Showing posts with label TV On the Radio. Show all posts
Showing posts with label TV On the Radio. Show all posts

Monday, 23 March 2015

Q#100 - February - March 2015



Please note that the zip file has a password: Q100
Download mix from: https://www.mediafire.com/?csk4s0ue4luemxt

Q’s Compilations
Volume #100 February – March 2015

Well this is number 100… the first in this series was September 2002, and the first 50-or-so mixes were monthly rather than once every two months! Not quite sure how I managed to keep that up so long, but here we are. I guess I wanted to do something commemorative for it, and this is basically a collection of my very favourite songs, things that make me tick and get to the very essence of my passion for music. Of course, no amount of tinkering could actually make me happy with the end result because you worry about things left off, but as a snapshot, this is probably as good as I could have done.

01) Rush - Bastille Day (live): In an ideal world I’d just throw on 2112, but real estate is limited to 80-minutes on these mixes and time constraints do play a major part. This version is taken from the third disc of Different Stages: Live, recorded at the Hammersmith Odeon in 1978 (my Dad was actually at this show). While it’s not Geddy’s strongest vocal, there’s something about the performance and the amps seem turned up a notch from previous years. Is there a better way to open a gig than with this riff?

02) The Posies - Definite Door: Frosting on the Beater is quite possibly the best power-pop album ever made, and that’s a bold statement, but almost every song is hit after hit (not commercially speaking!). I first heard this song on a mix a friend made for me, which really just goes to show the worth of doing these things. I can only hope I’ve introduced one band to someone who went on the love them as much as I love The Posies. Thanks Andy. “Better cross your heart, make it people proof”

03) TV On the Radio - The Wrong Way: I remember reading about Desperate Youth, Bloodthirsty Babes from a magazine called Plan B (I bought it because Stephin Merrit was on the front cover), and the description was such that I just had to hear it. TV On the Radio were probably the first band of the new millennium that I got incredibly excited about… and they opened the door to a passion for new music in general. I became a fan just before the record came out but somehow missed them in Oxford by about a week. I actually spoke to Kyp Malone in New York shortly after I moved here and he thanked me for not being at that show as they almost broke up as a result of it, he said it was that bad! I doubt that, I’d have still wanted to be there!

04) The Flirtations - Nothing But a Heartache: The question of “what is my favourite song of all time?” has had an easy answer for the last few years, it’s this one. It’s just absolutely perfect, from the lead and vocal harmonies, the horns and don’t forget the incredible bass! They never bettered this song, or even really came close, but that’s ok when you give something this fantastic to the world.

05) Otis Redding - Security: Thinking of an Otis song to use was one of the hardest tasks for this mix. In the end I went with the classic Security, it swings and Otis’ vocals have that clear emotion that few could rival. Overall, I prefer the intensity of the live material, with In Person at the Whisky a must for any home in my opinion, but one of my most treasured possessions is my Definitive Otis Redding 4-CD box set.

06) Big Star - September Gurls: I’d probably put this forward as the most beautiful sounding song of all time, those guitars alone make my bleary-eyed every time I hear them, I’m struggling to even write about this because I just want to put this on repeat. In fact, stop doing what you’re doing and buy Radio City, assuming you’ve been leading an empty existence to this point and down have it already. That wooo-ooohhh at 2:20 kills me every time. “I loved you, well, never mind, I've been crying all the time”

07) Nada Surf - Always Love: I tend to think or Del Amitri and Rush as my default favourite/most important band but that order should probably go to Nada Surf. They were the first band I felt like I had discovered on my own, hearing Popular in the UK when it came out, where it wasn’t the hit it was in the US, going out and buying the record with what little money I had as a teenager and just pouring all over it. They’ve always felt like my band more than any other. I also think Matthew Caws is a criminally underrated lyricist. “To make a mountain of your life, Is just a choice, But I never learned enough, To listen to the voice that told me, Always love, Hate will get you every time, Always love. Don't wait til the finish line”

08) XTC - The Mayor of Simpleton: As an Oxford boy it’s hard to admit that anything from Swindon is of worth to humanity. However, XTC have contributed some of the finest pop-rock songs, this song appeals to my pathetic, hopelessly romantic side. “Well I don't know how to tell the weight of the sun, And of mathematics well I want none, And I may be the Mayor of Simpleton, But I know one thing, And that's I love you.”

