Showing posts with label Gaz Coombes. Show all posts
Showing posts with label Gaz Coombes. Show all posts

Wednesday, 28 March 2018

Q#118 - February to March 2018



Please note that the zip file has a password: QCOMPS.BLOGSPOT 
Download mix from: http://www.mediafire.com/file/2ngercqazuojnnc/Q%23118.zip

Q's Compilations
Vol #118 – February to March 2018

Greetings and welcome to the first real mix of the year, I’ve got mostly brand-new releases for you in what is hopefully a year of being able to celebrate new things.

01) Superchunk – What a Time to be Alive: This is the title track to Superchunk’s first record in four years, and it might even be their first politically-tinged release. Wonder what could have led to that! It’s another triumphant and anthemic record in the vein of their last few records since Majesty Shredding. I can’t wait to see them twice in April. “To see the rot in no disguise, Oh what a time to be alive, The scum, the shame, the fucking lies, Oh what a time to be alive”

02) Jawbreaker – Jinx Removing: Having appreciated their influence but not really paid too much attention to the band over the years, their reformation still seemed like something I shouldn’t miss when they announced a show at Brooklyn Steel in February. The band didn’t disappoint and this tune in particular struck a chord. “I love you more than I ever loved anyone before, or anyone to come, Someone said your name, I thought of you alone, I was just the same twenty blocks away”

03) Hot Snakes – Death Campy Fantasy: Speaking of bands getting back together, I saw Hot Snakes back in November and they just released their first record since 2004’s Audit in Progress with Jericho Sirens via Sub Pop. This was one of the singles off the album (which I have yet to hear at the time of writing) which continues to prove that if you put Rick Froberg and John Reis together then little can go wrong.  

04) Screaming Females – I’ll Make You Sorry: The New Brunswick trio just released their 7th studio album, All At Once, and it’s a double record (I picked up the 3LP set with bonus demos), once again released via Don Giovanni. It’s their poppiest record yet, interspersed with perhaps some of their least commercial work to date, but All at Once is definitely about pop hooks and melody.

05) Jessica Lea Mayfield – Offa My Hands: Whilst scouring show-listings recently for inspiration I enjoyed a bunch of tunes by Jessica Lea Mayfield, her songs seem to have a perfect mix of melody and melancholy. She released her fourth record, Sorry Is Gone, last year. I ended up missing her shows at the Mercury Lounge and Bowery Electric recently but can hopefully catch a future show. “Every single DNA strand, Gotta wash you offa my hands”

06) Ruby Boots – Don’t Talk About It: Ruby Boots is an Aussie currently based in Nashville and this is another new release from February (this is the title track). While Rolling Stone called her one of the ten new country artists you should listen to, there’s plenty of rock and pop on a nicely varied record.

07) Rilo Kiley – Wires & Waves: The first song on the mix that isn’t from this year, and I can’t really tell you why I thought to put it on the mix, it just seemed to flow. Originally released in 2001, Take Offs and Landings captures the band at their most charming. While the band has officially broken up, one still hopes for a reunion.

08) The Men – Rose on Top of the World: Back to new releases, back on Sacred Bones following 2016’s self-released Devil Music, Drift is the group’s seventh album. This song could scarcely sound more like Meat Puppets if they tried, which is a good thing given how much I love them.

09) Anna Burch – Tea-Soaked Letter: Quit the Curse is Anna Burch’s debut record (via Polyvinyl) and I caught a lovely show at Rough Trade back in February in support of its release. There’s no re-inventing the wheel here, just nice jangle-pop.

10) Nada Surf – Stalemate: Celebrating the fifteenth anniversary of Let Go (or the sixteenth if, like me, you are far more used to the European release), New York’s finest band played the record in full at Brooklyn Steel recently. The performance was fantastic, but the second set was even better as they delivered a bunch of songs I had not heard them play in a decade (or more), including Stalemate from the band’s debut album, Let Go. Performed live, they even threw in their short cover of Love Will Tear Us Apart just like they used to do in the old days as well. It was perhaps the most fun I’ve ever had at a concert (they played a 31-song set in total) and try as I might, I feel like I always fail to convey how much the band mean to me.

