Showing posts with label Betty Harris. Show all posts
Showing posts with label Betty Harris. Show all posts

Thursday, 30 November 2017

Q#116 - October to November 2017



Please note that the zip file has a password: QCOMPS.BLOGSPOT
Download mix from: https://www.mediafire.com/file/rqz2rf2iuwrp585/Q116.zip


Q's Compilations
Vol #116 – October to November 2017

Greetings to the final mix of the year… seems weird to type but here we are. It has been a topsy turvy year but I would not change the highs for anything.

01) Pinkwash - No Real Witness: I went to Princeton recently for hopefully the final time (work-related) and finally managed to time it for a visit to Princeton Record Exchange. Managed a reasonably-restrained $100 supermarket-sweep style run which included Pinkwash’s Collective Sigh album for a bargain $10 on vinyl. This tune opens the record and the pace doesn’t really let up from there.

02) Against Me! - Dead Rats: Took a friend to see Against Me! for their birthday recently at Brooklyn Steel. The only other time I had seen the band was at a surprise show at Saint Vitus and it was a bit of a hardcore-fans-only shitshow (from my perspective of never having heard a note of the band by that point). Anyway, fast forward a few years and I enjoyed this show a lot. This is from the Shape Shift With Me record from September 2016.

03) Bleached – Flipside: One of the opening bands for the Against Me! show was Bleached, who I hadn’t seen since my birthday in 2013, the band have gone a little more in a pop-rock, cleaner direction since then and, if anything, all the better for it. “I’m a basket case with a warm embrace”

04) Worriers - Future Me: Worriers just released their third record, Survival Pop, and it’s another dose of melodic pop-punk to follow-up the Laura Jane Grace-produced second album Imaginary Life (hey, that’s three Against Me things in a row). “When I leave you’ll never notice it. But I relive those years like phantom limbs”

05) Hazel English - Never Going Home: A bit of a change of pace here, Hazel English is an Oakland-based Aussie who makes the kind of treble-heavy, gorgeous synth and guitar music that was all the rage a few years ago but you don’t hear so much anymore. That might not be quite true, it’s just that Glasslands hasn’t existed for four years and that’s where I’d hear this kind of music the most. “Falling in, Inch by inch, I'm not resisting, And I'm addicted tonight”

06) Tim Darcy - Still Waking Up: Tim Darcy is the frontman of the magnificent Montreal band, Ought (who just signed to Merge Records), his debut album, Saturday Night, was released in February via Jagjaguwar. This is one of the more immediate tracks and has somewhat of a lullaby quality to it, I picked it up at Princeton Record Exchange and it’s different enough from Ought to justify the solo release. “Waking up alone, Was always a hard day's night, Oh-Ohh, Cause my head is full of popular songs, Old ones I never sang along to, Along to, Isn't it funny how that happens?”

07) Lee Ranaldo – Circular: Lee Ranaldo is my favourite member of Sonic Youth, and he continues to release interesting and challenging music that simply isn’t harking back to former glories (having said that, I do like Thurston Moore’s solo stuff too!). Electric Trim is Lee’s latest solo record and was released via Mute in September.

08) Josh Ritter - Thunderbolt's Goodnight: I bought a Josh Ritter album (Historical Conquests) when it came out probably ten years ago and liked it but never kept it in rotation and probably didn’t give him another thought until this year. I saw him live last month and he put on a good show, his lyrics really came to the fore. This tune in particular resonated pretty strongly and comes from his latest record, Gathering, which was released in September this year. “I see your face, In the window, I see your face in the reflections of the moon, I feel my own, Ancients shadows disappear when I am near to you, So take this heart, Take this feeling, take my dark and reeling mind, From these poor words, Find a meaning far deeper than these clumsy lines, And all my life, Before I met you, when I was trying hard in love, I thought the sun, Was going down, but the sun was comin' up”

09) Bill MacKay & Ryley Walker - Stretching My Dollar In Piano: I decided to get out of town for a few days so headed to Asheville. As always when I decide to go somewhere I scour for shows to attend and noticed that Bill MacKay and Ryley Walker were doing a show, I’d never heard of the former but admire Ryley’s work. Turns out the two of them have released two records together of instrumental acoustic music and thankfully it was exactly what I was in the mood for (earnest singer-songwriter lyrics would not have been welcome on yet another solo holiday).