09) REM - Fall On Me: The first song I ever liked was Man on the Moon, you could say I was a bit of a latecomer to music, I’d have been 10 I think when that song came out, but I put that down to pop-music in the 80s being a bit naff. REM are probably the only band I find it hard to be objective about, I just love everything (apart from Around the Sun, which is really a damp squib). If I had to pick a favourite album it may well be Life’s Rich Pageant, and this song just has all the ingredients that made them a fantastic band.  

10) Radiohead - Let Down: Oxford’s greatest export, the one-two punch they delivered with The Bends and OK Computer is surely up there with the best. I remember the weeks leading up to the release of OK Computer there was such incredible excitement, it seemed like an event that certainly no-one has come close to since (at least not locally). Picking Let Down for this mix probably just shows how much of a miserably bugger I am, but I do often find the saddest songs to be the most beautiful.  “Let down and hanging around. Crushed like a bug in the ground”

11) Red House Painters - Summer Dress: My first exposure to Mark Kozelek was hearing Have You Forgotten on the Vanilla Sky soundtrack, and I might have put that version on if I had the time, but I swiftly picked up the 2-cd Retrospective that 4-AD put out, it actually took a few listens for it to get under my skin, but now I’m firmly one of those ugly dude obsessives that Koz writes about so often!

12) Tim Buckley - Song to the Siren (Live - Monkees TV Show): This song, and this version in particular, might be the most significant of my life, it captured a certain time so perfectly and painfully. A love that seemed unobtainable. I haven’t listened to it in a while and now it just makes me feel sad. I really should have also found the time to fit Jeff Buckley on this mix as well… “Did I dream you dreamed about me?Were you hare when I was fox? Now my foolish boat is leaning, Broken lovelorn on your rocks”

13) Del Amitri - Nothing Ever Happens: My love of Del Amitri is completely unapologetic, and they are probably the least cool band to have ever existed. They were my first absolute and complete obsession. I’m still slightly amazed I got to interview Justin Currie last year: http://freewilliamsburg.com/interview-justin-currie/ and I’ll just copy and paste something I wrote from that piece: “There are three certainties in life: death, taxes, and Justin Currie’s ability to write moving lyrics for the lonely, heartbroken, misanthropic and disenfranchised; sprinkled with just enough hope for us all to carry on.” This song also features the greatest lyric ever written “Computer terminals report some gains in the values of copper and tin, While American businessmen snap up Van Goghs for the price of a hospital wing”

14) The Flaming Lips - Do You Realise?: I think this song captures mortality better than any other, with an unbridled realism and beauty. The Oklahomans also put on some of the best shows I have ever seen as well, but their studio output doesn’t really get the credit it deserves IMO.

15) Guided By Voices - Glad Girls: Bob Pollard is one of the most prolific artists around, to the point where he has released a lot of average material, but when Guided By Voices get it right, and they frequently do, the results are spectacular. This song shouldn’t really seem that special, but it never fails to get my pulse racing and want to jump around. While it probably isn’t a shared opinion, if I really had to pick a favourite GBV album it probably is Isolation Drills.  

16) The Church - The Unguarded Moment: In a 35-year career, have these Aussies ever released a bad album? I’m not sure (I can’t claim to have all 17), but they also lay claim to this song, which I first heard on the Children of Nuggets boxset, and I think as a result, I do prefer this single-edit as opposed to the album version.

17) Porcupine Tree – Synesthesia: I very, very rarely listen to PT these days, whose run from Up the Downstair until In Absentia (6 albums between 1993-2002) is amongst my most loved of any band. This version is from the original 1993 release, with electronic drums, which I much prefer. The album got a re-issue a few years ago with real drums but it just doesn’t work for me.

18) Ann Peebles - Trouble, Heartache & Sadness: As I was making this mix I was starting to realise how little soul I had on here, which is definitely a mistake… fortunately after a bit of fine-tuning I managed to squeeze on this lovely Ann Peebles tune. Straight from the Heart is my favourite soul record, despite the annoying trait to fade out every single song before the 3-minute mark. I never understood why Quentin Tarantino never used this in a film. “Heartache, stop knockin' at my window, I don't wanna hear what you have to say, You can go down your list of trouble, And be on your merry way”

19) Max Richter - On the Nature of Daylight: I’ll end this mix with a couple of classical pieces, the first is by Max Richter, which is fairly well known and has been used in at least a couple of movies (Stranger than Fiction and Shutter Island spring to mind), but The Blue Notebooks is a lovely collection as it is.