11) B Boys – Discipline: This song was supposed to go on the last mix (my best-of-2017), I haven’t seen B-Boys play live since Death By Audio closed in 2014 and that seems like a gross oversight. Their debut album (Dada) was released last year on Captured Tracks.

12) Fletcher C Johnson – Summer: Whilst flipping through the discounted vinyl at Rough Trade I picked up Lesson in Tenderness for $5, which is fitting since I also bought his debut record for $5 at Rough Trade too. There’s a little more variety on this record but I seem to have chosen the song that sounds like it could have been on the debut!

13) Squeeze – Pulling Muscles (From the Shell): I’ve had a real Squeeze itch for about six months and I’m not sure where it came from (other than always liking Squeeze), so I picked up one of the numerous greatest hits packages. I’m a little bummed in hindsight that I didn’t catch a recent show at the Beacon theatre, but hopefully there will be future chances. 2017’s The Knowledge was a pretty good record, though this opens the classic ArgyBargy from 1980.

14) Anya Marina – Ordinary Dude: I was introduced to Anya Marina’s music on a trip to New Jersey last year and am catching a show in a few weeks, this tune is from her last record, 2016’s Paper Plane and appeals to the pop-sensibility of this mix. “You’re not some formula that I set out to prove”

15) David Byrne – Everybody’s Coming to My House: Having managed to get tickets to see David Byrne at the magnificent Kings Theatre in September, it probably seemed like a good idea to check out the single for his new record. Thankfully it’s a good one! “We're only tourists in this life, Only tourists but the view is nice”

16) Gaz Coombes – Deep Pockets: Supergrass main-man Gaz Coombes is set to release his third solo record, World’s Strongest Man, in May and he played a couple of shows in March in support of it. While the set was mostly devoid of Supergrass songs, the quality of his solo material meant it didn’t seem missed (though the biggest cheer of the night when I saw him was Moving by some distance!).

17) Ought – Desire: The Montreal quartet just released their third fantastic record, Room Inside the World, and their first on Merge Records. Desire is the second single from the record and shows how the band are growing as songwriters, it has a triumphant feel to it

18) Destroyer – Hey, Snow White: I bought a mystery vinyl bundle from Merge Records around Christmas time which ended up including Destroyer’s 2002 record This Night. He didn’t play this song when I saw him at Brooklyn Steel in January, but I just felt like throwing it on this mix. After the show I felt like I’d had my fill of rock-based saxophone, however (it was a good show)!

19) Cayetana – Easy to Love: Another song that I meant to put on last month’s mix (there are usually more than two, to be fair), New Kind of Normal was released last year via Plum Records and I saw the band twice, once opening for Waxahatchee and once opening for The Hold Steady. Keen listeners will remember Mesa from Q#113.

20) Aimee Mann – Paper Boats: To celebrate Let Go’s 15th anniversary (again… 16th if you’re European…), Nada Surf put out a charity album of bands covering its songs. The biggest name involved is Aimee Mann, who puts her own spin on the albums’ closer. It’s one of those covers that 100% captures the spirit of the original. “Sit on a train, reading a book, Same damn planet every time I look, Try to relax and slow my heartbeat, Only works when I'm dead asleep, Been thinking and drinking all over the town, Must be gearing up for some kind of meltdown”

I’m pretty pleased with this mix, it’s usually the ones with completely new songs that I’m most excited about and I hope you heard something that pricked your ear. Speaking of new, I’ll be living in a new apartment by the time the next mix gets released.

As always, Peace and Love
Q

Please note that the zip file has a password: QCOMPS.BLOGSPOT 
Download mix from: http://www.mediafire.com/file/2ngercqazuojnnc/Q%23118.zip

Tuesday, 31 May 2016

Q#107 April – May 2016



Please note that the zip file has a password: Q107
Download mix from: http://www.mediafire.com/download/k3d0o3abkx30tx7/Q107.zip

Q’s Compilations
Volume #107 April - May 2016

It seemed like summer was never going to arrive, but as I sit here suffering the worst sunburn I’ve ever had trying to get this out before the end of the month, I’m thinking it could have stayed away! Other things got the better of me for a while but I’m starting and finishing this off in about a week, so forgive me if it seems a little rushed, there are some great things on here though!