10) A. Savage - Indian Style: Parquet Courts’ Andrew Savage just released his debut solo record, Thawing Dawn, and it’s a more melodic, often sombre offering than anything they’ve released. In one of those lost-in-translation moments between US and UK vernacular, I didn’t know that “indian style” meant sitting cross-legged until I heard this song.

11) The Beatles - Here, There and Everywhere: I saw Paul McCartney recently at Barclays Centre and he put on another excellent show, I was a little hesitant to see him again after the spectacular show I saw in 2010, but it was more than worthwhile. It got me thinking about underrated Beatles tunes and this might even be my second favourite song by them (after Here Comes the Sun). “Here, making each day of the year, Changing my life with the wave of her hand, Nobody can deny that there's something there, There, running my hands through her hair, Both of us thinking how good it can be”

12) Yeah Yeah Yeahs - Cheated Hearts: I’ve almost certainly used this song at some point, probably a decade ago so I’m not going to be feel too precious about repeats… anyway, the band played at Kings Theatre a few weeks ago and being the only venue I’ve ever been able to walk to, it was rude not to go. They played a blinder (graciously ignoring their only dud of a record, 2013’s Mosquito, almost entirely) and this has possibly my favourite YYYs song.

13) The Rubinoos - I Want to Be Your Boyfriend: One of the great powerpop songs, I’ve had this in my head a lot for the last couple of months so figured the best way to deal with it was to throw it on the mix. The Berkeley, California quartet played a couple of shows in New York in the summer and I’m pretty bummed I had to miss them. “Late at night when I, when I can't sleep, Picture in my mind, I see you and me, I, I'm telling you what I wanna be, You, you're saying you're in love with me, And oh, it feels so good in a dream, That I know in life it's just got to be, I wanna tell you...”

14) The Final Solution – Brotherman: Brotherman was to be a blaxploitation pic in the mid 70s and Final Solution were all set to do the soundtrack, but unfortunately the film was cancelled even before a single roll of film was shot. Thirty years later, the Numero Group did their thing and pulled the record together and it stands up wonderfully on its own.

15) Jackie Shane - Any Other Way: Another obscure treasure unearthed by Numero, Jackie Shane briefly made some waves in Toronto in the 60s. Born in Nashville in 1940 when being black and transgender alone would have been difficult, Shane identified as a woman in a man’s body by the time she was 13 and emigrated to Canada in 1959. This cover of the William Bell classic was her biggest success, reaching number 2 on the charts in Toronto, but since the early 70s she has been very much a mysterious recluse.

16) Betty Harris - Hook, Line & Sinker: Another Princeton purchase was Soul Jazz records 2-LP set The Lost Queen of New Orleans Soul, I already had one greatest hits package of hers on CD but couldn’t help myself. Both Mean Man and There’s a Break in the Road are two of my favourite songs of all time and this song just jumped out at me when it hadn’t distinguished itself before.

17) The Mountain Goats – Shelved: Despite not being hugely into the band’s latest effort, Goths, in comparison to other records, The Mountain Goats might be my second-most listened to act of the year and I caught them for the first time in a couple of years recently at Brooklyn Steel. This track is probably my favourite from the new record. The Peter Hook-esque bassline in the second half of the song is a pure delight.

18) The Afghan Whigs - Arabian Nights: Afghan Whigs are one of my favourite bands but their latest release, In Spades, was released in May and mostly passed me by. The record is pretty good but sometimes missing a band on tour when they’re supporting their latest efforts means I barely get round to listening to the album itself.

19) Super Static Fever - Areness For Fun: Here’s yet another Numero re-issue of a band that could scarcely have been more obscure. Existing for a couple of years and only playing a handful of shows, unfinished tapes from two recording sessions were mixed by Steve Albini.

20) L.A. Witch - Baby in Blue Jeans: Five years after the band released their demos and after a handful of single releases, the Los Angeles trio finally released a debut full length (self-titled) via Suicide Squeeze. If you like your rock from the reverb-drenched desert, then this should tickle your fancy.

