…
Peace and love - Q