20) Arvo Pärt - Spiegel Im Spiegel: You might need to turn the volume up a little on this one, but I couldn’t not include my favourite piece of music of all time, and it seemed like the right thing to end with. There are many versions of this piece but by far and away the best are on Alina. I can barely get through this without feeling overwhelmed, it’s just the very best of the best. Spiegel Im Spiegel means Mirror in the Mirror in German, and the music is in the tintinnabular style, that Part basically created.

This mix probably describes me as a person better than I can with words. I love every track dearly, and I hope at least one person discovers a new favourite, or at least makes them think about a song they love to the very core of their being. Sometimes it feels like the only thing we have.

Until next time, probably not another 100, but who knows…
Peace and love - Q 

Friday, 27 September 2013

Q#91 – August - September 2013


Please note that the zip file has a password: Q91
Download mix from: http://www.mediafire.com/?5wheblt4s9j1ysr

Q’s Compilations
Volume #91 – August – September 2013

Summer is finally starting to wind down as October rapidly approaches, I love all the events that happens but the heat and humidity are rapidly making it my least favourite season! Despite having the mix done well in advance I’m struggling to get his out the door by the end of my (self-imposed) deadline, the majority of this mix features bands I’ve seen live recently with a few scattered new discoveries.

01) Roomrunner - Bait Car: If there is a better record released this year than Ideal Cities then I’ll be very happy. The promo sticker on the album simply states Yes we’ve heard Nirvana, try harder. They have of course, featured previously on this series but Ideal Cities is their debut full length and this track also opens the record. If your ears survive the opening exchanges and piercing effects then well done. I’ve seen the band 3 times and something incredible happens every time.

02) California X - Pond Rot: California X have that sludgy desert-rock tone that seems to have been cruelly left behind by many bands. Despite the name, the band hail from Amherst in Massachusetts, and are on the Don Giovanni record label (more from then later).

03) Fuzz - Loose Sutres: Ty Segall is a man of many talents and an output that threatens to surpass Robert Pollard in terms frequency. With Fuzz, Segall takes his seat at the drumkit but it makes him no less a frontman as he is the vocalist. I saw Fuzz play a free outdoor show at Redhook Park in the summer and they were incredible. Catch them if you can, their debut album is out now. Their sound can be perfectly described with their name.

04) Primitive Hearts – Harmony: The west coast seems to be serving up a countless number of garage rock acts right now and Primitive Hearts are a fine compliment to the movement, if this doesn’t get your head nodding then you just don’t like rock and roll.

05) Brick Mower - Back to Haunt Me: I saw Brick Mower at Death By Audio back in February and was wowed by their set, to the point where (admittedly, I was probably drunk) I paid double for their CDs, insisting they didn’t need to break change from my $20, regardless, it was money well spent. Fans of Superchunk (who I seem destined to not see live!) should gobble this up. This track appears on their 2013 album My Hateable Face, via Don Giovanni records, both label and band are from New Jersey.

06) TV On the Radio – Mercy: My love for TVotR runs deep, and it is always a joy to hear a new song by one of your favourite bands (they are, for me, still the best band of this millennium), Mercy is perhaps the most straight forward rock song they have released since Wolf Like Me, and by all accounts came together very quickly. Let’s hope there is more around the corner and who knows, maybe an album!  

07) Bad Cop - Light On: This is the title-track from their recently released EP, which is a more controlled record compared to their debut album, Harvest the Beast, I had convinced myself I had already used a track from that but I guess I haven’t! I’ll rectify that soon I’m sure. Anyway, Light On has a swagger to it that I hope you’ll enjoy.


08) Bass Drum of Death - Shattered Me: I saw BDoD supporting Unknown Mortal Orchestra at the seaport in the summer and while I enjoyed UMO’s set, the night belonged to them. From Oxford (Mississippi, not England), John Barrett writes and records everything, while the touring band is now a 4-piece. They may be set for a sudden burst in popularity as the track, Crawling After You appears on Grand Thest Auto V.

09) Evans the Death - Telling Lies: This song has been my earworm since first hearing it on a free compilation of Slumberland Records acts, I hope you all enjoy it as much as I do. This appears on their self-titled debut released last year, while they are preparing for a follow-up release.

10) Gos Gos – Vacation: Another free outdoor concert, this time down at Coney Island was headlined by the Go Gos, I had initially went to see Tom Tom Club who were due to support, unfortunately it rained terribly all night and they could not play. I was starting to wonder if the whole night was worth it, but what the hell I was drenched by now anyway, thankfully after opening with this song the mood was transformed and the rain stopped shortly after.