21) Grizzly Bear - Sky Took Hold: Yet another band I like who released a record I’ve been a little underwhelmed by, Grizzly Bear released Painted Ruins, their first effort in five years. This tune is an absolute delight, however, and I probably owe the record a few more passes.

And there you go. I have to admit, this was somewhat hastily put together and I’ve written these notes on a pretty reclusive thanksgiving weekend


As always, Peace and Love. Hope everyone had a good 2017 and here’s to a better 2018 for all - Q


Please note that the zip file has a password: QCOMPS.BLOGSPOT

Download mix from: https://www.mediafire.com/file/rqz2rf2iuwrp585/Q116.zip

Sunday, 4 November 2012

Q#86 – October – November 2012




Note that the zip file has a password: Q86

 All files available at this link: http://www.mediafire.com/?5afxxso19rf8kkv



Q’s Compilations
Volume #86 – October – November 2012

Greetings! This is my Soul mix, a sort-of companion to the funk mix of Q#76, it is not meant as a “best of” or any kind of definitive selection, but is a rough guide to the genre and a nice contrast of established greats and obscurity. Regardless, it does contain some of my very favourites and while there are some obvious omissions, I think it’s an excellent compilation. I write these notes in the aftermath of hurricane sandy, feeling fortunate and grateful that I didn’t lose power or worse, as so many have.

01) Otis Redding - I Can't Turn You Loose (live): Otis was one of the greats and of course, should need no introduction. My favourite of his releases is the In Person at the Whisky A Go Go live album, recorded in 1966 on the sunset strip in LA (released in 68). The record is a whirlwhind experience, this is the first track on the record and Redding already sounds like he’s poured an incredible amount of energy into it. I love all the false endings too.

02) The Flirtations - Nothing but a Heartache: I have used this on a previous Q-Comp (#74), but it is probably my favourite song of all time and had to make another appearance for the purpose of this mix. There’s some great bass work going on here that is often missed.

03) Ann Peebles - What You Laid On Me: Along with Otis Redding’s In Person at the Whisky A Go Go, Peeble’s 1972 album Straight From the Heart is my favourite soul album. I’ve used a couple of cuts on previous comps, of course. The only blemish on an otherwise flawless record is the insistence to fade all the tracks out during the outro, it wouldn’t have hurt to let some songs end a bit more naturally! Again, check out the bass work on this track, beautiful.

04) Betty Harris - Mean Man: Harris made an appearance on my funk mix thanks to the delightful Break in the Road, which featured The Meters, but for the most part her recorded output is straight-up soul. This is probably her best song.

05) The O'Jays - For the Love of Money: Another band that featured on the funk mix, The O’Jays straddled both soul and funk as well as anyone, and I couldn’t completely leave funk unrepresented on a soul mix. This is on the Ship Ahoy (1973) record.

06) The Temptations - Psychedelic Shack: Another funky number, The Temptations are best known for their early period hits like the timeless My Girl, but after frontman David Ruffin left and was replaced by Dennis Edwards, they went through a style change from R&B motown numbers to a harder and trippy sound. This is an extended version of the song which was previously unreleased until the Psychedelic Soul compilation, an essential 2-CD collection if you like this. 

07) Lee Dorsey – Roverboat: Backed by The Meters, Dorsey’s 1970 Yes We Can album is an effortlessly varied record. Riverboat features a psychedelic groove which just flows over the whole song, sadly it’s over before you know it.

08) Black Merda - For You: This band were a rather shocking omission from the funk mix, so I had to make sure they made an appearance on this one. Considered to be the first all-black rock band, this track shows their soulful side, which opens their second album, Long Burn the Fire, originally released in 1972.

09) Curtis Mayfield - Keep On Keeping On: Another artist that needs no introduction, most people reach for the outstanding self-titled debut or Superfly, but Roots, released in 1971 (snuggled nicely between the debut and Superfly…) is up there with anything he released.

10) Sam Dees - Child of the Streets: Ask anyone who loves soul about Sam Dees and it’s likely they will wax lyrical about 1975’s The Show Must Go On, but he remains an obscurity to everyone else, mustering a depressing 5000 listeners on last,fm. I used Claim Jumpin’ on a previous mix, the album is hard to find so you’ll probably have to make do with a download, it really deserves a proper re-issue.