01) Ought - Men for Miles: If I could revise the “best of 2015” mix I made, Ought would be on it. I’d go so far as to say that Sun Coming Down may now be my single favourite album of 2015. I saw the band last year and thought they were great, but for some reason never listened to the album as much as I should have, but with some time and catching another show, I was just blown away. The band don’t do a whole lot on stage and most of the songs are mid-paced but it’s somehow incredibly intense and engaging. If you have a chance to see them, don’t pass it up, and in the meantime be sure to get Sun Coming Down.

02) Pants Exploder – Nerve: Sometimes you just want no-frills riffs and sludgy, down-tuned guitars. In a particularly susceptible mood, I saw Pants Exploder at The Acheron and they ticked every box and the band’s self-titled debut is a true delight for fans of the genre.

03) Music Band - Green Lights: I saw Music Band supporting Diarrhea Planet last year and they threatened to steal the show, which is no mean feat given that Diarrhea Planet are one of the best live bands on earth right now. I’m not sure the band’s record collection contains anything after 1976, and that’s no bad thing when you’re in the mood for some classic rock. Their debut album, Wake Up Laughing, will appeal to anyone looking for more of the same here.

04) Arrogance - Peace of Mind: Part of the Numero 12 series, Arrogance’s Knights of Dreams is a lost classic rock gem if ever there was one. Formed in North Carolina, the band cut this record before turning in a more acoustic direction. “Life’s a joke I’ve come to find”

05) Ryley Walker - Primrose Green: I saw Ryley Walker at Austin Psych Fest last year and was impressed without being wowed (my overriding feeling was that if I wanted to listen to Tim Buckley I would listen to Tim Buckley), but after multiple recommendations from a work colleague and other friends I decided to buy Primrose Green and it really is a lovely folk record. While his influences are worn firmly on his sleeve, there is more than enough spirit pushing through and the playing is exemplary.

06) Radiohead - Decks Dark: Usually when a hugely important band in your life releases a new record there is an uncontrollable excitement when you can’t wait to listen to it, but after 2011’s rather limp King of Limbs, I was fairly nervous about what they would come up with. I was prepared for a 6/10 album and probably would have been happy with that, but A Moon Shaped Pool gets an 8/10 in my book and while perhaps a bit one-paced, is a fine addition to the discography of Oxford’s greatest export.

07) Gaz Coombes – Detroit: Speaking of Oxford, Supergrass frontman Gaz Coombes released his second solo album, Matador, in January 2015, and it’s an understated delight. I caught one of his shows at Rockwood Music Hall recently and maintain that Supergrass were always loved yet always underappreciated.

08) Holy Fuck - Xed Eyes: Toronto’s Holy Fuck just released Congrats, their first album in 5 years (Q#75 was their last inclusion!), and their fourth in total. The album is a fine addition to their real-drums-and-bass blend of dance-elecronica, and I’m hoping to catch one of their shows in July.

09) Wimps – Dump: This Seattle trio make incredibly catchy, endearing tunes, and their album, Suitcase, is a no-brainer if you want some lo-fo-ish indie. I write this as my apartment is looking particularly like a dump right now…

10) Field Music – Disappointed: There probably hasn’t been a whole lot of good music (or anything) from Sunderland, but Field Music are an exception. While the XTC and Talking Heads influences seem pretty obvious, if anything it just makes you miss those bands and thankful that a band this can pull it off so well. I saw the band at Rough Trade recently and it was one of the more enjoyable shows of the year, with brothers David and Peter Brewis swapping between guitars/vocals and drums. “This has been going on, So long I can't believe it, I made mistakes at the start, And it seems you can't forgive them”

11) Wall - Cuban Cigars: This Brooklyn quartet veer more to the wire-y guitar sound that seems to have been underused in the last few years, I was impressed with their set opening for Fear of Men recently and the band’s debut EP is well worth a listen for anyone else that misses this kind of guitar tone.