11) Lost Boy? – Chew: I love the DIY venues in New York, one of which is Shea Stadium, who not only put on great acts but also record every artist that play and are free to listen to. I haven’t seen Lost Boy? yet but this was recorded from a set they played there.

12) They Might Be Giants - You're On Fire: This sort of comment may become boring, but I saw They Might be Giants play a free outdoor show at Prospect Park in August. There really are few things more wonderful than seeing a Brooklyn band playing a huge show in their own backyard. This track opens their latest album, Nanobots, which is a fine addition to their discography.  

13) Bad Girlfriend – Feelings: This song is a bit more dreampop than their previous efforts, which had a garage rock feel, but the change feels good. I keep missing them live so I hope I get to rectify that soon.

14) Mikal Cronin – Change: Another of my favourite records released so far this year is II, which is staggeringly consistent. This is one of the more rocking tunes on the album, on which Cronin plays almost every instrument. He played an incredible set at the Bowery Ballroom, his 12-string guitar ended up with about 3 strings by the end of the night. “Faith is just a lover I don’t know, love is just an answer I don’t know”

15) The Holydrug Couple - Long Rain: One of the centrepieces of my Chilean mix, I just felt moved to use another Holydrug Couple track. This particular song has gone through a few iterations in their discography so far, and I don’t have my computer with me to check which version this is as I type these notes at the last second, sorry!

16) Sharon Van Etten - Don't Do It: Sharon Van Etten is the artists I have listened to the most in the last 3 months (according to my last.fm stats at least, but I do not doubt it), her album, Tramp, was one of the finest of 2012 and she played an enchanting set at Googamooga this year in Prospect Park, after which I picked up her debut album, Because I was in Love and Epic, on which this song appears. This song seems fairly obviously about a friend with suicidal intentions, but I think the lyrics reflect a broad scope that leaves the listener with the chance to interpret them as they wish.

17) Future Bible Heroes - Living, Loving, Partygoing: Future Bible Heroes made a somewhat unexpected return this year with their third album, Partygoing. I usually lean towards the Stephin Merrit sang tunes on any of his project, but this Claudia Gonson-led tune is the centrepiece of the album.

18) Daniel Lopatin and Tim Hecker – Vaccination: Two of my favourite ambient/electronic artists collaborating on a record is enough to make one weak at the knees, albeit obviously in a sombre, reflective way. This song has a haunting quality to it, like your trapped in a graveyard waiting for rescue.

19) Fuck Buttons – Stalker: After a period of absence, Fuck Buttons finally return with perhaps their most focused and impressive album to date in Slow Focus, which they self-produced. I had conspired to miss seeing them live a few times whilst back in the UK so I’m looking forward to covering their show at Le Poisson Rouge in October.

I hope that was enjoyable! Also, check out my articles on www.mysociallist.com. October is looking like a hectic month with various gigs lined up.

Until next time
Peace and love - Q


Tuesday, 31 January 2012

Q#81 - December 2011 - January 2012


Please note the zip file has a password: Q81
Download link - http://www.mediafire.com/?fk28aqculjr8731


Q’s Compilations
Volume #81 – December 2011 – January 2012

Hello! Well this is my first compilation since moving to the New York and as usual with this time of year it’s a “best of” from the last 12 months. I haven’t really had a lot of time to comb through various sources to scout out albums and artists who I missed during the year, so this may seem a slightly obvious selection. I hope it’s an enjoyable compilation nonetheless, music didn’t take a backseat in 2011 but it occupied a bit less time overall with everything else going. I hope everyone had a good time over christmas and new year, I had a 4-week holiday which was quite nice! It was a shame that one of our greatest intellectuals, Christopher Hitchens, passed away in December, he will be missed for many reasons (and my inadequate tribute is here - http://someothersuckersparade.blogspot.com/2011/12/christopher-hitchens-1949-2011.html).

Now, on to the music…

1)    The Pains of Being Pure at Heart – Belong: The “difficult second album” syndrome seems to have skipped this band, Belong (this is the title track) is different enough from the first album to keep things interesting but is still full of sugar-sweet hooks.

2)    R.E.M. – All the Best: Unfortunately this fine band called it quits shortly after Collapse Into Now was released, I’m a bit of an REM fanboi and I certainly hope that we hear new music from them all in the future in some form (I suspect Peter Buck will keep himself the most busy of the three). The record continued the good form they had returned to along with Accelerate.