11) Johnson, Hawkins, Tatum, & Durr - You're All I Need to Make It: Led by Virgil Johnson’s distinctive vocal, this group sadly recorded very little, a paltry two 7” records on the capsoul label in 1971/72. This will divide fans who prefer their soul more gritty, but it really is a gorgeous song.

12) Irma Thomas - Turn My World Around: The queen of New Orleans soul, I’ve already featured two other songs from the resplendent 1973 release, In Between Tears, on previous mixes. Once again, pay attention to the bass!

13) The Four Mints - Row My Boat: Another forgotten gem in the soul world is The Four Mints’ Gently Down Your Stream album (another from 1973), which had no less than four strong candidates for this mix. Those who don’t really “do” smoother-soul would do well to give this a fair crack of the whip, there is a lot going on and it really gets under your skin.

14) The Charmels - As Long As I've Got You: The other track on this mix that I have used before (Q#79), I just love it too much to have left it off, and a bit like The Flirtations, there isn’t a song by the group that is near as good to have used instead. Another group who recorded a handful of songs then disappeared, this song was released on Stax in 1967 but has since garnered a cult following thanks to the Wu-Tang Clan, who sampled it.

15) Al Green - Tired of Being Alone: Another big hitter but I figure most casual listeners probably only know Let’s Stay Together thanks to Pulp Fiction (although, granted, this song did make #293 in Rolling Stone’s top 500 songs of all time). I’m not a huge Green listener, it gets a bit too smooth after a while but in small doses he’s as good as anyone and this 1971 single can’t help but induce an embarrassing sway from this particular listener.

16) Little Anthony and the Imperials - Goin' Out of My Head: Forming in the 50s, the group had a hit with their first release, Tears On My Pillow, after a few lineup changes, including Little Anthony pursuing a solo career, the group got back together and released this track in 1964. You’ll probably recognise the song, given that it’s been covered by a staggering number of artists (just find the wiki entry for this song).

17) The Web - The Same Old Me: Compilation and re-issue specialist label Numero released Cult Cargo: Belize City Boil Up in 2005, a wonderful mix of releases from Belize between 1960 and 1980. The compilation leans more towards reggae but includes this absolute gem of a tune, although perhaps part of the reason this song sits apart from the rest is that The Web moved away from Belize to the US.

18) Baby Huey - Listen to Me: Baby Huey is one of those “almost was…” stories, great voice, tight backing band, signed to Curtis Mayfield’s label, he should have been huge. He was huge, of course, physically, plagued with a glandular problem that kept his weight around the 400 pound mark, which contributed (as well as substance abuse) to his death in 1970 after a heart attack. The album was released after his death and is a bit of a patchwork attempt to fill some gaps to make an albums worth of material, which ends up giving the album a very uneven feel. We’ll never know what might have been released had he been healthy. Taken in isolation though, this song is more than worthy of being on the mix.

19) Eddie Finley And Cincinatti Show Band - Treat Me Right: Information about this group is hard to come by, but they are featured on the recently released Loving on the Flipside on Nowagain records, which I was going to buy, but the next time I went into Other Music they had sold all their copies, will try to get it later. The bass and guitar interplay on this song, coupled with Eddie’s gut-wrenching vocal is an absolute winner.

20) Charles Bradley - The World (Is Going Up in Flames): Part of Daptone’s revivalist label, you could be forgiven for thinking this is from the 70s, but is in fact a single release from 2007 (and featured on his debut album released in 2011, No Time for Dreaming).

21) Black Nasty - It's Not the World: Ending the mix with another relatively obscure but wonderful band, Talking to the People was released on Stax in 1973, but yielded little success, the fine mix of funk, soul and rock should have been a winning formula.

I hope this compilation has been of use, particularly for those that don’t generally listen to the genre. It was a lot of fun to put together, and I needed to put a compilation together a little earlier in the month than normal as I’m heading back home for a few weeks and didn’t want to have to worry about hitting my deadline.

Until next time
Peace and love - Q