12) Summer Twins – Demons: There is no shortage of sunny sounding garage rock bands from the west coast and sisters Chelsea and Justine Brown aren’t rocking the boat in that sense, and it won’t be surprising to hear that they’re signed to Burger Records either. With that information alone you can probably tell if you’ll like it or not before listening. Obviously I’m all in favour.

13) Dick Diver - Hammock Days: Australia’s Dick Diver just had their first two albums re-issued in the US, and this is taken from their debut, 2011’s New Start Again. Australia has a good reputation for producing jangly indie-pop bands and Dick Diver may just be the best.

14) The Posies - We R Power!: The Posies are one of my favourite bands of all time, and it seemed surprising to realise that it had been six years since Blood/Candy was released. Unfortunately the band have suffered some hardships recently, including the sudden death of drummer Darius Minwalla (who once called me out at a Posies show for wearing a Rush shirt, his favourite band) and former bassist Joe Skyward. Ken Stringfellow and Jon Auer ventured forth, however, and have just released Solid States, and if you know the Posies at all then you know they are one of the best songwriting duos of all time. I managed to catch the band play a show in someone’s apartment recently, which was a surreal, yet great experience.

15) Bambara - An Ill Son: Brooklyn based trio Bambara have been together since 2009 and bludgeoned their way through almost impenetrable Birthday Party-esque tunes all the while. However, the band’s latest album, Swarm, managed to rein things in just enough to let the songs and vocals shine through.

16) Texas is the Reason - A Jack with One Eye: Having never previously heard of the band, I felt a little guilty to end up at one of their shows recently (which is a rarity, the show sold out in no time). They only had one album, Do You Know Who You Are? from 1996, and while it seemed like I was gate-crashing a private fan club, I came out with a new-found appreciation.  

17) The Montgomery Express – Who: This Florida-based funk band only cut one record in 1974 called The Montgomery Movement. The effortlessly cool shuffle of this tune can make you get lost and suddenly 3 minutes have sailed by. Singers Paul Montgomery and Charles Atkins were both blind and self-taught musicians.

18) Britta Phillips - Luck or Magic: Perhaps best known as the bassist in Luna, Britta has just released her debut album of which this is the title track. It’s a lovely album with 5 originals and 5 covers (of which, The Cars’ Drive is the best-known tune), with analog synths ruling the day for the most part, but everything serves as a platform for Britta’s vocals, which just have enough (unjustified) lack of confidence to really draw you in. “There is no other feeling like the one in the beginning

19) Jimmy Carter and Dallas County Green - A Night of Love: A lost 70s country rock classic, Summer Brings the Sunshine is a true delight. We’ve all lost count the number of times one thinks “this should have been huge” and you could probably slot this record alongside a bunch of Neil Young’s efforts.

20) Robbie Fulks - Try Leaving: You can know nothing about Robbie Fulks, or even country and folk music, and have a great time at one of his concerts. He played this tune the last time I saw him which actually comes from a collection of throwaway recordings, but the song hits home a bit too hard not to include it. I picked up a couple of his albums so expect further inclusion at some point. “There’s only one thing that you haven’t done. Try leaving, try not to come back this evening, try to stay gone”.

21) David Kauffman - Kiss Another Day Goodbye: I’m closing out this mix, as I often do, on a bit of a downer. I maintain that the saddest songs are often the most beautiful, and this is definitely one of the saddest songs I have ever heard! Details on Kauffman are a little scarce, but his struggles of life and creativity are pretty vivid in this offering, and thankfully though his collaborative album with Eric Caboor is titled Songs from Suicide Bridge, neither succumbed to taking their own lives. “I went out to grab a cup of coffee and left my dreams behind. The California sun was all I had for breakfast, and it burns.”
Well there you go!

Until next time

Peace and love - Q 


Please note that the zip file has a password: Q107
Download mix from: http://www.mediafire.com/download/k3d0o3abkx30tx7/Q107.zip