3)    Kurt Vile – Puppet to the Main: Smoke Ring For My Halo was one of those often talked about records over the course of the year (it was released in March) but I only got round to checking it out a couple of months ago. It’s a very good record and I’ll have to check out more of his stuff.

4)    Wilco – I Might: After a string of great records culminating with their best, A Ghost Is Born in 2004, Wilco have stalled a little bit for my tastes, but The Whole Love seems to be a record with a bit more to it than the previous couple. I probably should have used the opening track from the record, perhaps it will make an appearance on a future comp (though it wouldn’t have fit for time reasons, anyway).

5)    Jeffrey Lewis – Try It Again: I used Mosquito Rap last time out and wasn’t entirely sure what to use for this mix, I plumped for this simple, slightly uptempo tune which sees Jeffrey sing about one of his usual topics! A Turn in the Dream Songs may not have the immediate affect of previous album, ‘Em Are I but Jeffrey is consistently good, at worst!

6)    Tinariwen – Tenere Taqqim Tossam: I used Assouf back on my August 2010 compilation, and current album Tassili features guest performances on a few songs from Kyp Malone and Tunde Adebimpe from TV On the Radio, which just about guarantees my business.

7)    PJ Harvey – The Words that Maketh Murder: Let England Shake netted Polly a Mercury Prize this year (I’d have given it to Anna Calvi, personally) and it’s certainly a fine album, though I don’t think it’s her best, but it’s great that she is still putting out fabulously different albums. It’s an album that requires multiple listens as many of the songs have layers that need to be taken in before you appreciate a lot of the songs.

8)    Beastie Boys – Make Some Noise: Perhaps the obvious choice from Hot Sauce Committee Pt 2 but it really is a stonking tune.

9)    Puscifer – Telling Ghosts: I used The Weaver on the last comp, which I hope you liked, this song is a bit heavier and perhaps the two songs I’ve used don’t paint the whole picture of Conditions of My Parole, but they are fine songs indeed.

10) TV On the Radio – Repetition: Of course a TVotR album is going to make any “best of” that I put together, Nine Types of Light sees the band in great form though the year has been marred by the loss of Gerard Smith shortly after the record was released. I think of him as their 5th Beatle.

11) Vivian Girls – Vanishing of Time: Recorded at the end of 2010 but released in April 2011, Share the Joy is a slightly more polished record than previous efforts, with some real bubblegum pop sprinkled in amongst the regular feisty and punky efforts.

12) The Decemberists – This Is Why We Fight: The King Is Dead is a bit more of a low-key album than previous effort, The Hazards of Love, it has been criticised as being a bit too much like an R.E.M. album, which is not overly surprising since Peter Buck guests on 6 (I think) of the tracks. It’s a fine album, however.

13) Richmond Fontaine – The Escape: RF’s sprawling, story-album The High Country is certainly one of the highlights of the year, as with the last time I used a track from this album it may not work as well out of context but I’d certainly recommend it.

14) Yuck – Suck: Probably the alternative-media darlings of the year it would seem, Yuck’s self-titled debut was released early in the year and it’s always easy to forget about those once it comes to the end. Yes the record wears its influences proudly on its sleeve, but there’s still something about it that seems relevant and enjoyable today.

15) Okkervil River – We Need a Myth: While Arcade Fire continue to win the plaudits, Okkervil River continue to make better records, I Am Very Far is more layered than previous efforts and holds together remarkably well for a record that was recorded in multiple locations.  

16) Mogwai – George Square Thatcher Death Party: Hardcore Will Never Die, But You Will continues to see the band doing what they do very well. This must win the honour of “best song title of the year”!

17) Anna Calvi – The Devil: The best album of the year was Anna’s self-titled debut album, a really stunning record that I felt compelled to review on my blog (http://someothersuckersparade.blogspot.com/2011/07/anna-calvi-artist-and-album-review.html).

18) Radiohead – Separator: King of Limbs may seem a bit Radiohead-by-numbers these days, but that’s still no bad thing! The record takes a while to get going but the second half of the album is very strong.

19) A Winged Victory for the Sullen – All Farewells Are Sudden: I used the leading track from this self-titled album on the last compilation and it just a wonderful, wonderful record. For fans of ambient or classical music it’s a real treat.

And that’s your lot! Rushed notes, dodgy artwork and all the usual things I’m guilty of with recent compilations. Please let me know what you think, good or bad. I’m adjusting to life here a bit more quickly than I thought I would, though we haven’t been to any gigs yet! There are a bunch of interesting ones come up so I’m sure we’ll get to some soon.

Until next time
Peace and love
Q